Michel van der Aa Vídeos
compositor neerlandés
- música académica contemporánea
- Reino de los Países Bajos
- compositor, director de cine, productor discográfico, libretista
redes sociales
Última actualización
2024-05-09
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Janine Jansen Concertgebouw Orchestra Royal Concertgebouw Orchestra 2016
Provided to YouTube by CDBaby Violin Concerto: I. · Janine Jansen · Royal Concertgebouw Orchestra · Michel van der Aa Michel van der Aa: Violin Concerto - Hysteresis ℗ 2016 Michel Van Der Aa Released on: 2016-04-16 Auto-generated by YouTube.
Classical Music Discord: (http•••) OFFICIAL VIDEO: (http•••) Original BiliBili Upload: 【【米歇尔·凡·德·亚】近处 (Michel van der Aa - Up-Close) (2011)】 (http•••) Michel van der Aa ( b. 1970 ) Michel van der Aa (Dutch pronunciation: [ˌmixəl vɑn dər ˈaː]; born 10 March 1970) is a Dutch composer of contemporary classical music. Up-Close, for Cello, String Ensemble and Film ( 2010 ) In Michel van der Aa’s Grawemeyer Award winning cello concerto Up-close, the traditional interaction of soloist and ensemble is reflected by a mysterious, mirror reality seen on film. When the piece begins, a solo cellist and string ensemble sit on the right of the stage; on the left stands a large video screen. On the screen we see an elderly lady sitting among an arrangement of chairs and music stands that parallels the real-life version on the other side of the stage. It soon becomes clear that this is only one of a variety of interactions across a hall of mirrors created by the soloist, ensemble and film. Are the elderly woman and the cellist playing out the same role? The film is seen in excerpts ‘inserted’ into the music, so is the music driving the film, or the film the music? The music never ‘narrates’ the film, but somehow the two layers seem to extend one another around a common subject. Furthermore, the live instruments are augmented with an electronic soundtrack, which at some times seems closely related to their music and at others appears to derive from the ‘concrete’ sounds of the action on screen. Are these plural realities or versions of a single experience. Much is left unexplained and the course of the piece, including a striking coup de théâtre towards the end, provides no easy answers. One theme that does emerge, however, concerns loneliness. As in other Van der Aa pieces – such as the video opera One or the ensemble piece Mask – elements of an uncanny, inscrutable ceremony are never far away, and in Up-close these become part of the difficult ritual of human to human contact. (Read More: (http•••) Instrumentation for Cello, String Ensemble and Film Performer Sol Gabetta (cello) Amsterdam Sinfonietta Candida Thompson (artistic director) Vakil Eelman (actress) The music published in my channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform me immediately before you submit a claim to Youtube, and it will be my care to immediately remove the video accordingly. Your collaboration will be appreciated.
Louis Joseph Andriessen Reinbert Leeuw Susan Narucki Susan Bickley Vries Barbara Hannigan Sweelinck Witt Asko Ensemble Dutch National Opera 1003 1603 1939 1940 1998 2021
Composer: Louis Joseph Andriessen (June 6, 1939 – July 1, 2021) Electronic inserts by: Michel van der Aa Libretto: Peter Greenaway Orchestra: Schönberg Ensemble and Asko Ensemble conducted by Reinbert de Leeuw Catharina Bolnes, Vermeer's Wife: Susan Narucki Maria Thins, Vermeer's Mother-in-Law: Susan Bickley Saskia de Vries, Vermeer's Model: Barbara Hannigan Chorus: Dutch National Opera 00:00 Scene 1: Vermeer is away in The Hague. 03:09 Catharina's first letter to Vermeer: Saskia is returning to her home in Dordrecht. 06:12 Maria's first letter to Vermeer: She asks him to return soon. (7:53) Insert: "Violence" 08:17 She describes how the family misses Saskia (8:45) 10:03 And when Johannes met Catharina. 11:15 Catharina gave Saskia a shawl, once a gift from Johannes. 13:16 End of the letter: Catharina will write tomorrow about Cornelia's birthday. (14:19) Signatures 16:03 Scene 2: Cornelia's Birthday 19:40 Catharina's and Maria's second letters: Cornelia has turned 9. Maria is trying to have Saskia come back. (22:01) Insert: "explosion" 22:33 Catharina talks about the children: Gertruyd cut her hair to send to Saskia to get her to come back. 24:10 Maria describes her plan to get Saskia back. 25:50 Saskia's first letter to Johannes: she has arrived safely in Dordrecht. 29:36 Catharina and the family are excited for Johannes's return (30:27) Signatures 31:28 Scene 3 - 1 33:51 2 36:15 3 - Cornelia has swallowed varnish. (37:24) Chorus: Maria has bought ultramarine for Johannes. 38:37 4 - Duet of Maria and Saskia: Catharina is displaying symptoms of pregnancy. 41:03 5 - Catharina: Cornelia is sick from the varnish. 43:19 6 - Saskia: the baby will be a boy because of the blue Catharina is wearing. 45:46 7 - Maria: Catharina seems sicker this time. 48:04 8 - Saskia's signature (49:51) Catharina's signature 50:42 Scene 4 - 1 - Saskia's second letter: she asks how the children are doing 52:57 2 - Catharina worries about the family's finances. (54:23) Insert. Maria comments on the women in Johannes' paintings. 55:34 3 - Maria: "It's all women that you paint." (57:04) (57:35) Insert 58:24 4 - Catharina writes about how much they miss Johannes, and about their future. 1:00:49 5 - French invasion (1:02:13) Insert: "interruption streetfights" 1:03:16 6 - Saskia sings Sweelinck's "Mein junges Leben" 1:04:43 7 - "My mother bought me some music sheets..." (1:06:14) Maria sees Catharina writing 1:07:02 8 - Maria: "You paint us all writing so often." (1:07:47) Saskia tried to convince her father to visit cousins who live near Johannes. 1:08:58 Scene 5 - A little dance with the children 1:12:05 Catharina's fifth letter: a family outing at the fortifications (1:14:30) Insert: "halberds savagery" 1:15:14 Saskia: Her father introduces her to a potential suitor. (1:16:15) Joachim and Abraham show up to meet Saskia as part of Maria's plan. 1:17:34 Saskia's outing with Abraham. Maria hopes her plan is working. (1:19:24) Insert: "riots in snow" 1:20:08 (1:21:03) Maria: Saskia is coming back. (1:22:23) "Come back, Saskia." 1:23:35 Scene 6 1:26:21 Catharina and Maria's final letters: Johannes is coming home soon 1:28:31 Catharina worries what would happen if Johannes never came back (1:29:20) Insert: "The murder of Johan de Witt" 1:31:08 Catharina: "I would buy myself a mirror." Maria tells him about the gifts the children have made for his return. 1:33:24 They ask Johannes to come back quickly. (1:35:14) Maria's signature 1:35:40 A knock at the door 1:37:06 Saskia's final letter: she is coming back. (1:38:31) Saskia and Catharina are excited to see Johannes again. 1:39:14 Catharina's and Saskia's signatures. A flood envelops the city. Score available here: (http•••)
Rutherford Janine Jansen Vladimir Jurowski Concertgebouw Orchestra Royal Concertgebouw Orchestra
Listen and follow along with our B&H Study Score Video featuring the official publisher's score of Movement 3 of Michel van der Aa's Violin Concerto. From Tim Rutherford-Johnson's program note: "Van der Aa describes [the third movement] as very fast, performed at breakneck speed and close to the edge of possibility. Like Van der Aa’s other recent pieces – the opera Sunken Garden and the clarinet concerto Hysteresis – it also includes allusions to popular styles; in this case to jazz and bluegrass. With no electronics or video, the alter ego role familiar from many other Van der Aa pieces is taken up by the orchestra, which mirrors and balances the soloist, rather than playing a traditional accompanying role." Learn more about the piece: (http•••) Purchase the album: (http•••) Watch our other Study Score videos: (http•••) Recording: Violin Concerto Composed by Michel van der Aa Performed by Janine Jansen, violin with Vladimir Jurowski and the Royal Concertgebouw Orchestra Courtesy of Disquiet #BHStudyScores
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- cronología: Compositores (Europa).
- Índices (por orden alfabético): D...