Karl Eisner Video
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2024-05-06
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Flesch Károly Haendel Grün Martin Pierre Marsick Charles Barkel Edwin Bélanger Gimpel Ivry Gitlis Szymon Goldberg Ida Haendel Josef Hassid Moodie Ginette Neveu Yfrah Neaman Ricardo Odnoposoff Max Rostal Henryk Szeryng Roman Totenberg 1873 1897 1902 1903 1923 1924 1928 1929 1934 1944
From Wikipedia: Carl Flesch (Hungarian: Flesch Károly, 9 October 1873 – 14 November 1944) was a violinist and teacher. Flesch was born in Moson (now part of Mosonmagyaróvár) in Hungary in 1873. He began playing the violin at seven years of age. At 10 he was taken to Vienna to study with Jakob Grün. At 17 he left for Paris, and joined the Paris Conservatoire, studying with Martin Pierre Marsick. He settled in Berlin, and in 1934 in London. He was known for his solo performances in a very wide range of repertoire (from baroque music to contemporary), gaining fame as a chamber music performer. He also taught in Bucharest +••.••(...)), Amsterdam +••.••(...)), Philadelphia +••.••(...)) and Berlin (Hochschule fuer Musik, 1929-34). He published a number of instructional books, including Die Kunst des Violin-Spiels (The Art of Violin Playing, 1923) in which he advocated for the violinist as artist rather than merely virtuoso. Among his pupils were Charles Barkel, Edwin Bélanger, Bronislaw Gimpel, Ivry Gitlis, Szymon Goldberg, Ida Haendel, Josef Hassid, Adolf Leschinski, Alma Moodie, Ginette Neveu, Yfrah Neaman, Ricardo Odnoposoff, Eric Rosenblith, Max Rostal, Henryk Szeryng, Henri Temianka, Roman Totenberg and Josef Wolfsthal, all of whom achieved considerable fame as both performers and pedagogues. He said his favorite pupil was the Australian Alma Moodie, who achieved great fame in the 1920s and 1930s but made no recordings and is little known today. In his memoirs he said, ' ... there was above all Henry [i.e., Henri] Temianka, who did great credit to the [Curtis] Institute: both musically and technically, he possessed a model collection of talents...He owned the Brancaccio Stradivarius, but had to sell it in 1928 after losing all his money on the New York Stock Exchange.Flesch lived in London during the 1930s, and was later arrested by the Gestapo in the Netherlands, was released, and died in Lucerne, Switzerland, in November 1944.' Flesch made relatively few recordings. These included a small number of electrics made for the Edison company. This upload features one of these, recorded on 21 March 1928. Fortunately, my copy of this is in reasonably good condition and the surface is much quieter than many Edison discs. It is an excellent example of Flesh's artistry at the peak of his career.
Simpson Duff Eisner Sydney Opera House 2016
Cartoonist genius and The Simpsons creator Matt Groening visited Australia for the first time, appearing exclusively at the GRAPHIC Festival at Sydney Opera House. He spilt the Duff on everything from The Simpsons to Futurama. He also appeared in conversation with "his biggest inspiration" - the seminal cartoonist/writer and Eisner Hall of Famer, Lynda Barry. THE SIMPSONS TM & 2016 Twentieth Century Fox Film Corporation. All rights reserved. GRAPHIC AT SYDNEY OPERA HOUSE Returning for its sixth year this November 4 & 5, GRAPHIC is a festival that celebrates the art of graphic storytelling, animation and music at the Sydney Opera House. GRAPHIC co-curated by Ben Marshall, Head of Contemporary Music at the Sydney Opera House and Jordan Verzar. “GRAPHIC exists to highlight and champion those singular voices in comics, animation, illustration and contemporary music that are capable of producing great art, but are usually passed over in traditional arts conversations. I think there’s no better embodiment of this idea, dead or alive, than Matt Groening – which is why we’ve been chasing him to appear at GRAPHIC for six years. We can’t quite believe the moment’s finally here and doubly thrilled it’s with his close friend and cartoonist extraordinaire Lynda Barry." Ben Marshall “Every year when programming GRAPHIC, we are lucky enough to have multiple moments when we get the chills – hair standing on end, adrenaline coursing – when something years in the making comes to fruition. We can’t wait to share the secrets that Matt Groening will bring to light, or the live score that George Lucas has personally approved – and the many other surprises in store throughout our program. I'm exceptionally happy to present such a huge program of free art this year and a heavy focus on local content with appearances by some of Australia's most beloved cartoonists, eye-popping animators and visual satirists.” Jordan Verzar #GRAPHIC2016 Tickets on sale now: (http•••) #SydneyOperaHouse Homer Simpson vs. Sydney Opera House
John Dowland Eisner John Harle 1563 1626 2012
JOHN HARLE, SIMON HARAM, ROB BUCKLAND AND TIM GARLAND (Saxophones) play FLOW MY TEARES by JOHN DOWLAND +••.••(...)) arranged by DANIEL EISNER HARLE live at the Deal Festival 2012. Video by Ian Dingle for SOSPIRO RECORDS. WWW.SOSPIRORECORDS.COM
World-renowned cellist Yo-Yo Ma, 2013 Harman-Eisner artist in residence, discusses his far-reaching vision for how artists can practice their citizenship, as individuals and through institutions—and how the arts fulfill a fundamental human need by forging and strengthening community. Interviewer: Damian Woetzel, Director of the Aspen Institute Arts Program Session produced by the Aspen Institute Arts Program, under the direction of Damian Woetzel. For more information about the Aspen Institute Arts Program, visit www.aspeninstitute.org/artsprogram
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): E...