Robert de Févin Video
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2024-04-28
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Huelgas Ensemble Laus Paul Van Nevel Een Carissimi Stefano Felis Michael Praetorius Antoine Brumel Antoine Févin Orlandus Lassus Laus Polyphoniae Amuz 2022
Dit concert maakt deel uit van het festival Laus Polyphoniae 2022 | CONTRAPUNT van het leven. Info & tickets: www.amuz.be (festival) Paul Van Nevel kent dankzij zijn jarenlange ervaring alle geheimen van het contrapunt. Samen met zijn Huelgas Ensemble dompelt hij u onder in de grote diversiteit en rijkdom van het contrapunt van de middeleeuwen tot de barok, met een focus op de magistrale muziek van de 15de en de 16de eeuw. In drie concerten hoort u hoe componisten aan de slag gingen met muzikaal materiaal. Aan de basis van meerstemmigheid lag meestal een reeds bestaande melodie. U hoort eenvoudig (noot-tegen-noot) tot sterk versierd contrapunt, van driestemmige werken tot de twaalfstemmige Missa L’homme armé van Carissimi. CONTRAPUNCTI SUPER UT RE MI FA SOL LA Een zuiver muzikaal, abstract motief als startpunt voor componisten als Stefano Felis, Michael Praetorius, Antoine Brumel, Antoine de Févin, Orlandus Lassus en anderen.
Divitis Antoine Févin Alexander Agricola Jean Mouton Jean Richafort Claudin Sermisy Ensemble Organum 1475 1501 1505 1508 1510 1514 1525 1530
Follow us on Facebook : (http•••) / Lux Perpetua Requiem This Requiem presents a perfect synthesis of the plainchant tradition and the supreme technical skills of the Franco-Flemish polyphony who diffused their art throughout western Europe. It was discovered at the end of the twentieth century and has not yet received the full measure of attention it deserves. Two sources attribute it to Antoine de Févin, a member of the chapel of King Louis XII, while another one assigns it to Antoine Divitis, who sang successively in the chapels of Philip the Handsome of Burgundy, Anne of Brittany, and Francis I. / Antoine Divitis Known by the Latinised form (Divitis) of his name, Antoine Le Riche (in Flemish, Antonius de Rycke) was born in Louvain around 1475. He began his career in Bruges and was ordained priest in 1501. In 1505 he joined the chapel of Duke Philip the Handsome of Burgundy in Brussels where his colleagues included Pierre de La Rue and Alexander Agricola. He followed Duke Philip to Spain, where he remained until 1508. In 1510, he reappears as a singing master in the chapel of Anne of Brittany. Among his colleagues there were Jean Mouton, Jean Richafort, and Claudin de Sermisy. After the death of Anne of Brittany in 1514 he was co-opted into the royal chapel of Francis I, where he remained until 1525. We know nothing of the rest of his life. He may have gone to Rome and perhaps died there around 1530. / Performed by Ensemble Organum Marcel Pérès, artistic director Website: (http•••) (http•••) / #EnsembleOrganum
Divitis Antoine Févin Alexander Agricola Jean Mouton Jean Richafort Claudin Sermisy Ensemble Organum 1475 1501 1505 1508 1510 1514 1525 1530
Follow us on Facebook : (http•••) / Lux Perpetua Requiem This Requiem presents a perfect synthesis of the plainchant tradition and the supreme technical skills of the Franco-Flemish polyphony who diffused their art throughout western Europe. It was discovered at the end of the twentieth century and has not yet received the full measure of attention it deserves. Two sources attribute it to Antoine de Févin, a member of the chapel of King Louis XII, while another one assigns it to Antoine Divitis, who sang successively in the chapels of Philip the Handsome of Burgundy, Anne of Brittany, and Francis I. / Antoine Divitis Known by the Latinised form (Divitis) of his name, Antoine Le Riche (in Flemish, Antonius de Rycke) was born in Louvain around 1475. He began his career in Bruges and was ordained priest in 1501. In 1505 he joined the chapel of Duke Philip the Handsome of Burgundy in Brussels where his colleagues included Pierre de La Rue and Alexander Agricola. He followed Duke Philip to Spain, where he remained until 1508. In 1510, he reappears as a singing master in the chapel of Anne of Brittany. Among his colleagues there were Jean Mouton, Jean Richafort, and Claudin de Sermisy. After the death of Anne of Brittany in 1514 he was co-opted into the royal chapel of Francis I, where he remained until 1525. We know nothing of the rest of his life. He may have gone to Rome and perhaps died there around 1530. / Performed by Ensemble Organum Marcel Pérès, artistic director Website: (http•••) (http•••) #EnsembleOrganum
Alonso Mudarra Luys Milán Enríquez Valderrábano Esteban Daza Diego Pisador Miguel Fuenllana Luys Narváez Prés Nicolas Gombert Adrian Willaert Antoine Févin Pedro Escobar 1510 1546 1580
PAVANA DE ALEXANDRE - Alonso Mudarra (c.1510 - 1580). ["Tres libros de música en cifras para vihuela" (Sevilla, 1546)]. Intérprete: José Miguel Moreno (Vihuela). ((http•••) Alonso Mudarra (c.1510 - 1580), compositor y vihuelista español del Renacimiento. Hizo innovaciones tanto en música instrumental como vocal, y forma parte junto con Luys de Milán, Enríquez de Valderrábano, Esteban Daza, Diego Pisador, Miguel de Fuenllana y Luys de Narváez del grupo de los siete vihuelistas españoles del siglo XVI cuya obra ha llegado hasta nosotros. En 1546 publicó en Sevilla el libro "Tres libros de música en cifras para vihuela", con piezas propias y transcripciones para vihuela y vihuela y voz, de otros compositores renacentistas como Josquin Des Prés, Nicolas Gombert, Adrian Willaert, Antoine de Févin y Pedro Escobar. (http•••) (http•••)
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): F...