Luigi Boccherini Quintetto d'archi n. 6 in Do maggiore, Op. 30 n. 6, « Musica notturna delle strade di Madrid » Video
Ultimo aggiornamento
2024-05-03
Aggiorna
Luigi Boccherini Christophe Coin Ilya Gringolts Gringolts Quartet 1743 1780 1805 2022
Luigi Boccherini (1743–1805) «La Musica Notturna delle strade di Madrid». Streichquintett in C-Dur op. 30, Nr. 6, G.324 (1780) 0:00 Ave Maria delle Parrochie 1:27 Minuetto de ciechi 2:37 Largo assai – Rosario 7:17 Los Manolos 9:38 Ritirata (con variazioni) Christophe Coin - Violoncello Gringolts Quartett Ilya Gringolts - Violine Anahit Kurtikyan - Violine Silvia Simionescu - Viola Claudius Herrmann - Violoncello / 8. Mizmorim Kammermusik Festival «Diáspora Sefardí» | 20.–23. Januar 2022 Tontechnik: Amadis Brugnoni | Video: OnStage Ltd Website: (http•••) Folgen Sie uns auf Facebook, Twitter und Instagram: (http•••) (http•••) (http•••)
Luigi Boccherini Crowe Alvarez Ivanov Olympia 1980 2003
The 5th part (Passa calle) of Luigi Boccherini's String Quintet in C Major, No.6, Op.30 (La Musica Notturna Delle Strade Di Madrid) is featured in the 1980 Al Pacino movie CRUISING and also the 2003 Russell crowe movie MASTER AND COMMANDER: THE FAR SIDE OF THE WORLD. It is accompnaied here by some nice works of art. Artwork in order of appearance. The Pretty Baa-Lambs - Ford Madox Brown A Modern Olympia - Paul Cezanne Perseus and Andromeda - Giorgio Vasari Descretion, The Better Part of Valour - Federico Andreotti Dressing for the Ball - Luis Alvarez Catala Cafe Terrace at Night - Vincent Van Gogh The Appearance of Christ Before the People - Alexander Ivanov The Course of Empire-The Arcadian or Pastoral State - Thomas Cole Oregon Trail - Albert Bierstadt River Landscape - Hendrick Avercamp The Nereides - Gaston Bussiere
Boccherini Alexandra Soumm Tai Murray Guilherme Ilumina Festival 2016
Ilumina Festival 2016, Jennifer Stumm, diretora artística Alexandra Soumm e Tai Murray, violino, Julia Gartemann, viola, Giovanni Gnochhi e Guilherme Moraes, cello, Joseph Conyers, contrabaixo , e o ensemble do festival. 1. Le campane de l’Ave Maria 2. Il tamburo dei Soldati 3. Minuetto dei Ciechi 4. Il Rosario (Largo assai, allegro, largo come prima) 5. Passa Calle (Allegro vivo) 6. Il tamburo 7. Ritirata (Maestoso)
Luigi Boccherini Rueda Garrison Luciano Berio 1743 1805
(http•••) Compositor (composer): Luigi Boccherini +••.••(...)) Título (title): Musica notturna delle strade di Madrid, C Major, G. 324 Op. 30 Modalidade (genre): Quinteto (Quintet) Instrumento (instrumentation): 2 violinos (2 violins); 1 viola, 2 violoncelos (2 cellos) Movimentos (movements): Le campane de l'Ave Maria / The Ave Maria Bell; the main church calls the faithful for the Ave Maria prayers. Il tamburo dei Soldati / The Soldiers' drum. Minuetto dei Ciechi / The Minuet of the Blind Beggars; Boccherini directed the cellists to place their instruments upon their knees, and strum them, like guitars. Il Rosario / The Rosary, a slow section not played in strict time. Passa calle / The Passacaglia of the Street Singers, known as Los Manolos, lower-class loudmouths; not a true passacaglia, yet imitates their singing. In Spanish, pasacalle denotes "pass along the street", singing as one seeks amusement. Il tamburo / The drum. Ritirata / the retreat of the Madrid military night watch; the Watch's patrol, announcing the curfew, and closing the streets for the night. Descrição (description): Musica notturna delle strade di Madrid describes the bustling streets of night-time Madrid; about the composition, critic Jaume Tortella writes: "Taking its inspiration from nocturnal street scenes of Madrid, it seems to look back nostalgically to the gaiety and bustle of Spain's capital, recalling the sound of the city's church bells ringing for evening prayer, the popular dances that were the delight of its young people, and the blind beggars singing their typical viellas de rueda until the soldiers from the local garrison sound the midnight curfew with their Retreat." The Night Music of the Streets of Madrid was published years after Boccherini's death, because, he told his publisher: "The piece is absolutely useless, even ridiculous, outside Spain, because the audience cannot hope to understand its significance, nor the performers to play it as it should be played." Since the mid-twentieth-century revival of interest in the music of Luigi Boccherini, the Ritirata became well-known; Luciano Berio used it as the basis for a composition superimposing the four known settings of the Ritirata, all playing concurrently, ebbing and flowing synchronously and asynchronously. Despite its slightly jokey nature, like Berio's folk-song settings, his Ritirata interpretation is attractive and approachable, acknowledging and expanding upon Boccherini's composition.(www.wikipedia.com)
o
- Le più grandi opere per orchestra da camera
- Indici (per ordine alfabetico): Q...