Sarah Hicks Video
direttore d'orchestra, musicista
- rock
- Stati Uniti d'America
reti sociali
streaming
Ultimo aggiornamento
2024-05-13
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Original broadcast date: Saturday, August 1, 2020 as part of the 2020 Online Festival Eric Abramovitz, clarinet Neil Deland, horn Darren Hicks, bassoon Jonathan Crow, violin Barry Shiffman, viola Brian Manker, cello Jeffrey Beecher, bass Ludwig van Beethoven: Septet in E-flat Major, Op. 20 I. Adagio – Allegro con brio II. Adagio cantabile III. Tempo di menuetto IV. Tema con variazioni: Andante V. Scherzo: Allegro molto e vivace VI. Andante con moto alla marcia – Presto
Moody Mariner Rutland Boughton Arthur Sullivan Charles Beach Hawley Edward German Giacomo Meyerbeer Giacomo Puccini Harold Fraser Simson Fraser John Stromberg Rutland Barrington Hicks William Shakespeare Wolfgang Amadeus Mozart 2000
Provided to YouTube by IIP-DDS The Moody Mariner · Rutland Boughton The Art Of The Savoyard, Vol. 2 ℗ Maestoso Released on: 2000-01-01 Composer: Arthur Sullivan Composer: Basil Hood Composer: Charles Beach Hawley Composer: Edward German Composer: Giacomo Meyerbeer Composer: Giacomo Puccini Composer: Harold Fraser-Simson Composer: Irving Berlin Composer: Jimmy Davis Composer: John Stromberg Composer: Rutland Barrington Artist: Rutland Boughton Composer: Seymour Hicks Composer: Unknown Composer: William Gilbert Composer: William Shakespeare Composer: Wolfgang Amadeus Mozart Auto-generated by YouTube.
Luciano Berio Varga Griffiths Niels Hansen Hansen Edwards Hicks Cathy Berberian Thomas Little Antonio Pappano Heinz Holliger Christoph Eschenbach Shcherbakov Stabile Orchestre Paris 1952 1958 1960 1961 1964 1965 1968 1969 1985 1989 1993 2002 2003 2004 2007 2009 2010 2011 2012 2013
The first 1,000 people to use the link will get a 1 month free trial of Skillshare: (http•••) Support the channel: (http•••) 0:00 Introduction 0:13 I: Maturing Under Mussolini 3:52 II: Welcome to America 12:23 III: Berio, Postmodernist 24:43 IV: The Sequenzas 33:46 V: The Height of Fame 40:24 VI: The Art of Transcription 43:22 VII: Later Years This was requested by Thijmen Krijgsman, MyPurpleTeeth, Brad Wheeler, Alan Hlozek, Parsa Mostaghim, and patron Alice Wyan, who DOUBLED the weight of this request. See all requests at (http•••) Sources: “Two Interviews” by Luciano Berio, with Rossana Dalmonte & Bálint Varga, ed. David Osmond-Smith (Marion Boyars, 1985) “Modern Music and After” by Paul Griffiths (Oxford, 2010) “‘Sequenza VII’ by Luciano Berio: Background, Analysis and Performance Suggestions” by Carrie Vecchione (DMA diss., LSU, 1993): (http•••) “Vestiges of Twelve-Tone Practice as Compositional Process in Berio’s ‘Sequenza I’ for Solo Flute” by Irna Priore from “Berio's Sequenzas: Essays on Performance, Composition and Analysis” ed. Janet Halfyard & David Osmond-Smith (Ashgate, 2007): (http•••) “Luciano Berio’s ‘Sequenza V’ Analyzed Along the Lines of Four Analytical Dimensions Proposed by the Composer” by Niels Hansen (JMM: The Journal of Music and Meaning, vol. 9, Winter 2010): (http•••) “Berio’s Early Use of Serial Techniques: An Analysis of ‘Chamber Music’” by Nicholas Jurkowski (MM thesis, Bowling Green, 2009): (http•••) “Luciano Berio’s ‘Sequenza III:’ The Use of Vocal Gesture and the Genre of the Mad Scene” by Patti Edwards (DMA dissertation, UNT, 2004): (http•••) “A Polyphonic Mode of Listening: Luciano Berio’s ‘Sequenza XI’ for Guitar” by Mark David Porcaro (MA thesis, UNC-CH, 2003): (http•••) “Luciano Berio’s ‘Naturale:’ A Story Combining Folk Music and Art Music” by Leonardo Piermartiri (DMA dissertation, UM College Park, 2013): (http•••) “Reconstructive Postmodernism, Quotation, and Musical Analysis: A Methodology with Reference to the Third Movement of Luciano Berio’s ‘Sinfonia’” by John Flinn (PhD dissertation, University of Cincinnati, 2011): (http•••) “Text, Music, and Meaning in the Third Movement of Luciano Berio's ‘Sinfonia’” by Michael Hicks (Perspectives of New Music, Vol. 20, No. 1/2, P. 199–224): (http•••) “Transforming the Past: Luciano Berio's Appropriation of Folk Materials and Idioms in ‘Folk Songs’ (1964)” by Jamison Fritts (MM thesis, University of Louisville, 2010): (http•••) “Keep Going: Narrative Continuity in Luciano Berio’s ‘Sinfonia’” by Matthew Heap (PhD dissertation, University of Pittsburgh, 2012): (http•••) Bruce Duffie interview: (http•••) Berio biography by Daniele Vergni: (http•••) (http•••) TRAILS info: (http•••) NYT article: (http•••) / Music: - Luciano Berio: Epifanie (1961), performed by Cathy Berberian and the RAI Orchestra of Rome conducted by Luciano Berio [original upload: NsgbqmXL-8s] - Thomas Little: Dance! #2, performed by Rachel Fellows, Michael King, and Bruce Tippette - Vladimir Ussachevsky: Sonic Contours (1952) [original upload: l0ygrFPCUfw] - Luciano Berio: Thema—Omaggio a Joyce (1958–9) [original upload: jV_76OZSsqo] - Luciano Berio: Sinfonia, Mvt. III: “In ruhig fliessender Bewegung” (1968), performed by the Swingle Singers and the Orchestra of the Academy of Santa Cecilia conducted by Antonio Pappano [original upload: 9YU-V2C4ryU] - Luciano Berio: Visage (1960) [original upload: yYofPZlfVuc] - Luciano Berio: Circles (1960), performed by Wonjung Kim, Rachel Brandwein, Piero Guimaraes, and Josh Perry [original upload: xCRBy-hi8n0] - Luciano Berio: Sequenza XIV (2002), performed by Darrett Adkins [original upload: nyTAZ4qqXpg] - Luciano Berio: Sequenza VII (1969), performed by Heinz Holliger [original upload: npLqXW-Qlg0] - Luciano Berio: Sequenza III (1965), performed by Cathy Berberian [original upload: 1hxjCIANddU] - Luciano Berio: Rendering (1989), performed by the Orchestre de Paris conducted by Christoph Eschenbach [original upload: NQB5bFTwHfI] Pictures of the Studio di Fonologia Musicale courtesy: - Mikhail Shcherbakov - Flickr: Museum of musical instruments in Milano Castle, 40-50s sound studio, CC BY-SA 2.0, (http•••) - Stefano Stabile - Own work, CC BY-SA 3.0, (http•••) / Contact Information: •••@••• (http•••) (http•••) / All images and audio in this video are for educational purposes only, and are therefore protected under fair use statutes.
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- cronologia: Direttori d'orchestra (Nord America). Interpreti (Nord America).
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