Félix Rault Video
compositore
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Ultimo aggiornamento
2024-05-26
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Opéra Massy Perruchon Evry Laforge Orchestre Philharmonique Radio France 2018
De l’autre côté du mur est la dernière œuvre d’Étienne Perruchon. Écrite à quatre mains avec son épouse Jeanne, cette comédie musicale met en musique les problématiques relatives à l’exil et à l’accueil des réfugiés. Elle décrit aussi comment la musique peut nous rapprocher dans nos humanités et nous souder face aux difficultés de la vie. Commencé en 2018, ce projet a vu le jour sur la scène de l'Opéra de Massy les 1er et 2 juillet derniers. 120 musiciens et chanteurs, enfants et professionnels de la musique, réunis sur scène devant un public conquis. Crédits : Béatrice Fontaine • Lucille (Mezzo-Soprano) Romain Dayez • Le Maire (Baryton) Orchestre Philharmonique de Radio France Musiciens référents : Benoît Gaudelette, Florian Schuegraf • Orchestre de fosse Orchestre à l’École du Collège Les Maillettes de Moissy-Cramayel • Orchestre de scène/Les Miourkis Chœur de l’Avant-Scène du CRÉA sous la direction d'Isild Manac'h • Chorale des Lilas CHAM du collège Montesquieu d’Evry sous la direction de Sharleyne Petit Direction musicale : Lucie Leguay Mise en scène : Loïc Auffret Chorégraphie : Selin Dündar Scénographie : Antoine Milian Régie générale : Maël Rault Son : Elian Lesguillon Lumières : Dominique Ryo Costumes : Alice Laforge Composition : Etienne Perruchon Livret : Jeanne Perruchon Conseiller artistique : Etienne Perruchon Accueil du projet : Opéra de Massy
Mercurio Maillard Charbonnier Husa Cattaneo Barr 2022
Hernán Cattáneo playing an exclusive DJ set at the Cercle Festival 2022 (A380 stage), at the National Air & Space Museum of France, for Cercle. ☞ Subscribe to our channel for more videos: (http•••) ☞ Subscribe to our Spotify playlist: (http•••) ☞ Cercle on Apple Music: (http•••) ☞ Become a Cercle Member: (http•••) ☞ Cercle Records Hernán Cattáneo, Mercurio - A380: (http•••) ☞ Hernán Cattáneo (http•••) (http•••) (http•••) 48°56'55.6"N 2°26'03.7"E Video credits: Artist: Hernán Cattáneo Venue: Cercle Festival 2022, National Air & Space Museum of France Produced by Cercle Executive producers: Derek Barbolla, Philippe Tuchmann Film directed by: Pol Souchier, Derek Barbolla Director of photography: Mathieu Glissant Cameramen: Mickaël Fidjili, Quentin Souchier, Augustin Thai Drone pilot: Alexis Olas, Jérémie Tridard FPV drone: Arthur Maneint, Kenny Dorion, Hensli Sage Sound mastering: Antoine Guest Production team: Anaïs De Framond, Dan Aufseesser, Armand Prouhèze, Tom Puippe Communication: Pol Souchier, Lola Lebrati, Emie Monnier, Jeremy Maurin Graphic Design: Anaëlle Rouquette Label Assistant: Clémence Maillard Technical Manager: Aurélien Moisan Chief Financial Officer: Andy Cheremond Post-production: Mathieu Glissant (Saison Unique Production) Photographer: Maxime Chermat, Geoffrey Hubbel, Lily Rault / Official partners: National Air & Space Museum of France Ministère de la Culture DRAC Île de France Région Île de France SES Satellites W Hotels ArianeGroup / Special thanks to: Cruz Pereyra Lucena Alice Charbonnier Timothée Renard Willy Wargnier Carly Van Sickle Stephane Viallon Vincent Mathieu Guillaume Cabaret Arthur Guerillon Arnaud Fernandez Vincent Merot / This artistic performance has been recorded live. Tracklist: 00:00:00 Husa & Zeyada - On My Own (Hernan Cattaneo & Marcelo Vasami) 00:06:30 Clyve Lights at Night 00:11:52 Berni Turletti - Prana Vayu 00:16:30 Kamilo Sanclemente -Spirals Inflections (Simply City Remix) 00:22:00 Shai T - Oriki 00:30:45 Verlk - hours go by 00:37:11 BOg - Underwater (Hernan Cattaneo & Marcelo Vasami Remix) 00:42:10 Sebastien Leger -Extassy 00:48:50 Khen - Homeboy 00:54:25 Axatipe - Back to the Roots 01:01:30 Jody Barr - Eleanor 01:06:00 Hernan Cattaneo & Mercurio-A380 (Cercle Records) 01:10:54 Spencer Brown & Ezequiel Arias - Mad Rush 01:15:30 Frederico Fioretti - Genesis 01:20:25 Dabeat, Kamilo Sanclemente - Incense 01:25:45 Kasey Taylor & Karl Pilbrow - Mount Epico 01:30:16 Eric Lune - Predisposition 01:37:40 Amadeo Acqua 01:42:20 Navar - Herinneringen 01:47:30 Apste - Magna 1:51:02 Bottler - Tacoma (Gone Remix) 1:55:19 Porra - See you Follow us on (http•••)
Maillard Charbonnier Maurer 1845 2022
KAS:ST playing an exclusive DJ set from the Cercle Festival 2022, Leaving Earth from the Ariane stage, at the National Air & Space Museum of France for Cercle. ☞ Subscribe to our channel for more videos: (http•••) ☞ Subscribe to our Spotify playlist: (http•••) ☞ Cercle on Apple Music: (http•••) ☞ Become a Cercle Member: (http•••) ☞ Cercle Records (http•••) ☞ KAS:ST (http•••) (http•••) 48°56'55.6"N 2°26'03.7"E Video credits: Artists: KAS:ST Venue: Cercle Festival 2022, National Air & Space Museum of France Produced by Cercle Executive producers: Derek Barbolla, Philippe Tuchmann Film directed by: Pol Souchier, Derek Barbolla Director of photography: Mathieu Glissant Cameramen: Mickaël Fidjili, Quentin Souchier, Mathieu Glissant Drone pilot: Alexis Olas, Jérémie Tridard FPV drone: Arthur Maneint, Kenny Dorion, Hensli Sage Sound mastering: Antoine Guest Production team: Anaïs De Framond, Dan Aufseesser, Armand Prouhèze, Tom Puippe Communication: Pol Souchier, Lola Lebrati, Emie Monnier, Jeremy Maurin Graphic Design: Anaëlle Rouquette Label Assistant: Clémence Maillard Technical Manager: Aurélien Moisan Chief Financial Officer: Andy Cheremond Post-production: Mathieu Glissant (Saison Unique Production) Photographers: Maxime Chermat, Geoffrey Hubbel, Lily Rault / Official partners: National Air & Space Museum of France Ministère de la Culture DRAC Île de France Région Île de France SES Satellites W Hotels ArianeGroup / Special thanks to: Etienne Heraud Alice Charbonnier Timothée Renard Willy Wargnier Carly Van Sickle Stephane Viallon Vincent Mathieu Guillaume Cabaret Arthur Guerillon Arnaud Fernandez Vincent Merot Elodie Maurer / This artistic performance has been recorded live. Tracklist: 00:00 Gianni Di Bernardo, Rian Wood - Lost In Techno Intro (Original Mix) 02:25 Tømas Sinn - Disturb 06:25 Nakadia, Sean & Dee - Sonic fuse (Teenage Mutants Remix) 9:09 Space 92 - Meteor (unreleased) 13:21 Luca Marchese - Brainporting 18:45 Mattia Saviolo, Modeā - Back Where I Belong (unreleased) 21:30 Wehhba - Dynamo 25:00 Mattia Saviolo - Riding Waves (unreleased) 27:44 Anyma, Chris Avantgarde - Consciousness 32:20 NoNameLeft - Self Destruct Sequence 35:50 Egbert - Warpspeed (T78 Remix) 40:40 Wehbba - Strange Dreamz 44:00 Transcode - Synesthesia 48:00 Strafe, Avision - Party Started (Set It Off) 51:00 Enrico Sanguiliano - Future Dust 54:30 ID - ID 58:00 Zimmz - Higher Consciousness 1:02:00 KAS:ST, Gordo - Leaving Earth Follow us on (http•••)
François Devienne Wolf Dieter Hauschild Vernet Félix Ozi Maillard Concert Spirituel Théâtre Favart 1748 1758 1759 1776 1778 1779 1780 1781 1782 1784 1785 1788 1789 1790 1792 1794 1797 1801 1803 1825 1836 1920
★ Follow music ► (http•••) Composer: François Devienne +••.••(...)) Work: Sinfonie concertante [F] pour cor et basson (1785) Performers: Klаus Wаllendorf (horn); Kаrl-Otto Hаrtmаnn (bassoon); Rundfundorchester Hannover; Wolf-Dieter Hauschild (conductor) Sinfonie concertante 1. Allegro 0:00 2. Adagio 10:47 3. Rondó 14:16 Painting: Carle Vernet +••.••(...)) - View of Paris from the Terrace of the Pavillon de Brimborion Image in high resolution: (http•••) Painting: Jacques-Louis David +••.••(...)) - Portait du flûtiste François Devienne (c.1792) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / François Devienne (Joinville, 31 January 1759 - Paris, 5 September 1803) French flautist, bassoonist, composer and teacher. He was the seventh of eight children born to Pierre Devienne and his second wife Marie Petit. Two obituaries published in 1803, which have since been proved apocryphal, claimed that when he was ten he wrote a mass which was performed by the musicians of the Royal Cravate cavalry regiment. He probably received his earliest training from the organist Morizot in Joinville, and continued his education with his elder brother and godfather, François Memmie, in Deux Ponts (now Zweibrücken) from 1776 to 1778. He left Deux Ponts on 15 May 1778 and may have spent some time with the Royal Cravate regiment during the following year. He joined the Paris Opéra orchestra as last chair bassoonist in autumn 1779 for one season, and studied the flute with the orchestra's principal flautist, Félix Rault. It is likely that Devienne entered the service of Cardinal de Rohan as a chamber musician in spring 1780 and remained there until mid-1785. In 1781 he joined the freemasons; he presumably became a member of the famous masonic orchestra, the Loge Olympique, during the 1780s. The first performance in Paris of a work by him was on 24 March 1780, when Ozi performed ‘a new Bassoon Concerto composed by de Vienne’ at the Concert Spirituel. Devienne first appeared in Paris as a soloist on 24 December 1782 at the Concert Spirituel when he performed ‘a new flute concerto’, probably his Flute Concerto no.1; his first appearance as a bassoon soloist at the Concert Spirituel was on 25 March 1784 when he played his Bassoon Concerto no.1. From 1782 to 1785 he performed at the Concert Spirituel as a soloist at least 18 times, but after 3 April 1785 he did not appear there for four years. From 1785 to 1789 his place of employment is uncertain; he may have been a member of the Swiss Guards Band in Versailles. Devienne probably returned to Paris in autumn or winter 1788. Les spectacles de Paris 1790 lists him as the second bassoonist of the Théâtre de Monsieur when it opened in January 1789 and by autumn 1790 he had advanced to principal bassoonist, a position he held until April 1801. Devienne's first known solo appearance after his return to Paris was at the Concert Spirituel on 7 April 1789, when he played the flute part in the première of his Sinfonie concertante no.4. In autumn 1790 he joined the military band of the Paris National Guard where his duties included teaching music to the children of French soldiers and participation in the musical events of the numerous festivals in Paris. This organization officially became the Free School of Music of the National Guard in 1792, and Devienne was one of the three sergeants in its administration. The marriage of Devienne to a Mlle Maillard presumably took place between 1789 and 1792; they had five children. The Théâtre Montansier, which devoted most of its productions to original French opéras comiques, opened on 12 April 1790 and Devienne's Le mariage clandestin was staged there the following November. Two more of his operas were staged before his most popular opera, Les visitandines (1792), was performed at the Théâtre Feydeau. This opera was among the most successful of the Revolutionary period; it had over 200 performances in Paris between 1792 and 1797 and was also performed there as late as 1920. Devienne's famous method for the one-key flute was published in 1794. On 12 April 1801 the Théâtre Feydeau abruptly closed. Its orchestra and that of the Théâtre Favart merged the following September to form the new Opéra-Comique orchestra, but it is not known if Devienne was a member of this orchestra. In May 1803 he entered Charenton, a Parisian home for the mentally ill, where he died the following September after a long illness which ended by impairing his reason.
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- cronologia: Compositori (Europa). Interpreti (Europa).
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