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2024-04-28
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Isaac Albéniz Alicia Larrocha 1975 2000
Provided to YouTube by Universal Music Group Albéniz: Suite española No. 1, Op. 47 - 3. Sevilla (Sevillanas) · Alicia de Larrocha Favourite Spanish Encores ℗ 1975 Decca Music Group Limited Released on: 2000-01-01 Producer: Michael Woolcock Studio Personnel, Recording Engineer: Colin Moorfoot Composer: Isaac Albéniz Arranger, Work Arranger: Edoardo Catemario Auto-generated by YouTube.
Isaac Albéniz Alicia Larrocha 1975 2006
Provided to YouTube by Universal Music Group Albéniz: Suite española No. 1, Op. 47 - 3. Sevilla (Sevillanas) · Alicia de Larrocha Ultimate Piano Classics ℗ 1975 Decca Music Group Limited Released on: 2006-01-01 Producer: Michael Woolcock Studio Personnel, Recording Engineer: Colin Moorfoot Composer: Isaac Albéniz Arranger, Work Arranger: Edoardo Catemario Auto-generated by YouTube.
Verdi Gillian Zammit Aguilar Mulholland Muscat Borg Wirth Malta Philharmonic Orchestra Istituto Italiano Cultura
Soprano Gillian Zammit brings to life the tribulations of Violetta in two contrasting scenes from 'La Traviata', one of the best-loved operatic scores. The Scena and Aria from Act 1 (“È strano…Sempre libera”) is set in the early hours of the morning, in the aftermath of a party Violetta has thrown. Alfredo Germont has declared his love, awakening new, strange feelings within her. Faced with the prospect of giving up her decadent life and sacrificing everything in the name of love, she allows herself to dream briefly of a future with Alfredo. Ultimately however, already knowing she is ill, she chooses to reject this path singing almost feverishly of pursuing a hedonistic, superficial life – despite Alfredo’s serenading (tenor: Luis Aguilar) from the streets below. The very reflective and pathetic Prelude to Act 3 leads directly into a most moving scene. Violetta is now terminally ill and alone. She has by now lost not only most of her possessions but hope itself. She reads a letter from Alfredo’s father informing her that her former lover will be returning to ask her forgiveness, but Violetta exclaims that it is now too late. She desperately reminiscences on a foregone past (“È tardi…Addio, del passato”), sharing her fears about her imminent death. Soprano: Gillian Zammit Malta Philharmonic Orchestra Conductor: Colin Attard Director: Denise Mulholland Director of photography: Matthew Muscat Drago Set Artist: Andrew Borg Wirth Costume Designer: Luke Azzopardi Filming Locations: VIP Hall, Aurora Theatre, Victoria, Gozo Palazzo Palina, Ta’ Cenc Hotel, Sannat, Gozo Supported by: Arts Council Malta, Malta Philharmonic Orchestra, Visit Malta, Bank of Valletta, Istituto Italiano di Cultura - Valletta, Visit Gozo, Mediterranean Conference Centre, Quaint Boutique Hotels, Hotel ta' Cenc & Spa.
Giacomo Puccini Elizabeth Harwood Michel Sénéchal Mirella Freni Luciano Pavarotti Nicolai Ghiaurov Rolando Panerai Herbert Karajan Mallinson Parry Chor Deutschen Oper Berlin Berliner Philharmoniker 1973 2022
Provided to YouTube by Universal Music Group Puccini: La bohème, SC 67 / Act 2 - "Quando m'en vo'" (Musetta's Waltz) · Elizabeth Harwood · Michel Sénéchal · Mirella Freni · Luciano Pavarotti · Nicolai Ghiaurov · Rolando Panerai · Gianni Maffeo · Schonberger Sangerknaben · Chor der Deutschen Oper Berlin · Berliner Philharmoniker · Herbert von Karajan Viva La Diva! ℗ 1973 Decca Music Group Limited Released on: 2022-02-25 Producer: James Mallinson Producer: Ray Minshull Studio Personnel, Recording Engineer: Gordon Parry Studio Personnel, Recording Engineer: James Lock Studio Personnel, Recording Engineer: Colin Moorfoot Composer: Giacomo Puccini Author: Giuseppe Giacosa Author: Luigi Illica Auto-generated by YouTube.
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): C...