Gérard Pesson Vídeos
compositor francés
- ópera, música clásica
- Francia
- compositor
Última actualización
2024-05-15
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Ictus Ensemble Gérard Pesson Opéra Lille 2019
Séance de répétition de Ictus Ensemble pour l'opéra Trois Contes de Gérard Pesson Première à l'Opéra de Lille le 6 mars 2019 (http•••)
Marion Tassou Gérard Pesson 2018
Provided to YouTube by harmonia mundi Cinq chansons: La chanteuse des rues · Instant Donné, Marion Tassou and Rémy Jannin Gérard Pesson: Musique de chambre, cantates ℗ Instant Donné Released on: 2018-06-29 Artist: Instant Donné Artist: Marion Tassou Artist: Rémy Jannin Auto-generated by YouTube.
Gérard Pesson Johannes Brahms Henry Lemoine Ensemble Recherche 1958 1998
Gérard Pesson +••.••(...)) : Nebenstück, filtrage de la Ballade Op.10 No.4 de Johannes Brahms pour clarinette et quatuor à cordes (1998) Start 0:08 Nebenstück by Gérard Pesson 1998 by Editions Henri Lemoine, Paris (http•••) Disclaimer: This video is just for promotion, and not for profit. I hold no right to the picture on the video nor the music itself. All rights reserved for the composer and the publisher. Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately. email: •••@••• Performance: Ensemble Recherche from the album Gérard Pesson - Mes béatitudes - æon - AECD 0106 Filtering Ballade opus 10 n°4 by Johannes Brahms for clarinet and string quartet. In transcribing a ballade by Brahms for two instruments, I have tried to fix objectively the strange contamination that exists between musical invention and memory. The works that haunt us often crop up when we think we have plucked an idea from nowhere, and as they spring back they colour our obsessions, for, in art, research is a concomitant of unceasing archaeology. This ballade from opus 10 literally haunted me for years, with its strange form, the absence of any high notes, the beauty of the opening barcarolle movement, and the central Cantando, where the melody is drowned by a shimmering texture, interrupted by a sort of chorale. If it stayed with me for so long, it is because I never heard it other than in my memory, where it gradually rusted, like something fallen into the sea. Trying to transcribe it was like trying to fish it out again. Discovering it was suitable and indeed contained what my own musical work had added, going so far perhaps as to conceal the ballad, when in fact it took on a precise shape, like coral growing on any matter close to hand, exaggerating the form it encloses. My memory had always multiplied those few bars where Brahms makes a chord turn in on itself, and in order to remain faithful to this false impression, I wrote them out as such. For instrumental reasons, the Brahms ballade has been transposed up a semitone to C major, a decisive key.
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): P...