Felix Mendelssohn Notturno, Op. 61 n. 2 Video
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Jacques Ibert Cristian Măcelaru Gabriel Fauré Felix Mendelssohn Satie Wdr Sinfonieorchester Kölner Philharmonie Tour Eiffel 1911 1917 1919 1920 1924 1927 1928 2020
Jacques Iberts "Divertissement" für Kammerorchester spielte das WDR Sinfonieorchester unter der Leitung seines Chefdirigenten Cristian Măcelaru am 19.06.2020 in der Kölner Philharmonie. 00:00:00 I. Introduction 00:01:15 II. Cortège 00:06:50 III. Nocturne 00:09:30 IV. Valse 00:12:55 V. Parade 00:14:35 VI. Finale WDR Sinfonieorchester Cristian Măcelaru, Leitung ► Mehr zum Sinfonieorchester, zu Konzerten und aktuellen Livestreams gibt es bei (http•••) ► Das WDR Sinfonieorchester bei Facebook (http•••) ○ Werkeinführung: Die Biografie von Jacques Ibert hält die ein oder andere Überraschung parat. Sein Studium finanzierte der Schüler von Gabriel Fauré als Klavierimprovisateur bei Stummfilmaufführungen. 1919 konnte Ibert den begehrten »Prix de Rome« für sich ergattern. Später war er in der italienischen Hauptstadt Direktor der französischen Akademie. Und in den 1950er Jahren wirkte er als Verwaltungsdirektor der beiden Pariser Opernhäuser. Auch die Werkliste von Ibert liest sich bunt und heterogen: Neben Opern und Orchesterstücken finden sich darauf eine Operette und über 50 Filmmusiken. In eine gehobene Music Hall entführt uns Iberts »Divertissement« – eine typisch Pariser Komposition der 1920er Jahre: frech, frivol und »très française«. Die sechs Sätze hat Ibert zusammengestellt aus einer 1928 komponierten Schauspiel- bzw. Filmmusik für das Stück »Un chapeau de paille d’Italie«. Stilistisch steht sie in einer Linie mit einigen in Paris uraufgeführten Balletten, die ihre Vorläufer in Igor Strawinskys »Petruschka« von 1911 und Erik Saties »Parade« von 1917 haben: 1920 folgte Darius Milhauds »Le bœuf sur le toit«, ein Jahr später »Les mariés de la Tour Eiffel«, komponiert von fünf Mitgliedern der »Groupe des Six«, 1924 Francis Poulencs »Les Biches« und 1927 Gabriel Piernés »Impressions de Music Hall«. Sein »Divertissement« hat Ibert für Kammerorchester gesetzt, mit einigen in ihrer Kombination mit den Streichern skurril wirkenden Instrumenten wie Klavier, Celesta, Holzblock, Tamburin oder Trillerpfeife. Nach der »Introduction«, die wie eine Miniatur-Ouvertüre zu einer Komischen Oper wirkt, verballhornt Ibert in »Cortège« (Prozession) Felix Mendelssohn Bartholdys »Hochzeitsmarsch« aus »Ein Sommernachtstraum«. Das »Nocturne« hält nicht seinen anfänglichen Ernst, und die »Valse« liebäugelt ebenso mit Spieldosenmusik wie mit dem weitschwingenden Johann-Strauß-Walzer »An der schönen blauen Donau«. »Parade« verweist auf Satie, bevor das »Finale« erst mit Cluster-Akkorden im Klavier die Musikavantgarde auf die Schippe nimmt und dann wildes Treiben in der Zirkus-Manege heraufbeschwört. (Text: Otto Hagedorn)
Francis Poulenc Benjamin Britten Claude Debussy Padova Luigi Piovano Ravel Martha Argerich Lilya Zilberstein Mario Brunello Aldo Ciccolini Earl Wild Leslie Howard Liszt Bach Satie Tchaikovsky Beethoven Chopin Haydn Verdi Vivaldi Handel Brahms Schubert Mendelssohn Rachmaninoff Orchestra Padova Veneto Carnegie Hall 1932 1941 2008
Three 20th-century masters, painting glittering rainbows of colours with two pianos. Composer: Benjamin Britten, Claude Debussy, Francis Poulenc Artists: Mattia Ometto (piano), Leonora Armellini (piano), Orchestra di Padova e del Veneto, Luigi Piovano (conductor) Online purchase and streaming: (http•••) For more information: (http•••) From Javanese gamelan to Mozart, from nursery rhymes to passionate outbursts, from primitive percussion to the café chantant, Francis Poulenc gathered up almost all the formative influences on his style in his Concerto for Two Pianos of 1932. Aside from Mozart, there is also an evident allusion to Ravel, in particular to the two piano concertos, which were published and performed in the same year. Yet the originality of the concerto is never in doubt; the deep feeling and light touch of the central Larghetto bear Poulenc’s fingerprints as clearly as the final gallop home. Much less familiar is the Scottish Ballad composed in 1941 by Benjamin Britten as a free fantasy for two pianos and orchestra based on a number of Scottish tunes, including 'Dundee', 'Turn Ye to Me' and 'Flowers of the Forest'. A lamenting funeral march is followed by a flamboyant Highland fling, in which Britten parodies ‘Scottish’ music in a display piece of great wit and vitality. This unique compilation concludes with a two-piano piece in which the orchestra is ‘silent’: the Premiere Suite written with orchestra in mind by Debussy in his early 20s. However, the orchestral score was lost for many years – even this two-piano version was only published in 2008 – and its four movements show Debussy’s language in the act of formation: unmistakably French, and harmonically novel for its time, but still working in self-contained forms – a toccata, a ballet, a shimmering nocturne and a tumultuous final bacchanale. The soloists here are a pair of experienced performers and teachers. Having won several Italian piano competitions, Leonora Armellini appeared at the Projetto Martha Argerich in Lugano and has played chamber music with the likes of Lilya Zilberstein and the cellist Mario Brunello. The author of a popular book introducing classical music to younger audiences, she is joined here by the Padovan born Mattia Ometto, a pupil of Aldo Ciccolini and Earl Wild who has given concerts at Carnegie Hall and recorded with Leslie Howard: a Brilliant Classics album of the symphonic poems in transcription (95748) which attracted enthusiastic reviews: ‘Leslie Howard and Mattia Ometto navigate Liszt’s technical challenges with fluency and ease, but they also treat the scores seriously, playing for effect only when necessary, achieving impressive unanimity and long-lined shape.’ (Classics Today) Track list: 00:00:00 Francis Poulenc: Concerto in D Minor, FP 61: I. Allegro ma non troppo - Très calme 00:08:32 Francis Poulenc: Concerto in D Minor, FP 61: II. Larghetto - Beaucoup plus allant - Tempo I 00:14:35 Francis Poulenc: Concerto in D Minor, FP 61: III. Allegro molto - Agité - Plus calme - Tempo I subito 00:20:59 Benjamin Britten: Scottish Ballad, Op. 26 00:36:12 Claude Debussy: Première suite d’orchestre: I. Fête 00:42:15 Claude Debussy: Première suite d’orchestre: II. Ballet 00:46:30 Claude Debussy: Première suite d’orchestre: III. Rêve 00:53:50 Claude Debussy: Première suite d’orchestre: IV. Cortège et bacchanale Social media: Facebook: (http•••) Instagram: (http•••) Twitter: (http•••) Spotify Playlists: Brilliant Classics Spotify: (http•••) New Classical Releases: (http•••) The Best of Liszt: (http•••) The Best of Bach: (http•••) Most Popular Piano Music: (http•••) Beautiful Classical Music: (http•••) Classical Music For Dinnertime: (http•••) Thanks for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel: (http•••) And visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more! #BrilliantClassics #Poulenc #Debussy #Piano #Conductor #Classical #Music #Suite #Suites #Orchestra
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Hilary Hahn Dmitri Shostakovich Marek Janowski Mendelssohn Oslo Philharmonic 2002 2009
Provided to YouTube by Sony Classical Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato · Hilary Hahn · Oslo Philharmonic Orchestra · Dmitri Shostakovich · Marek Janowski · Oslo-Filharmonien Mendelssohn & Shostakovich: Violin Concertos ℗ 2002 SONY BMG MUSIC ENTERTAINMENT Released on: 2009-03-19 Auto-generated by YouTube.
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