Karlheinz Stockhausen Inori, Op. 38 Video
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Karlheinz Stockhausen Olivier Messiaen Werner Meyer 1928 2007
Karlheinz Stockhausen. Karlheinz Stockhausen (Mödrath, 22 de agosto de 1928-Kürten-Kettenberg, 5 de diciembre de 2007) fue un compositor alemán ampliamente reconocido, tanto por la crítica como por la opinión musical más ilustrada, como uno de los compositores más destacados y polémicos de la música culta del siglo XX. Para muchos, no sólo es una figura importante, sino que se trata de uno de los mayores visionarios de la música del siglo XX. Es conocido por sus trabajos de música contemporánea y sus innovaciones en música electroacústica, música aleatoria y composición serial. Fue educado primeramente en la Hochschule für Musik Köln para después acudir a la Universidad de Colonia. Posteriormente, Stockhausen estudiaría con Olivier Messiaen en París y Werner Meyer-Eppler en la Universidad de Bonn. Como una de las principales figuras de la Escuela de Darmstadt que fue, sus teorías y composiciones siguen siendo, aún hoy en día, de gran influencia para compositores de todos los tipos y estilos (también en la música popular y en el jazz). Sus obras, compuestas a lo largo de casi sesenta años, se abstienen de ser partícipes de las formas musicales más tradicionales. Aparte de las obras de música electrónica, sus trabajos van desde realizar miniaturas para cajas de música hasta trabajos para instrumentos solistas, canciones, música de cámara, músicas coral y orquestal e incluso un ciclo de siete óperas de larga duración. Sus escritos, tanto teóricos como de diversos temas, ocupan más de diez imponentes volúmenes. Stockhausen recibió numerosos premios y distinciones por sus composiciones, grabaciones y partituras publicadas por su propia editorial. Entre sus composiciones más notables encontramos la serie de diecinueve Klavierstücke (piezas para piano), Kontra-Punkte para diez instrumentos, su electrónica/música concreta Gesang der Jünglinge, Gruppen para tres orquestas, la obra para percusión solista Zyklus, Kontakte, la cantata Momente, su obra de electrónica en vivo Mikrophonie I, Hymnen, Stimmung para seis vocalistas, Aus den sieben Tagen, Mantra para dos pianos y electrónica, Tierkreis, Inori para solistas y orquesta, y su gigantesco círculo de operas Licht. Stockhausen murió de improvisto, debido a un ataque cardíaco, el 5 de diciembre de 2007, a la edad de 79 años, en su residencia de Kürten, Alemania. Si te a parecido interesante te invitamos a echar un ojo las siguientes direcciones: (http•••)
Karlheinz Stockhausen Michele Marelli Frölich Olivier Messiaen Werner Meyer Hermann Schroeder Frank Martin Karel Goeyvaerts Darius Milhaud Herbert Eimert 1928 1947 1950 1951 1952 1953 1954 1955 1956 1962 1963 1965 1966 1968 1971 1977 1998 2007
Karlheinz Stockhausen - Amour (Five Pieces for Clarinet) Clarinet - Michele Marelli 0:00 Sei wieder frölich 1:43 Dein Engel wacht über Dir 4:41 Die Schmetterlinge spielen 11:59 Ein Vöglein singt an Deinem Fenster 15:50 Vier Sterne weisen Dir den Weg ————————————————————————— Karlheinz Stockhausen (German: [kaʁlˈhaɪnts ˈʃtɔkhaʊzn̩]; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance (aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for solo instruments, songs, chamber music, choral and orchestral music, to a cycle of seven full-length operas. His theoretical and other writings comprise ten large volumes. He received numerous prizes and distinctions for his compositions, recordings, and for the scores produced by his publishing company. From 1947 to 1951, Stockhausen studied music pedagogy and piano at the Hochschule für Musik Köln (Cologne Conservatory of Music) and musicology, philosophy, and German studies at the University of Cologne. He had training in harmony and counterpoint, the latter with Hermann Schroeder, but he did not develop a real interest in composition until 1950. He was admitted at the end of that year to the class of Swiss composer Frank Martin, who had just begun a seven-year tenure in Cologne. At the Darmstädter Ferienkurse in 1951, Stockhausen met Belgian composer Karel Goeyvaerts, who had just completed studies with Olivier Messiaen (analysis) and Darius Milhaud (composition) in Paris, and Stockhausen resolved to do likewise. He arrived in Paris on 8 January 1952 and began attending Messiaen's courses in aesthetics and analysis, as well as Milhaud's composition classes. He continued with Messiaen for a year, but he was disappointed with Milhaud and abandoned his lessons after a few weeks. In March 1953, he left Paris to take up a position as assistant to Herbert Eimert at the newly established Electronic Music Studio of Nordwestdeutscher Rundfunk (NWDR) (from 1 January 1955, Westdeutscher Rundfunk, or WDR) in Cologne. In 1963, he succeeded Eimert as director of the studio. From 1954 to 1956, he studied phonetics, acoustics, and information theory with Werner Meyer-Eppler at the University of Bonn. Together with Eimert, Stockhausen edited the journal Die Reihe from 1955 to 1962. His notable compositions include the series of nineteen Klavierstücke (Piano Pieces), Kontra-Punkte for ten instruments, the electronic/musique-concrète Gesang der Jünglinge, Gruppen for three orchestras, the percussion solo Zyklus, Kontakte, the cantata Momente, the live-electronic Mikrophonie I, Hymnen, Stimmung for six vocalists, Aus den sieben Tagen, Mantra for two pianos and electronics, Tierkreis, Inori for soloists and orchestra, and the gigantic opera cycle Licht. After lecturing at the Internationale Ferienkurse für Neue Musik at Darmstadt (first in 1953), Stockhausen gave lectures and concerts in Europe, North America, and Asia. He was guest professor of composition at the University of Pennsylvania in 1965 and at the University of California, Davis in 1966–67. He founded and directed the Cologne Courses for New Music from 1963 to 1968, and was appointed Professor of Composition at the Hochschule für Musik Köln in 1971, where he taught until 1977. In 1998, he founded the Stockhausen Courses, which are held annually in Kürten. He died of sudden heart failure at the age of 79, on 5 December 2007 at his home in Kürten, Germany. Source: Wikipedia, Karlheinz Stockhausen ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
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