Anton Bruckner Cantata, « Auf Brüder, auf, and die Saiten zur Hand » Video
- dedicato a Friedrich Gottlieb Mayer
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Regensburger Domspatzen Giovanni Pierluigi Palestrina Heinrich Schütz Anton Bruckner Josef Gabriel Rheinberger Nystedt Alessandro Scarlatti Scarlatti Giovanni Croce Johann Pachelbel Felix Mendelssohn Bartholdy 1525 1557 1585 1594 1609 1653 1660 1672 1705 1706 1725 1809 1824 1839 1840 1847 1893 1894 1896 1901 1915 1947 1949 1967 1982 2021
Die Regensburger Domspatzen präsentieren Kompositionen oder Psalm-Vertonungen quer durch alle Epochen, u.a. von Palestrina, Schütz, Bruckner, Rheinberger, Nystedt, Planyavsky. „Erschaffen“, so lautet das Motto der Konzerte. Im Bewusstsein, dass viele Komponisten durch ihre geniale Kreativität musikalische Kunstwerke geschaffen haben, lässt sie der weltberühmte Knabenchor erklingen. Die musikalische Leitung hat Domkapellmeister Christian Heiß Das Programm: 01:00 Spiritus Domini - Gregorianischer Introitus zum Pfingstfest Männerschola 02:49 Exultate Deo - Alessandro Scarlatti 1660-1725 vierstimmig 08:23 Die Himmel erzählen, SWV 386 - Heinrich Schütz 1585-1672 sechsstimmig 13:23 Dum complerentur - Giovanni Pierluigi da Palestrina 1525-1594 sechsstimmig 17:05 Cantate Domino - Giovanni Croce 1557-1609 vierstimmiger Männerchor 19:15 Der Herr ist König - Johann Pachelbel 1653-1706 doppelchörig 24:18 Locus iste - Anton Bruckner 1824-1896 vierstimmig 28:10 Hebe deine Augen auf - Felix Mendelssohn Bartholdy 1809-1847 dreistimmiger Knabenchor 30:50 Os justi - Anton Bruckner 1824-1896 vierstimmig 36:00 Der 269. Psalm - Peter Planyavsky *1947 drei- bis fünfstimmig 39:30 Sommarpsalm - Waldemar Åhlén 1894-1982 vierstimmig 44:10 Cherubinischer Gesang Nr. 3 - Pjotr Iljitsch Tschaikovsky 1840-1893 vier- bis achtstimmig 48:41 Ave maris stella - Javier Busto *1949 vierstimmig mit Solo 53:20 Benedicta es tu - Josef Gabriel Rheinberger 1839-1901 fünfstimmig 1:01:37 Ich will dir singen nach Psalm 104 - Christian Matthias Heiß *1967 vier- bis siebenstimmig
Josef Bohuslav Foerster Franz Lehár Bertha Lauterer Leoš Janáček Jan Hanuš Bruckner Mahler Prague Symphony Orchestra Rudolfinum Staatsoper 1859 1884 1892 1893 1901 1903 1905 1911 1918 1929 1943 1946 1950 1951 1968 1985
Josef Bohuslav Foerster: IV. Symphony c moll („Easter Eve), op. 54, 1905 - exept from IV. movement Lento lugubre - Allegro moderato Prague Symphony Orchestra, Vaclav Smetacek, dir. Recorded at Dvorak Hall in Prague's Rudolfinum 28 to 30 sheet. 1968 (1-4) and 15 to 20 October 1985 Josef Bohuslav Foerster (30 December 1859 29 May 1951) was a Czech composer of classical music. Life Foerster was born in Dětenice, in an area called the Bohemian Paradise. His was a musical family normally living in Prague, where his father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.[1]) Josef was educated accordingly, and duly studied there. He also showed an early interest in the theatre, and even thought of becoming an actor. From 1884 he worked as a critic, and he would prove to be a writer of distinction. In 1893 he married the leading Czech soprano Berta Lautererová (Bertha Lauterer) in Hamburg, during ten years making his living there as a critic, and she was engaged at the Hamburg Staatsoper. In 1901 he became a teacher at the Hamburg Conservatory. In 1903 Berta went to sing at the Vienna Hofoper, and so Josef moved there with her, continuing to make a living as a music critic. He returned to Prague on the foundation of the Czechoslovak Republic in 1918, thereafter teaching at the conservatory and the university. In 1946 he was declared a National Composer. He died in Nový Vestec. [edit] Style Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered very subjective and personal, mystical and idealistic. Foerster's opera Eva, is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs. His compositions include five symphonies (in D minor, in F opus 29 +••.••(...)), op. 36 , op. 54 in C minor "Easter Eve" (1905) and no. 5 opus 141 (1929) ), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (in E op. 15, no. 2 op. 39 [4], in C op. 61, in F op. 182 (1943), and the last, written 1950-1, completed by Jan Hanuš [5][6]); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for violoncello (op. 143) and two for violin (op. 88 in C minor (1911) [5], op. 104 in D minor), liturgical music, among other works, over 170 published opus numbers in all. Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata 'Mortuis fratribus'; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre. By the time of his death, at the age of 91, Foerster had become the grand old man of Czech music. Written under the spell of Bruckner and Mahler, the Symphony No. 4 is widely regarded as his masterpiece. This deeply religious work begins with a Mahlerian march, followed by a bucolic scherzo that would be at home among Dvořáks Slavonic Dances.The lovely slow movement provides yet more evidence of Foersters superb ear for orchestral colour while the finale, the longest and most complex of the four movements, builds inexorably to a majestic climax that has been likened to approaching the gates of heaven.
Antonín Dvořák Václav Talich Tikalová Marta Krásová Beno Blachut Karel Kalaš Kalaš Fons Ludvík Čelanský Vilém Zemánek Oskar Nedbal Rafael Kubelík Karel Ančerl Václav Neumann Jiří Bělohlávek Vladimir Ashkenazy Zdeněk Mácal Manfred Honeck Eliahu Inbal Juraj Valčuha Lawrence Foster Foster Gustav Mahler Tchaikovsky Johannes Brahms Anton Bruckner Robert Schumann Czech Philharmonic Orchestra Rudolfinum Dvořák Hall 1841 1876 1896 1904 1919 1942 1948 1950 1968 1990 2002 2003 2004 2005 2007 2008 2009 2010
Antonín Dvořák +••.••(...)) Stabat Mater, Cantata for Soloists, Choir and Orchestra op. 58 (B 71, 1876-77) Drahomíra Tikalová, soprano Marta Krásová, contralto Beno Blachut, tenor Karel Kalaš, bass Prague Philharmonic Choir Jan Kühn, choirmaster Czech Philharmonic Orchestra Václav Talich, conductor III. Coro. Andante con moto (Eja, Mater, fons amoris) 9. Eia, Mater, fons amoris: me sentire vim doloris fac, ut tecum lugeam. O Mother, fount of love: make me to feel the strength of your grief, so that I may mourn with you Czech Philharmonic Orchestra The 2008/2009 season is the 113th concert season of the Czech Philharmonic Orchestra. The Czech Philharmonics very first concert took place on 4 January 1896 in the Rudolfinum and was conducted by Antonín Dvořák. Before the Chief Conductors baton was taken up by the first internationally known conductor, Václav Talich, in 1919, the orchestra was directed by Ludvík Čelanský and Vilém Zemánek, as well as, briefly, by Oskar Nedbal. Talichs great personality was succeeded by other outstanding conductors such as Rafael Kubelík +••.••(...)), Karel Ančerl +••.••(...)) and Václav Neumann +••.••(...)). During the 1990s, the position of Chief Conductor was passed in succession to Jiří Bělohlávek, Gerd Albrecht and Vladimir Ashkenazy, who directed the orchestra until the end of the 2002/2003 season. From the beginning of the 2003/2004 season until 8 September 2007 Zdeněk Mácal held a position as the tenth Chief Conductor of the Czech Philharmonic. In the 113th season there is no Chief Conductor; some of his powers and duties are exercised by the Principal Guest Conductor Manfred Honeck. The post of the Chief Conductor from the concert season 2009/2010 has been accepted by Eliahu Inbal. Ever since the time of Ančerls leadership, the Czech Philharmonic has typically been faced with an extensive travel itinerary that has taken in all the continents. This was also hold true during the 112th concert season, when in addition to concerts in Europe the Czech Philharmonic Orchestra traveled to the USA and Japan. In the 113th season the Czech Philharmonic will tour Spain, Germany and Switzerland under direction of Manfred Honeck as well as France, Switzerland and Belgium under Zdeněk Mácal. Traditionally the season will close with the Czech Philharmonic at the festival in Bad Kissingen, where it will perform under Juraj Valčuha and Lawrence Foster. Of the latest CDs released by the orchestra, recordings made for the Japanese market have recently met with unprecedented acclaim. Zdeněk Mácal and the Czech Philharmonic have been working with Octavia Records to progressively record the complete symphonies of Antonín Dvořák, Gustav Mahler, P. I. Tchaikovsky and Johannes Brahms. The set of Dvořák symphonies conducted by Zdeněk Mácal is almost finished. With Manfred Honeck the Czech Philharmonic continuously records symphonies of Anton Bruckner also for Octavia Records. In the concert season 2007/2008, the Czech Philharmonic recorded symphonies of Robert Schumann under Lawrence Foster for the label Pentatone. Bělohláveks previous recording of Martinůs Third and Fourth Symphonies for Supraphon was nominated for the prestigious Grammy Award in 2004. In 2005, the Czech Philharmonics live recording of Mahlers Third Symphony conducted by Zdeněk Mácal won the Recording of the Year award in Japan. The orchestra makes most of its recordings in the perfect acoustical environment of the Rudolfinums Dvořák Hall. (From the Orchestras official website) (http•••)
Franz Schmidt Mária Bach Theodor Leschetizky Robert Fuchs Ferdinand Hellmesberger Hellmesberger Anton Bruckner Gustav Mahler Arnold Schoenberg Leopold Godowsky Arnold Rosé Berger Alfred Uhl Stark Reich Paul Wittgenstein Rosé Quartet Vienna Philharmonic 1874 1888 1891 1896 1902 1914 1919 1923 1925 1927 1929 1931 1932 1933 1937 1938 1939 1943 1945 1964
Franz Schmidt +••.••(...)) Quintet in G Major for Piano Left-hand and Strings I. Lebhaft doch nicht schnell 0:00 II. Adagio 11:15 III. Sehr ruhig 20:35 IV. Langsam und sehr frei vorzutragen 28:27 V. Sehr lebhaft 30:55 Karl-Andreas Kolly, piano Sarastro Quartet Franz Schmidt +••.••(...)) was an Austrian composer, cellist and pianist. He was born in Pozsony (known in German as Pressburg), in the Hungarian part of the Austro-Hungarian Empire (the city is now Bratislava, capital of Slovakia). His father was half Hungarian and his mother entirely Hungarian. He was a Roman Catholic. His earliest teacher was his mother, Mária Ravasz, an accomplished pianist, who gave him a systematic instruction in the keyboard works of J. S. Bach. He received a thorough foundation in theory from Brother Felizian Moczik, the outstanding organist at the Franciscan church in Pressburg. He studied piano briefly with Theodor Leschetizky, with whom he clashed. He moved to Vienna with his family in 1888, and studied at the Vienna Conservatory (composition with Robert Fuchs, cello with Ferdinand Hellmesberger and theory (the counterpoint class) with Anton Bruckner), graduating "with excellence" in 1896. He beat 13 other applicants and obtained a post as cellist with the Vienna Court Opera Orchestra, where he played until 1914, often under Gustav Mahler. Mahler habitually had Schmidt play all the cello solos, even though Friedrich Buxbaum was the principal cellist. Schmidt was also in demand as a chamber musician. Schmidt and Arnold Schoenberg maintained cordial relations despite their vast differences in style. Also a brilliant pianist, in 1914 Schmidt took up a professorship in piano at the Vienna Conservatory, which had been recently renamed Imperial Academy of Music and the Performing Arts. (Apparently, when asked who the greatest living pianist was, Leopold Godowsky replied, "The other one is Franz Schmidt.") In 1925 he became Director of the Academy, and from 1927 to 1931 its Rector. As teacher of piano, cello and counterpoint and composition at the Academy, Schmidt trained numerous musicians, conductors and composers who later achieved fame. Among his best-known students were the pianist Friedrich Wührer and Alfred Rosé (son of Arnold Rosé, the legendary founder of the Rosé Quartet, Konzertmeister of the Vienna Philharmonic and brother-in-law of Gustav Mahler). Among the composers were Theodor Berger, Marcel Rubin and Alfred Uhl. He received many tokens of the high esteem in which he was held, notably the Franz-Josef Order, and an Honorary Doctorate from the University of Vienna. Schmidt's private life was in stark contrast to the success of his distinguished professional career, and was overshadowed by tragedy. His first wife Karoline Perssin (c1880-1943) was confined in the Vienna mental hospital Am Steinhof in 1919, and three years after his death was murdered under the Nazi euthanasia program. Their daughter Emma Schmidt Holzschuh +••.••(...), married 1929) died unexpectedly after the birth of her first child. Schmidt experienced a spiritual and physical breakdown after this, achieved an artistic revival and resolution in his Fourth Symphony of 1933 (which he inscribed as "Requiem for my Daughter") and, especially, in his oratorio The Book With Seven Seals. His second marriage in 1923, to a successful young piano student Margarethe Jirasek +••.••(...)), for the first time brought some desperately needed stability into the private life of the artist, who was plagued by many serious health problems. Schmidt's worsening health forced his retirement from the Academy in early 1937. In the last year of his life Austria was brought into the German Reich by the Anschluss, and Schmidt was fêted by the Nazi authorities as the greatest living composer of the so-called Ostmark. He was given a commission to write a cantata entitled "The German Resurrection", which, after 1945, was taken by many as a reason to brand him as having been tainted by Nazi sympathy. However, Schmidt left this composition unfinished, and in the summer and autumn of 1938, a few months before his death, set it aside to devote himself to two other commissioned works for the one-armed pianist Paul Wittgenstein, for whom he had often composed: the Quintet in A major for Piano left-hand, Clarinet, and String Trio; and the solo Toccata in D minor. Schmidt died on 11 February 1939.
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