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Alarm Will Sound Karlheinz Stockhausen Luciano Berio 1969 2001
Alarm Will Sound is the kind ensemble that eschews labels and defies definition. As their managing director Gavin Chuck puts it when asked what kind of music they play, he often says simply "we play good music". Whether you call the music that they play classical or new music or avant-garde, the members of this eclectic group devote most of their energy in trying to find projects they find exciting with the hope that in the process they engage their audience and put on a good show. Although the 20 members of the group are scattered around the country, most of them got their start in one spot: the Eastman School of Music. The group was formed there around 2001 after they had spent a few years working together on a student run orchestra and decided to take that experience with them beyond their time at Eastman. As they have continued on with successful music careers in cities from New York to Chicago to San Francisco, they have continued to keep this collective alive by gathering in a different city every month or so to put on concerts. Each time, the program is the same. Members fly into a city from all over the country, rehearse the material for a few days, play the show and then head their separate ways until the next gig. Despite this itinerant schedule, the formula seems to work. More than a decade after its founding, Alarm Will Sound is still as vibrant as ever. When the invitation was extended for them to return to Rochester to play a show at Eastman, they didn't hesitate to accept. What they brought was much more than just a concert, but an experience for audiences that included not only music from the popular to the obscure, but also a theatrically staged narrative, large video screens with vivid imagery and plenty of action. It's a show they call 1969, and it brings together the music and culture of that time in American history to tell a story with an approach that is decidedly original. From the life and music of John Lennon, to experimental composers Karlheinz Stockhausen and Luciano Berio to Richard Nixon and Jimi Hendrix's electrified version of the Star Spangled Banner, 1969 covers a vast array, and in a way that's anything but the typical concert going experience.
Steven Devine Wolfgang Amadeus Mozart Mandel Heller Jonathan Manson Manson Brooke Edwards Bentley Orchestra Age Enlightenment Royal Festival Hall 1756 1791 2020
MOZART: Piano Concerto No.23, K488, Last Movement In this film, Steven Devine directs the Orchestra of the Age of Enlightenment through this exuberant Concerto with the full flair and colour of a fortepiano. (Wait...what is a fortepiano? (http•••) Clarinets and flute give this concerto a warm, soft-edged glow and the finale is pure comic opera. This video is a recording of the final movement from No.23, to hear the full performance by the Orchestra of the Age of Enlightenment, please visit (http•••) Piano Concerto No.23 in A, K.488, Allegro assai by Wolfgang Amadeus Mozart +••.••(...)). Recorded from Southbank Centre's Royal Festival Hall, 2020. Solo Fortepiano: Steven Devine Orchestra Violin I: Margaret Faultless Alice Evans Rodolfo Richter Henry Tong Debbie Diamond Violin II: Kati Debretzeni Iona Davies Kinga Ujszaszi Claire Holden Daniel Edgar Viola: Max Mandel Martin Kelly Kate Heller Marina Ascherson Cello: Jonathan Manson Catherine Rimer Double Bass: Kate Brooke Carina Cosgrave Flute: Lisa Beznosiuk Clarinet: Katherine Spencer Sarah Thurlow Bassoon: Philip Turbett Sally Jackson Horn Gavin Edwards Martin Lawrence Nicholas Benz David Bentley View the concert programme: (http•••) We add new videos to YouTube every month - subscribe to our YouTube channel so you don't miss 'em! (http•••) Donate to the OAE: (http•••) Website: (http•••) Facebook: (http•••) Twitter: (http•••) Instagram: (http•••)
Burden Gavin Bryars Buxtehude Sheppard 2020 2021 2022
Make or renew your donation today to be part of the story behind “one of the bravest ensembles around”! (http•••) Video footage of The Song Company's Principal, Associate, and Guest Artists in action with Artistic Director Antony Pitts and guest choreographer/dancer Thomas E.S. Kelly from Karul Projects. ALWAYS UNEXPECTED – ALWAYS MOVING The past 12 months have seen perhaps the biggest upheaval in the arts and creative environments in recent history. In a year that was marked out by cancellations, lockdowns, empty theatres and an increasingly insular society, we also witnessed resilience, the embracing of technologies and a realisation of just how important the creative arts are to the well-being of society. DONATE NOW: (http•••) OUR SUPPORTERS Great art is supported by people who love great art. The Song Company’s ambitious and innovative programming would not exist without our audiences and our donors. In 2020, the company was humbled by the number of ticket buyers who became donors for the first time, when they offered to return cancelled tickets, due to COVID, back to the company. Read on to find out exactly how your support enables The Song Company to bring the power and beauty of the human voice into your life. YOUR COMPANY ★★★★★ “Demonstrated the excellence, precision and mastery of all singers involved.” Daily Review March 2020 The Song Company is Australia’s only national professional vocal ensemble. Our artists are leaders in their fields – singing, teaching, composing and conducting in their home towns across the country. When we come together to perform, the warmth and clarity of our sound is unmistakeable. EXPECT THE UNEXPECTED ★★★★★ “This is the country’s pre-eminent choir and a-cappella ensemble.” Daily Review March 2020 The Song Company performs the widest range of repertoire of any ensemble in Australia. When you attend a performance by The Song Company, you are trusting us to present an incredible range of music, much of which you may not be familiar with. And if we are performing a piece that you do know, you can always expect that it will be done in a new way – based both on scholarship and performance practice of the highest calibre, as well as creative and often radical reinvention and of course, excellent singing from the incredible vocal artists that make up our ensemble. FROM PEN TO STAGE Support the entire ecosystem of composers and performers when you donate to The Song Company. The Song Company’s proud tradition of commissioning and new work creation continues in 2021 with all our MainStage productions built on substantial new works. Burden of Truth in May and June 2021 sees the presentation of two new major large-scale works in three cities. English composer Gavin Bryars wrote his iconic reflection on homelessness and hope, Jesus’ Blood Never Failed Me Yet, 50 years ago. He has created a new 32-part vocal arrangement, of which The Song Company give the world première performances. Now rescheduled for 2022, Arms of Love will feature a major new work, I pray the sea, by Australian composer Chris Williams intertwined by one of the marvels of the baroque period, Membra Jesu Nostri by Buxtehude. Throw away any expectations you may have about the old and the new – this project promises to be one of the most exciting and original fusion of chamber music, dance from Karul Projects' Thomas E.S. Kelly, and incredible vocalism from The Song Company's Artists. Songs From The Heart is an significant new project, entirely curated by two important Indigenous voices in Australian composition, Elizabeth Sheppard and Sonya Holowell. Elizabeth and Sonya are creating an original vocal response to the Uluru Statement, employing the full range of vocal possibilities from a seven-voice ensemble. INVESTING IN THE NEXT GENERATION “A fantastic cathartic experience” Limelight Magazine March 2021 The Song Company’s Ensemble Artist Program is the country’s only early career professional development program for aspiring classical and ensemble singers. Only 18 months old, it is already drawing praise for the calibre of the artists involved. ALWAYS MOVING “A thoroughly enthralling experience with superb singing throughout” ClassikON December 2020 The power of the human voice, the magic of singing in harmony, the moment when individual lines come together in a single chord – this is The Song Company. Lose yourself in the intricacies of 16th-century polyphony. Marvel as a multi-voice work unfolds layer by layer. Feel the connection between light and hope; darkness and despair; optimism after sacrifice. Leave the everyday world behind when you experience your national vocal ensemble. DONATE TODAY: (http•••)
Casey Sullivan Burge Scully Robertson McNaughton Richard Watkins Watkins David Pyatt Martin Owen Berry Cobb Moore Byron Fulcher Clements Hartley Lockhart Richards Tim Jones Rayner Phil Woods Mayes 2018
Provided to YouTube by Universal Music Group He Saw An Opportunity - Counterpoint In C Minor · Nicholas Britell VICE ℗ A Decca Records Recording; ℗ 2018 ANNAPURNA PICTURES, LLC, under exclusive licence to Universal Music Operations Limited Released on: 2018-12-07 Producer, Conductor: Nicholas Britell Studio Personnel, Recording Engineer, Mix Engineer: Casey Stone Studio Personnel, Mastering Engineer: Patricia Sullivan Associated Performer, Violin: Everton Nelson Associated Performer, Violin: Richard George Associated Performer, Viola: Peter Lale Associated Performer, Cello: Ian Burge Associated Performer, Bass ( Vocal): Mary Scully Associated Performer, Flute: Karen Jones Associated Performer, Flute: Nina Robertson Associated Performer, Flute/ Piccolo: Anna Noakes Associated Performer, Oboe: John Anderson Associated Performer, Oboe: Janey Miller Associated Performer, Cor Anglais: Jane Marshall Associated Performer, Clarinet: Jon Carnac Associated Performer, Clarinet: Anthony Pike Associated Performer, Bass Clarinet: Dave Fuest Associated Performer, Bassoon: Daniel Jemison Associated Performer, Bassoon: Rachel Simms Associated Performer, Contra Bassoon: Gavin McNaughton Associated Performer, French Horn: Richard Watkins Associated Performer, French Horn: David Pyatt Associated Performer, French Horn: Laurence Davies Associated Performer, French Horn: Nigel Black Associated Performer, French Horn: Martin Owen Associated Performer, French Horn: Richard Berry Associated Performer, Trumpet: Jason Evans Associated Performer, Trumpet: Phil Cobb Associated Performer, Trumpet: Andy Crowley Associated Performer, Trumpet: Gareth Small Associated Performer, Trumpet: Sebastian Philpott Associated Performer, Trumpet: Kate Moore Associated Performer, Trombone: Byron Fulcher Associated Performer, Trombone: Andy Wood Associated Performer, Trombone: Ed Tarrant Associated Performer, Bass Trombone: Barry Clements Associated Performer, Harp: Skaila Kanga Associated Performer, Piano: Dave Hartley Associated Performer, Timpani: Bill Lockhart Associated Performer, Percussion: Frank Ricotti Associated Performer, Percussion: Chris Baron Associated Performer, Clarinet: Paul Richards Associated Performer, Bass Trombone: Dan West Associated Performer, French Horn: Tim Jones Associated Performer, French Horn: Simon Rayner Associated Performer, French Horn: Phil Woods Associated Performer, French Horn: Richard Bissill Associated Performer, Trumpet: James Fountain Associated Performer, Trumpet: Dan Newell Associated Performer, Trumpet: Paul Mayes Associated Performer, Trumpet: Pat White Associated Performer, Timpani: Sam Walton Composer: Nicholas Britell Auto-generated by YouTube.
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- cronologia: Cantanti lirici (Oceania).
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