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Alexander Glazunov José Serebrier Rimsky Korsakov Maximilian Steinberg Yudin Beethoven Royal Scottish National Orchestra 1910 1928 1936 1947 1948 1999
Royal Scottish National Orchestra conducted by José Serebrier. I - Adagio - Allegro moderato - Adagio: 0:00 Glazunov's Symphony No.9 was begun in 1910 but remained unfinished when he died in 1936, only being able to finish the first movement in a short score. It was given to Rimsky-Korsakov's son-in-law Maximilian Steinberg in 1928, and in 1947 it was orchestrated by Gavril Yudin. It was premiered in May 7 of 1948, during a radio broadcast of the Symphony Orchestra of the USSR Radio Committee conducted by Yudin. Why Glazunov never completed the work? There may be several reasons; first he was a director and teacher of the St. Petersburg Conservatory, which drained most of his energy by the time. Second he may just had lost the inspiration, as during the last period of his life he composed little. A third reason may be that he was intimidated by the curse of Beethoven's ninth, according to which a composer would die shortly after finishing his ninth symphony, but from what we know Glazunov wasn't supersticious at all. The fourth reason could be that his music was considered out of fashion by the time, and most composers were exploring new styles and paths, so maybe he found little reason to compose music when he knew it wouldn't be as well received as in the past. A fifth, and final reason is that Glazunov himself maybe was unsatisfied with the composition. Up to that point he had written in a romantic style of upbeat spirit, but the ninth was showing a change towards melancholy, despair and darkness. The movement is structured in sonata form. It begins with a slow introduction of a sad, melancholic theme, presented through a dense counterpoint. The allegro begins with a vigorous and rhythmic main theme, derived from the introduction material. A lyrical second theme of Russian nostalgic tone is presented as well , offering the adequate contrast. The development section is more lively and colourful, culminating in a dissonant climax. The recapitulation brings the main themes back, before the introduction reappears. A resignated coda ends the movemet. Picture: "Messenger" (1999) by the Russian painter Ilya Glazunov. Musical analysis mostly written by myself. Sources: (http•••) and (http•••) Unfortunatelly I couldn't find a score freely available online.
Yudin José Serebrier Alexander Glazunov Royal Scottish National Orchestra 2009
Provided to YouTube by Warner Classics International Symphony No. 9 in D Minor: Adagio - Allegro moderato - Adagio (Orch. Yudin) · José Serebrier Glazunov: Symphonies Nos. 1, 2, 3 & 9 ℗ A Warner Classics release, ℗ 2009 Warner Music UK Limited Orchestra: Royal Scottish National Orchestra Conductor: José Serebrier Composer: Alexander Glazunov Arranger: Gavril Yudin Auto-generated by YouTube.
Musikalische Komödie Oper Leipzig Freund Grigori Frid Frid Weber Geißler 1942 1948
(http•••) Mono-Oper nach Texten aus dem Tagebuch der Anne Frank Mobile Aufführung »Es ist so viel geschehen, als hätte sich die Welt umgedreht.« (Anne Frank, 08. Juli 1942) Die in Amsterdam lebende 13-jährige Schülerin Anne Frank ist ein junges Mädchen, wie es viele in ihrem Alter gibt. Als ihre Eltern ihr an ihrem 13. Geburtstag ein Tagebuch schenken, ist sie total begeistert. Schreiben ist ihre große Leidenschaft. Ihrem Tagebuch kann sie all ihre geheimen Wünsche und Sorgen anvertrauen: den Stress in der Schule, die Auseinandersetzungen mit den Eltern, die Schmetterlinge im Bauch. Doch von einem Moment auf den anderen erhält ihr Leben eine vollkommen neue Wendung. Denn Anne ist Jüdin. Als die Hetzjagd der Nazis auf die Amsterdamer Juden beginnt, muss sich Annes Familie in einem Bretterverschlag eines Hinterhofes verstecken. Ein Leben in Isolation beginnt. Jetzt ist das Tagebuch Annes einziger Freund. Seit seinem erstmaligen Erscheinen 1948 wurde Anne Franks Tagebuch in 55 Sprachen übersetzt, mehrere Adaptionen für Theater und Film entstanden. Grigori Frid fasste zentrale Stellen des Tagebuches zu 21 atmosphärisch dichten Episoden zusammen und komponierte dazu eine von tiefem Mitempfinden durchdrungene Musik. Leitung Musikalische Leitung Bo Price | InszenierungAnna Evans | Bühne Frank Schmutzler | Kostüme Eva-Maria Weber | Dramaturgie Christina Geißler Besetzung Anne Frank Jennifer Porto
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