Franz Liszt Mefisto Polka Video
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2024-04-28
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Franz Liszt: Kleine Mephisto Polka - Petite Polka de Mephisto (Original manuscript concept/ Original version), S.217 Artwork: (http•••) The Mephisto Polka was written for Lina Schmalhausen, one of Liszt’s later students and possibly his last intimate friend. The piece has something in common with the language of the other late Mephisto music: the crushed notes which constantly decorate the melodic line, the tonal uncertainty and the clarity of the texture all make the piece as spiky as the waltzes. Just before the music settles for F sharp minor—at bar 17—it hovers around the F natural above middle C. On the original manuscript located at Weimar (Shelfmark: I 64) you may notice the few changes this piece went through revision, as well as the lack of the iconic F natural at the coda, the little passage that builds up the bar 113 section on the revised version, the lack of 8vas from bar 161 on the revised version and a difference between bar 129 again from the revised version and the lack of ossias, have in mind that this video its made by comparison purposes so do not expect this version to be the actual version we all of us know, however we are probably going to upload the revised version with ossia and non ossia... we still prefer the revised version lol f Manuscript source: (http•••) Discord Server: (http•••)
Franz Liszt France Clidat 1971 2022
Provided to YouTube by Universal Music Group Liszt: Mephisto Polka, S.217 · France Clidat · Franz Liszt · Franz Liszt · Franz Liszt France Clidat plays Liszt ℗ 1971 Decca Records France Released on: 2022-03-06 Associated Performer, Interprète Instrumental: France Clidat Composer: Franz Liszt Auto-generated by YouTube.
Svjatoslav Richter Franz Liszt 2015
Provided to YouTube by PIAS Mephisto Polka, S. 217 · Svjatoslav Richter Franz Liszt: Scherzo and March, Mephisto Waltz No. 1, Harmonies poétiques et religieuses (excerpts) & other piano works ℗ Praga Digitals Released on: 2015-01-01 Piano: Svjatoslav Richter Composer: Franz Liszt Auto-generated by YouTube.
Are you looking for a great Piano programme that actually helps you to sound like a pro right from the start? Then Pianoforall is the right course for you! Check it out: (http•••) (affiliate) A fascinating and disturbing little work, written in 1883. Although in rhythm it is a very different dance from the Mephisto Waltzes, being in 2/4 time, the work begins with a figure not unlike that of the opening of the 2nd Mephisto Waltz, so that it can be regarded as an invocation-figure. Perhaps the most surprising feature of the work (except the incredibly unsettling ending) is its apparent almost complete absence of discordance—yet it sounds strange! Why is this? Firstly, there is the constant use of acciaccatura that is the vestigial echo of those in the first Mephisto Waltz, where they suggested the detuned fifths of the devil's fiddle; secondly there is the use of the mediant as root (0:20) that gives an uneasy feeling of being suspended as in a nightmare; thirdly there is the hypnotic repetition of phrases, even verbatim; fourthly, the atmospheric tremolando effects (3:11) which have previously symbolized ill omen in Liszt's late works (Unstern comes to mind); and fifthly the use of chromatic parallel progressions, which secure the works' Mephisto legacy. But the most subtle use is made of the tritone, seen in the second of the introductory sets of runs (B/F), and in the F-sharp/B-sharp interval in bar 50 (0:56) that recurs in the work.
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