J. K. Tyl Theatre Video
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Pelo Donizetti Verdi Maschera Puccini Bizet Madeira Dvořák Weber Mahler Bernstein Sir Charles Mackerras Smetana Humperdinck Hänsel Rossini Offenbach Barbara Hendricks Jonas Kaufmann Marco Armiliato Armiliato Jiří Bělohlávek Sem Estates Theatre Göteborgsoperan 1995 2000 2002 2005 2008 2011 2012 2016
Jana Sibera é graduada pelo Conservatório de Praga (2000) e pela Academia de Artes Cênicas (2005). Em 1995, ela apareceu pela primeira vez como convidada no Teatro Nacional e em 2000 começou a se apresentar na Ópera Estatal de Praga, que a contratou em 2002. Desde 1 de janeiro de 2012 é solista do National Theatre Opera. Em produções da Ópera Estatal e do Teatro Nacional, ela interpretou Zerlina (Don Giovanni) de Mozart , Susanna (Le nozze di Figaro), Rainha da Noite (Die Zauberflöte) e Despina(Così fan tutte), Lúcia de Donizetti (Lucia di Lammermoor), Violetta de Verdi (La traviata), Gilda (Rigoletto) e Oscar (Un ballo in maschera), Musetta de Puccini (La bohéme), Adele de Strauss (Die Fledermaus), Filina de Thomas (Mignon), Frasquita de Bizet (Carmen), e desempenhou os papéis de Turnspit e a Primeira Ninfa da Madeira (Dvořák: Rusalka), Clarisse (Weber - Mahler: Die drei Pintos), Cunegonde (Bernstein: Candide), o papel triplo de o Jovem Garçom / Criança Prodígio / Estudante em As Excursões do Sr. Brouček de Janáček (conduzido por Sir Charles Mackerras), Karolina (Smetana: As Duas Viúvas), Bystrouška (Janáček: A Pequena Vixen Astuta), Terinka (Dvořák: Os Jacobinos) , Gretel (Humperdinck: Hänsel und Gretel), etc. Seu repertório também inclui os papéis de Norina (Donizetti: Don Pasquale), Loira (Mozart: Die Entführung aus dem Serail),Fiorilla (Rossini: Il Turco in Italia) e Blaženka (Smetana: The Secret), que ela cantou no JK Tyl Theatre em Plzeň. Jana Sibera apareceu em mais de 40 apresentações de Don Giovanni na estagione de verão da Opera Mozart no Estates Theatre. Como convidada do Teatro Nacional Moravia-Silesia em Ostrava, ela interpretou Violetta, Ophelie (Hamlet), Eurydice (Offenbach: Orphée aux enfers) e Annina (Strauss: Eine Nacht em Venedig) de Verdi. Em junho de 2008 ela avançou para a final do Concurso Internacional de Vocal Barbara Hendricks em Estrasburgo, em 2011 e 2012 ela apareceu como Violetta em Gdansk, 2016 como Ophelie em Göteborgsoperan. Ela fez uma turnê no Japão e na Coréia do Sul com o National Theatre Opera. Jana Sibera colaborou com o tenor Jonas Kaufmann em seu aclamado CD de perfil lançado pela Decca. Os maestros com os quais trabalhou incluem Marco Armiliato, Sir Charles Mackerras, Jiří Bělohlávek, Jan Latham-Koenig, Guillaume Tourniaire e Enrico Dovico. ''JANA SIBERA é o tipo de soprano que consegue lançar uma nota perfeita, na ponta da cadeira, Glitter And Be Gay, sem piscar, captando todas as suas ironias e se demorando perigosamente no mi bemol agudo.'' (Larry L. Lash NOTÍCIAS DA ÓPERA)
Estates Theatre Národní Divadlo Provisional Theatre Portal Tyl František Škroup Karel Strakatý Weber Anton Rubinstein Rubinstein Karl Goldmark Gustav Mahler Nestroy Angelica Catalani Catalani Niccolò Paganini Wolfgang Amadeus Mozart 1783 1785 1787 1791 1798 1812 1826 1834 1848 1862 1920 1948 1990
Stavovské divadlo ( Source: Wikipedia) The Estates Theatre or Stavovské divadlo is a historic theatre in Prague, Czech Republic. The Estates Theatre was annexed to the National Theatre in 1948 and currently draws on three artistic ensembles, opera, ballet, and drama, which perform at the Estates Theatre, the National Theatre (Národní divadlo), and the Kolowrat Theatre (Divadlo Kolowrat). History The Estates Theatre was built during the late 18th century in response to Enlightenment thought regarding general access to the theatre, and theatres themselves demonstrating the cultural standards of a nation. The Estates Theatre was designed by Anton Haffenecker and built in a little less than two years for the aristocrat František Antonín Count Nostitz Rieneck. In its first few years of existence it was known as Count Nostitz's Theatre. The theatre opened in 1783 with a performance of the tragedy Emilia Galotti by the German playwright Gotthold Lessing. The building itself was constructed in a Neoclassical style and remains one of the few European theatres to be preserved in its almost original state to the present day. Its motto, Patriae et Musis "To the Native Land and the Muses"), which is inscribed above the portal, should also be noted as reflecting the original intentions of its creator. The Estates Theatre has undergone several changes in its history. It first acquired the name Royal Theatre of the Estates in 1798 when it was purchased by the Czech Estates. With the opening of the Provisional Theatre in 1862, the Theatre of the Estates was dedicated to a German ensemble and renamed the Royal Provincial German Theatre. During the period between 1920 and 1948 the theatre regained the name Theatre of the Estates and became affiliated with the National Theatre. In 1948 the theatre was renamed the Tyl Theatre (after dramatist J.K. Tyl) and would be known as such until 1990 when, at the end of an eight year reconstruction project, it became known again as the Estates Theatre. Productions and artists While the theatre was initially built with the intention of producing German dramas and Italian operas, works in other languages were also staged. Czech productions were first staged in 1785 in order to reach a broader Czech audience but by 1812 they became a regular feature of Sunday and holiday matinees. The somewhat political nature of these performances later led to idea of founding a National Theatre after 1848 with the defeat of the revolution and the departure of J.K. Tyl. Many of the founding Czech dramatists were involved in the Estates Theatre, such as the brothers Thám (Karel and Václav), J.K. Tyl, Ján Kollár, and so on. The first Czech modern opera, František Škroup's The Tinker, was staged here in 1826 and in 1834 the premiere of the song "Where is my Home?" (Kde domov můj) was performed by bass Karel Strakatý (words by Tyl, music by Škroup), which would later become the Czech national anthem. The Estates Theatre was not limited to native participants; many famous European artists were also active. Individuals such as Carl Maria von Weber, Anton Rubinstein, Karl Goldmark, and Gustav Mahler conducted at the Estates Theatre. Other famous names include the actors A.W. Iffland, F. Raimund, J.N. Nestroy, along with opera singer Angelica Catalani and violin virtuoso Niccolò Paganini. One of the Estates Theatre's many claims to glory is its strong link with Wolfgang Amadeus Mozart, who conducted the world premiere of his opera Don Giovanni here in October 1787. Also, in 1791, Mozart's La Clemenza di Tito was staged in public here for the first time in celebration of the coronation of Emperor Leopold II. It is the only theatre left standing where Mozart performed. Recent history The Estates Theatre currently offers performances of dramas, ballets and operas with the focus of the opera company on the work of Wolfgang Amadeus Mozart. A more contemporary claim to fame originates from the Oscar-winning film Amadeus, directed by Czech director Milos Forman. The scenes of Mozart in Prague were shot at the Estates Theatre for authenticity
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