Josephine Troup Video
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- Regno Unito di Gran Bretagna e Irlanda
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2024-04-28
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Lebedev Sirena Troup Shumsky 1873 1904 1910 1913 1916 1920 1939 1960
Duet: Aaron Lebiedew i Gospoża (Madame) Cyla Rappel - Shlomkele und Chankele (Shlomo and Hannah) from Operetta "Shir Hashirim" Sung in Jewish, Sirena Grand Rekord 1913 (Russian language label; Recorded in Warsaw, Poland in April 1913 / Released in Sankt Petersburg, Russia) NOTE: This recording would be the rarest rarity in each record collection! It is an early production of Polish record company Syrena Electro ( in the accoustic recordings era, the label names: Syrena Grand Rekord or Syrena). It is one of SGR series of the Jewish-language recordings made by Jewish actors of the Warsaw theatres with purpose of distribution in an enormous Russian market. Until outbreak of the 1stWW the sales rate of Syrena records in the whole Russian Empire reached 2,500 000 copies! Never in its history, Syrena recording-empire created in Warsaw in 1904 by Juliusz Feigenbaum (and annihilated by the Germans in Autumn 1939, with the outbreak of the 2nd World War) was so successful as in the years of making business with the Tzarist Russia! Aaron LEBIEDIEW (also: Lebedev, Lebedieff b.1873 / d.1960) was a Polish-Russian Jewish actor and vadeuvillist. Born in the Imperial Russian town of Homel (formerly belonging to Poland, now: in Belarus) in childhood, he sung in a synagogue as a juvenile cantor (chazzan). Having declared himself as absoolutely non-interested in any kind of education, he was sent to learn a trade, but soon he ran away and began to play small roles in Russian theaters in Bobroysk, Minsk and other towns. When the Russian troup fell apart, he went back to Homel, taking part in amateur theater and opening a dance club. He was officially a chorister, unofficially a stage hand, he dressed the actors and was a prompter. He finally debuted in "Der Pipkiner rav" and became the character actor he would remain, playing in different wandering theater troups across Russia. Around 1910 he was hired in Warsaw, then in Lodz to perform in Jewish theatres, in popular comedies and vadeuvilles. In 1913 he made solo and in duets with other Jewish theatr artists a series of recordings for Syrena Records in Warsaw / including almost full coverage of otherwise forgotten Jewish Operetta "Shir Hashirim" (in uncomplete Syrena Grand Record catalogue, the series contains almost 16 sides!). At the outbreak of World War I, he was pressed into the Russian army and sent to Harbin, Manchuria (1916), where he spent his time giving concerts for the officers. After being demobilized, he sung in Russian or English for the American Red Cross. He married Vera Lubow and through China, they wandered toward Japan, presenting "International Concerts". In 1920, they managed to embark on a ship to America, where both of them were hired for Boris Thomashevsky's National Theater production of Wolf Shumsky's "Lyavke Molodyetz". Aaron was such a hit that he became an overnight star of Yiddish theater in America. In 1920s and 30s he performed in dozens of Jewish shows and all sorts of stage performances, but predominantly he was a coupletist, composing dozens of comic songs for Broadway theatres. He recorded hundreds of sides including the famous "Rumania, Rumania" and "Vot ken yu makh, s'iz Amerike!". He never performed in Europe. To my regret, I did not find any data about the life of Cyla Rappel.
Johannes Brahms Erik Schmedes Anna Bahr Mildenburg Bahr Alfano Pizzetti Verdi Mussorgsky Bruno Walter Troup Bayreuth Toscanini Gotovac Smetana Maria Müller Städtische Oper Berlin Berlin State Opera Salzburg Festival Covent Garden Scala 1919 1925 1926 1931 1933 1934 1937 1943 1950
THIS IS THE SUCCESSOR CHANNEL TO "liederoperagreats" WHICH WAS RECENTLY TERMINATED. Maria Müller--soprano Michael Raucheisen--piano Date (?) / "She was born in Theresienstadt and trained first at the Prague Conservatory. Then she studied with Erik Schmedes and Anna Bahr-Mildenburg making her debut as Elsa at the Linz Opera House in 1919. Engagements followed at Brno, at the Deutsches Theater in Prague and at the Munich State Opera where she sang mostly Wagnerian repertoire. In 1925 she made her debut as Sieglinde at the Metropolitan where she appeared until 1934/35. She excelled as Elsa, Elisabeth, Sieglinde, Senta, Eva as well as in the American premieres of Alfano’s Madonna Imperia, Pizzetti’s Fra Gherardo, Verdi’s Simon Boccanegra and Mussorgsky’s The Fair Sorochinstsi. In 1926 she was engaged by Bruno Walter to appear as Euryanthe at the Städtische Oper Berlin and subsequentley changed to the Berlin State Opera where she ws contracted until 1943. Berlin was to become the artistic focal point of her career. During Winifred Wagner’s era she became one of the most admired members in the singing troup of Bayreuth appearing as Senta, Elisabeth (under Toscanini), Elsa, Sigelinde and Eva. She was admired at the Salzburg Festival as Euridice (1931), Rezia (1933) and Donna Elvira (1934). She enjoyed great success at Covent Garden where she sang Sieglinde in the 1937 Ring cyles and Eva in 1934. Her large repertory there included not only the Wagnerian roles but also the title roles in Die ägyptische Helena, Jenufa and Iphigénie en Tauride as well as Djula in Gotovac’s Ero the Joker, Marguerite, Tosca and Pamina. The public loved her Marie in Smetana’s The Bartered Bride, a role particularly suited to her as a born Bohemian. Guest appearances took to La Scala, Covent Garden, Vienna, Paris, Brussels, Dresden and Amsterdam. After the war Maria Müller lived in her home in Bayreuth, but returned to the Berlin Opera for one season in 1950."; cantabile-subito.de This video is about Maria Müller
Antonín Dvořák Mikoláš Troup Ochman 2013
Antonín Dvořák: Moravské dvojzpěvy - Zajatá, Prsten. / Moravian Duets Op.32 PĚVECKÝ SBOR JIHOČESKÝCH UČITELEK při Biskupském gymnáziu v Českých Budějovicích / The South Bohemian Lady Teachers Choir, (http•••) sbormistryně Anna Voříšková, Mikoláš Troup - klavír Koncertní síň O.Jeremiáše, České Budějovice, 12. 4. 2013 HD video & audio recording: Vlastimil Ochman
Leoš Janáček Tomáš Veselý Mikoláš Troup Stárek 1918
Rok 1918 je milníkem novodobé české samostatnosti a je více než symbolické, že právě na počátku tohoto roku se na světově významné vídeňské scéně objevilo dílo české provenience, jež se záhy ukázalo být přelomovým dílem operní tvorby vůbec, a sice Její pastorkyňa. Leoši Janáčkovi se tak až po šedesátce otevřela cesta do světa a svůj celoživotní zápas o moderní operu mohl korunovat svými vrcholnými opusy. Její pastorkyňa však měla k úspěchu trnitou cestu a její autor musel snést mnoho nepochopení a poučování. Dnes se řadí Leoš Janáček k největším operním géniům a jeho opery jsou na repertoáru operních domů po celém světě. Janáček ve své tvorbě doslova knokautuje tehdejší, a vlastně i do dnešní doby částečně přežívající, operní zvyklosti svým tvrdošíjným dramatismem jdoucím až na dřeň emocí, pravdy, a podstaty lidského bytí. Bez příkras, ale s o to větší naléhavostí. A tak i na moravském venkově se může odehrávat světové operní drama zpívané jako jedno z prvních vůbec v próze! Příběh zamilované Jenůfky se dotýká podstaty vztahů, lásky partnerské i mateřské. Kde je hranice, za niž ani z lásky nelze zajít, a jak moc lze z lásky ublížit? V inscenaci osvědčeného tandemu dirigenta Maria De Rose a režiséra Tomáše Studeného se můžete těšit i na vynikající obsazení všech rolí. Hudební nastudování: Mario De Rose Režie: Tomáš Studený Scéna a kostýmy: David Janošek Choreografie: Hana Achilles Světelný design: Petr Baštýř, Jan Hořejší Režijní spolupráce: Marek Mokoš Dramaturgie: František Řihout Sbormistr: Martin Veselý Hudební příprava: Mikoláš Troup Představení řídí: Michaela Freudenschussová Asistentka režie a nápověda: Barbora Šanderová Sbor a orchestr opery Jihočeského divadla Dětský pěvecký sbor Jitřenka pod vedením Jitrenka Elvira Jenůfa: Lucie Kašpárková Kostelnička Buryjovka: Eliška Weissová Laca Klemeň: Titusz Tóbisz Števa Buryja: Peter Malý Stařenka Buryjovka: Dagmar Volfová Stárek: Alexandr Beň Jano: Jana Melišková Barena: Pavla Radostová Rychtář: František Brantalík Rychtářka: Iva Hošpesová Karolka: Jana Málková Pastuchyňa: Miroslava Veselá Tetka: Gabriela Burianová a Kateřina Bukovská
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