Renata Babak Video
cantante lirico
Commemorazioni 2024 (Nascita: Renata Babak)
- mezzosoprano
- Unione Sovietica, Ucraina, Stati Uniti d'America
Ultimo aggiornamento
2024-05-02
Aggiorna
Martini Babak Afshar Lasso Bernal Reinhardt Nishimoto 2016 2017 2021 2022
Pink Martini is on tour in 2022! Tickets are on sale now at: (http•••) PINK MARTINI is headed back out on TOUR starting in Summer 2021! Check the link below to see if we're coming to a location near you! (http•••) Pink Martini with Storm Large on vocals performs "Kaj Kolah Khan", a song in Persian originally made famous by Googoosh. Excerpted from Pink Martini's live concert at Les Schwab Amphitheater in beautiful Bend, Oregon, June 30, 2017. "Kaj Kolah Khan" is Pink Martini's cover of a song in Persian, originally made famous in the early 1970s by the Persian superstar Googoosh. The song appears on Pink Martini's 2016 studio album Je dis oui! and features Storm Large on lead vocals and bandleader Thomas Lauderdale on piano. Music by Babak Afshar, lyrics by Touradj Negahban ENGLISH TRANSLATION: Don’t furrow your eyebrows at me I’m with the guy in the crooked hat I am beautiful, I am beautiful I’ve left many broken hearts in my path I am a lone rider, I’m a maverick I have no rival anywhere I love white stallions I am a very good jockey girl Long hair, like a lasso With endless waves and curls To mesmerize you I’ve got locks for days From head to toe I’m a flirting machine When I line up my gaze And mesmerize you with a look Even if you have heart of stone I’ll have your heart LYRICS: ابرو به من کج نکن کج کلاه خان یارمه خوشکلمو خوشکل دلها گرفتارمه یکه زن و یکه سوارم هیچ کجا رغیب ندارم عاشق اسب سفیدم دختری چابک سوارم گیسو نگو کمند والله چینو چینو بلند والله پریشون دارم تا که پریشون بشی عشوه فراوون دارم از نوک پا تا به سر وقتی خمار می کنم چشمامو تو اون چشات اونو شکار می کنم دل اگه سنگم باشه Musicians: Thomas M. Lauderdale, piano and bandleader Storm Large, lead vocals Robert Taylor, trombone Gavin Bondy, trumpet Brian Davis, percussion Miguel Bernal, percussion Reinhardt Melz, drums Phil Baker, upright bass Dan Faehnle, guitar Timothy Nishimoto, backing vocals and percussion Pansy Chang, cello Nicholas Crosa, violin FIND PINK MARTINI ONLINE: Patreon Fan Club: (http•••) Instagram: (http•••) Facebook: (http•••) Twitter: (http•••) Spotify: (http•••) Apple Music: (http•••) SoundCloud: (http•••) bandcamp: (http•••) Website: (http•••) Pink Martini Shop: (http•••) #PinkMartini #JeDisOuiAlbum #KajKolahKhan #StormLarge #ThomasLauderdale #NickCrosa #PansyChang #DanFaehnle #PhilBaker #ReinhardtMelz #MiguelBernal #TimothyNishimoto #BrianDavis #GavinBondy #RobertTaylor #LittleOrchestra #ПинкМартини #PersianLanguage #AGT #AGT2021 #AmericasGotTalent #AmericasGotTalent2021 #AmericasGotTalentContestant #AmericasGotTalentContestants
Antonio Vivaldi Lalli Lichtenstein Svoboda Růžička Sylva Verdi Francesco Mancini Giovanni Porta Fiore Costantini Mingotti Hesse Capella Regia Opera Graz 1675 1676 1679 1686 1690 1714 1717 1722 1730 1732 1741 1755 1762 1763 2006 2017
Argippo (Drama per musica) Antonio Denzi - Antonio Vivaldi (and others) after "Il Gran Mogol" by Domenico Lalli (= Sebastiano Biancardi, 1679 - 1741) Live performance in the Baroque theater at the Lichtenstein Castle in Valtice (Národní památkový ústav) on 5. 10. 2017 Reconstruction after Darmstadt score and Prague libretto (Abbreviated) Acknowledgment Many thakns to Ondřej Macek for providing us with his research on the reconstruction of Argippo. Many thanks to Richard Svoboda, Lenka Beránková and Zbyněk Šolc from Valtice Castle for the invitation to the project and collaborating on the production. ARGIPPO, King of Cingon - Dušan Růžička, tenore TISIFARO, Great Muggle - Ivo Hrachovec, basso ZANAIDA, Tisifaro´s daughter - Sylva Čmugrová, alto OSIRA, Argippo´s wife - Michaela Šrůmová, soprano SILVERO, Tisifaro´s nephew - Filip Dámec, soprano Capella Regia Praha Akademie staré hudby Ústavu hudební vědy Masarykovy univerzity Robert Hugo - conductor Stage director - Števo Capko and Robert Hugo Jan Neugebauer - Light design SCENE CHANGES I. Cabinet of the Great Muggle. II. The atrium of the royal palace with the city view and the river Yamuna. III. Royal Garden. IV. The colonnade of the royal palace. V. Tisifaro's chamber. VI. Garden the Osira´s dwelling. VII. Tribune of the god Kama in the middle of the forest in night lighting, adapted to perform the victim. It takes place in the Royal Palace in Agra, the capital and residence of the Great Muggle. Video: Emil Kopřiva, Radislav Babák, Robert Hugo The origin of Italian Baroque operas and the cultural environment associated with them can be imagined far more as today's film production than as an opera under Verdi or Wagner. The authorship was often collective and partial artists were often not featured in the production, including the authors of the music. The same libretto was usually set to music many times and was more like a film theme than a fixed text in a later opera. The libretto was edited over and over again for the respective version, and the same or similar text was played under different names. The similarity with the film was that the success of the opera was measured to a large extent according to how it managed to fill the box office of the relevant impresario. It can therefore be said that the principle of Baroque opera was the so-called pasticcio (pate) - an opera composed of already finished components. The libretto called "Il gran mogol" by Domenico Lalli was first set to music by the Neapolitan composer Francesco Mancini and performed at the theater of San Bartolomeo in 1714. The other two operas on the same text come from Venice from 1717 and 1722 by Giovanni Porta (ca. 1675 - 1755) and Andrea Stefano Fiore +••.••(...)). This is followed by a Prague (and probably also Vienna) version from 1730, with music by Antonio Vivaldi, commissioned by the impresario Antonio Denzi (ca. 1690 - 1763). Here, also, Vivaldi used some arias from his older operas, according to contemporary practice. The libretto was further set to music by Antonio Costantini for Mingotti's company in Brno, some musicologists also mention the performance in Vienna. Mingotti's opera company later performed opera in Graz and Copenhagen. In 2006, Ondřej Macek discovered the arias from Argippo in the Thun - Taxis court library in Regensburg. It is obvious that it is a pasticcio, in which many original Vivaldi arias from the original Prague version are used. A complete score of this pasticcio with the same structure of arias as the Regensburg source, has also been found in the archives of the University of Darmstadt. Recitatives that are missing in the Thun-Taxis library are preserved here. They exactly agree with the Prague libretto. Our current version is based on a source in Darmstadt and, based on the Prague libretto, is supplemented by several original Vivaldi arias. The opera apparently remained in Denzi's archive after its release in Prague and was further modified. How its copy became the property of Ernst Christian Hesse +••.••(...)) in Darmstadt is not clear. Obviously, not all arias in this score are from Vivaldi. The continuity of the keys (tonalities) of the recitatives, on the other hand, suggests that some recitatives may be from the original version. (Robert Hugo)
This is an accompaniment for a violin concerto composed by Jean-Baptiste Accolay in A minor. I hope that you can play with it and enjoy it. If you find this video is useful, please subscribe, like, and share it. Please visit my other channel on youtube / Babak Na / for learning piano Thanks for watching and I hope you enjoyed it.
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- cronologia: Cantanti lirici (Europa).
- Indici (per ordine alfabetico): B...