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Richard Wagner Asher Asher Fisch Stefan Vinke Jennifer Zetlan Cecelia Hall Seattle Symphony Seattle Opera 2014
Provided to YouTube by The Orchard Enterprises Götterdämmerung, Act III: "Was leid’ ich doch das karge Lob?" · Richard Wagner · Seattle Symphony · Seattle Opera Chorus · Asher Fisch · Stefan Vinke · Jennifer Zetlan · Cecelia Hall · Renée Tatum Wagner: Der Ring des Nibelungen ℗ 2014 Seattle Opera Released on: 2014-09-09 Auto-generated by YouTube.
Daron Hagen Tchaikovsky Ned Rorem Leonard Bernstein Gary Graffman Nathan Gunn Jaime Laredo Gerard Schwarz Leonard Slatkin Bard Lotte Lehmann Douglas Moore Moore New York Philharmonic Philadelphia Orchestra Seattle Symphony American Composers Orchestra Buffalo Philharmonic Orchestra Orchestra Swan Seattle Opera Royal Albert Hall 1961 1984 2012
(Rec. July 23, 2012) Part I - It is a huge treat to have composer Daron Hagen come from New York to Philadelphia to talk to Russian Opera Workshop artists and audience. We were Curtis classmates and sitting in a restaurant at the Rittenhouse, across the park from our alma mater, and reminiscing, is a double treat. During dinner, Daron even got a call from Ned Rorem. What are the chances of that happening? Enjoy the video! - Ghena Short Bio: Daron Hagen was born in Milwaukee in 1961 and has been a New Yorker since 1984. A full-time composer of opera and concert music, he divides his time between family and composing. One of America's most versatile, prolific, and respected opera composers, all eight of his major operas are currently in production or revival somewhere in the U.S., Europe, or Asia. Mr. Hagen has collaborated with distinguished musicians such as Leonard Bernstein, JoAnn Falletta, Gary Graffman, Nathan Gunn, Jaime Laredo, David Alan Miller, Sharon Robinson, Gerard Schwarz, Leonard Slatkin, and Robert Spano, among others. His work has been widely commissioned and performed by most of North America's major musical institutions, and numerous institutions abroad, including the New York Philharmonic, Philadelphia Orchestra, National Symphony, Seattle Symphony, American Composers Orchestra, Curtis Symphony, Milwaukee Symphony, Buffalo Philharmonic, the Orchestra of the Swan (UK), Seattle Opera, Opera Theater of Ireland, as well as the Metropolitan Museum of Art, the Louvre, the Ullens Center for Contemporary Art (Beijing), and the Royal Albert Hall. His music (he has served frequently as conductor and collaborative pianist for recordings of his works) can be heard on the Albany, Arsis, Bridge, Clarion, Klavier, Naxos, and New World/CRI labels, among others. Among other honors, he has received the Guggenheim Fellowship, Kennedy Center Friedheim Prize, two Rockefeller Foundation Bellagio Fellowships, and the Seattle Opera Chairman's Award. A graduate of the University of Wisconsin-Madison, the Curtis Institute of Music and of the Juilliard School, he has taught at Bard College, the Curtis Institute of Music, and the Princeton Atelier, and fulfilled numerous composer-in-residencies around the U.S. He is a Lifetime Member of the Corporation of Yaddo, former president of the Lotte Lehmann Foundation, and a Trustee of the Douglas Moore Fund for American Opera. A complete list of his over 200 art songs, song cycles, and choral works, eight operas, four symphonies, twelve concerti, and over forty chamber works may be found, along with information about upcoming performances and premieres, at his website: www.daronhagen.com. — April 2012
Tichina Vaughn Verdi Angel Blue Eric Owens Woodcock Metropolitan Opera Seattle Opera Greek National Opera Staatstheater Stuttgart Opera Budapest Opera Graz Arena Verona Semperoper Theater Wien 1989 1990 1992 1996 1998 2003 2006 2010 2018 2019 2020 2021
Tichina Vaughn Interview on The Jim Masters Show LIVE as host Jim Masters welcomes the renowned mezzo-soprano to the show as his special guest. Tichina Vaughn has built a standout international reputation. Her formal vocal study began shortly after high school at Georgia State University, but her early years were steeped in musical activity: studying clarinet, playing in marching and concert bands, and singing as a choir member and soloist. Tichina received her Bachelor’s degree in Vocal Performance from the University of North Carolina School of the Arts in 1989. Even before her graduation, Tichina’s unmistakable voice drew attention from some of the world’s foremost opera houses – and after winning the 1989 Metropolitan Opera National Council Auditions, she joined the Met’s Young Artist Development program and made her stage debut there as Lily in the Gershwins’ Porgy and Bess in 1990. Tichina’s first leading role on a major opera stage, Amneris in a Seattle Opera production of Verdi’s Aida, arrived just two years later in 1992. Her interpretation sparked immediate attention from the opera community, and invitations to reprise the role began to pour in from companies around the globe. Soon, Tichina was recognized as an emerging Verdian mezzo-soprano, regularly taking on leading roles such as Princess Eboli in Don Carlos and the mezzo-soprano soloist in Verdi’s Requiem throughout the early 1990s. In 1996, Tichina made her European debut as Mistress Quickly in Staatstheater Stuttgart’s production of Falstaff, which marked the beginning of both her long relationship with the company and her robust European career. From 1998 to 2006, she continued to perform with the Staatstheater Stuttgart as a principal artist, eventually earning the distinction of Kammersängerin, the German honorific title for opera singers of the highest merit. Throughout her years in Stuttgart, Tichina’s list of signature roles blossomed as her aptitude for the works of Wagner became evident, culminating with her appearances as Fricka (Die Walküre) and Waltraute (Götterdämmerung) in the Staatstheater Stuttgart’s full recording of Wagner’s Ring cycle via Naxos in 2006. Now one of opera’s most sought-after mezzo-sopranos, Tichina has quite literally performed around the globe, with previous engagements on international stages including the National Opera Hong Kong, Greek National Opera, Budapest National Opera, Hamburg Opera, Opera Graz, and countless others. She made numerous appearances with the Arena di Verona summer festival in Italy starting in 2003, and from 2010 to 2018, she was engaged as a principal artist at Semperoper Dresden. In addition to her 1989 Metropolitan Opera National Council Auditions award, Tichina is the recipient of the Opera Index Vocal Award, Living Heritage Foundation Award, the Consul General’s Award for Cultural Diplomacy from the Consulate General Milan, and many other prestigious accolades.. Tichina returned to the Metropolitan Opera to reprise the role of Lily for the first time at the Met since her 1990 debut. She can be heard on the 2020 recording of the same production with Angel Blue and Eric Owens, which won Best Opera Recording at the 2021 GRAMMY Awards. An active voice teacher and mentor, Tichina returned to North Carolina in October 2019 and February 2020 as an artist-in-residence at her alma mater, the University of North Carolina School of the Arts. At UNCSA, Tichina led a series of master classes and mentored fellows of the A.J. Fletcher Opera Institute one on one, offering private vocal coaching and individualized career counseling. UNCSA School of Music interim dean Tony Woodcock described the residency as “a real plus for our graduate students as they transition to roles as entrepreneurial professional artists… and all of our voice students (are) inspired by her wisdom and her artistry.” Tichina has continued to perform,including an October 2020 production of Porgy and Bess with Austria’s Theater an der Wien. The current season includes role debuts at the Metropolitan Opera as the Innkeeper in Boris Gudonov and Maria in Porgy and Bess as well as house debuts in Boston (Champion), Cincinnati (Aida), and Utah (The Flying Dutchman). Subscribe to our YouTube channel and click the notification bell so you never miss any of our series episodes. If you enjoyed this video episode, please give it a thumbs up like and leave a comment for us! Thank you! Like! Follow! Subscribe! Facebook: www.facebook.com/jimmasterstv Instagram: www.instagram.com/jimmasterstv Twitter: www.twitter.com/jimmasterstv #TichinaVaughn #TichinaVaughInterview #TichinaVaughnsoprano #thejimmastersshow #thejimmastersshowlive #jimmasterstv
Greer Greer Grimsley Sweeney Seattle Opera McCaw Hall 2005 2013
Bass-baritone Greer Grimsley regularly thrills Northwest audiences as nefarious characters such as Scarpia and Sweeney Todd. Here is a short sample of his best-known Seattle Opera performance: commanding the stage as Wotan in 9 complete cycles of Wagner’s Ring between 2005 and 2013. He returns to McCaw Hall this May to portray another tortured Wagner hero: the legendary Flying Dutchman. Visit www.seattleopera.org/dutchman for tickets and information. [ Video and editing by Bill Mohn ]
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