Sara Widén Video
Ultimo aggiornamento
2024-05-03
Aggiorna
This video is going to demonstrate an extreme and risky way to widen a nib's slit quickly. This method involves pulling the tine directly very violently with a common tool - the brass shim plate/sheet (brass shim should really be a standard tool set for a fountain pen enthusiast / tinkerer) Disclaimer: only proceed on your own risk! I shall not be responsible for any destroyed nib. If you want to try this, I recommend that you try it on a cheap nib which you can afford to lose. I used a Jinhao #6 nib from a X750 as demonstration in this video. Step 1: Insert a brass shim into the nib slit Step 2: Insert a 2nd brass shim into the nib slit Step 3: Bend the brass shim to the sides and pinch it into shapes Step 4: Pull the tine! Pen used in this video: Lamy Safari (Vista) M nib, inked Pelikan 4001 Royal Blue Jinhao 992 (clear) F nib, inked Pelikan 4001 Brilliant Red Jinhao X750 (red ice flower), inked Diamine Majestic Blue Paper: Kokuyo 'Sara Sara' A5 Loose Leaf 0:00 Intro and Disclaimer 1:18 The nib in this video 2:25 Step 1 3:22 Step 2 4:09 Step 3 4:49 Step 4 5:53 Before and After
Alfred Cortot (piano). Recorded 1929 An excerpt from Cortot's own comments regarding this ballade: "In the last two Ballads, Chopin appears to have abandoned the principle upon which the musical construction of the preceeding Ballads is founded, namely that of dramatically opposing the themes. Indeed, the contrasting characters of their generating subjects is much less apparent in these, and their initial relationship suggests tendencies in accordance with one another, a kind of secret connection, rather than a conflict. This is however, only a very superficial impression, and the interpretation of these works would be very unconvincing; if it failed to illuminate the subtle intentions both of rhythm and sentiment, which differentiate musical ideas closely allied in appearance. In this Ballad in particular, which is known to illustrate Mickiewickz's legend, "Ondine", the relationship between the two subjects easily explains itself, since in both one tone-sentence and the other, it is the idea of Love itself which should be evoked. But while in the first, we see the tender exaltation of mutually plighted troths, the second gives us a glimpse into the fairy domain of supernatural seduction. Modelling itself on the poetic argument, the development of the music tends to widen progressively the gulf between the shades of meaning which originally characterize these two fundamental propositions, and in the conclusion, Chopin succeeds, with the eloquence of genius, in investing the first with pathos of passionate supplication, while conferring upon the other, the irresistable accent of domination. It is in the translation of the various phases of this evolution, that the duty of the interpreter lies, if he is not to content himself with merely playing the notes of the piece."
Mozart Lawrence Renes Tandberg Ola Eliasson Eliasson Luthando Qave Yana Kleyn Malena Ernman Michele Angelini Angelini Linus Börjesson Börjesson Lorentzson Royal Swedish Opera
Telecast performance of Mozart's 'Don Giovanni' live from the Royal Swedish Opera (Kungliga Operan) on 3/22/14. Lawrence Renes conducts. Direction: Ole Anders Tandberg Don Giovanni: Ola Eliasson Leporello: Luthando Qave Donna Anna: Yana Kleyn Donna Elvira: Malena Ernman Don Ottavio: Michele Angelini Zerlina: Sara Widen Masetto: Linus Börjesson Commendatore: Anders Lorentzson
o
- cronologia: Cantanti lirici (Europa).
- Indici (per ordine alfabetico): W...