Franz Liszt Grosses Konzertsolo Video
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2024-05-04
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Franz Liszt France Clidat 1973 2010
Provided to YouTube by Universal Music Group Liszt: Grosses Konzertsolo, S.176 - 5. Andante, quasi marcia funebre · France Clidat Liszt : Oeuvres Pour Piano ℗ 1973 Decca Records France Released on: 2010-01-01 Associated Performer, Interprète Instrumental: France Clidat Composer Lyricist: Franz Liszt Auto-generated by YouTube.
Franz Liszt Breitkopf 1851 1866
Franz Liszt The Concerto pathétique (S.258/2), completed in 1866, is Franz Liszt's most substantial and ambitious two-piano work. At least three piano concerto arrangements of the work have been made by other composers, based on Liszt's suggestions. In 1851 Breitkopf & Härtel published the solo piano work Grosses Concert-Solo (in modern editions as Grosses Konzertsolo) (S.176) by Franz Liszt. Though not as popular as the later Piano Sonata in B minor by the same composer, the work achieves significance by the fact that it anticipates the Sonata as a large-scale nonprogrammatic work. It shows structural similarities to the Sonata and obvious thematic relationship to both the Sonata and the Faust Symphony. One unpublished earlier version of the work exists, titled in French in the manuscript Grand Solo de concert (S.175a). This version differs structurally from the published Grosses Concert-Solo, thus revealing the existence of interesting material for a study on the genesis of Liszt’s gradual innovations in constructing a large-scale musical organism, which were to come to full fruition in the Sonata. In 1866 a two-piano version was published under the title Concerto pathétique (S.258/2) which, though not differing structurally from the Grosses Concert-Solo, introduces a more effective layout of the musical thoughts, mainly due to an innovative concerto-like treatment of the two-piano ensemble. The initial conception of a projected piano concerto can further be proved by a number of extant piano concerto arrangements by various composers, including orchestra sketches by Liszt himself (the unpublished manuscript containing the piece's original (French) title Grand solo de concert) (S.365). While the solo piano version is rarely performed today, the Concerto pathétique has become a repertoire piece of the two-piano genre. Concerto Pathétique 1. Allegro energico - Patetico - Agitato - Grandioso 4:50 2. Quasi Fantasia - Andante sostenuto 6:15 3. Allegro agitato assai-piú moderato - piú mosso 3:28 4. Andante, quasi Marcia funebre 4:02 5. Allegro trionfante 1:00 For more: (http•••) #MusicHistory #ClassicalMusic #Liszt
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play): (http•••) More Information: (http•••) Piano Classics Spotify: (http•••) Piano Classics Facebook: (http•••) Misha Dacic’ concerts at the Miami Piano Festival in recent years made a sensational impact (check out Misha Dacic on Youtube). They show that appearances do not deceive: he looks and actually is a wizard. A true artist, with limitless technique, and the ability to conjure up unheard-of tonal effects from the piano, to turn that “miserable instrument” (Beethoven) into a an orchestra of the most amazing timbres and sonorities. Dacic affinity with Liszt shows in the selection of pieces on this new CD, presenting facets of the multi-faced genius, centred around three masterpieces, the epic B-A-C-H Variations, the seldom heard “Grosses Konzertsolo” and the infernal Dante Sonata, in which Dacic incorporates elements from all three versions Liszt made prepare for some surprises!). As a suitable conclusion to an adventurous and tumultuous artistic life he ends with the late piece La Lugubre Gondola. Tracklist: 00:00:00 Fantasy & Fugue on B-A-C-H, S. 260 00:10:59 Années de pèlerinage I, S. 160: IX. Les cloches de Genève 00:16:08 Grosses Konzertsolo, S. 170 00:32:19 Glanes de Woronince, S. 249: I. Ballade Ukraine 00:40:08 Années de pèlerinage II, S. 161: VII. Après une lecture du Dante 00:56:26 Hungarian Rhapsody No. 9 in E-Flat Major, S. 244 01:07:29 La lugubre gondola No. 1, S. 200
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