Josef Mayseder Video
violinista austriaco
- violino
- Austria
- compositore, violinista
Ultimo aggiornamento
2024-04-30
Aggiorna
Joseph Merk Mauro Giuliani Johann Nepomuk Hummel Joseph Mayseder Franz Schubert Bohm Mendes Knecht Beethoven Bocklet Frédéric Chopin Fuchs Limmer Niccolò Paganini Sigismond Thalberg Giuditta Pasta Jenny Lutzer Friedrich August Kummer Kummer Franz Liszt 1753 1795 1808 1815 1816 1818 1822 1823 1825 1827 1829 1830 1834 1836 1837 1838 1848 1852
Joseph (or Josef) Merk was born in Vienna in 1795. He first studied singing, the guitar and the violin,[1] but at the age of 15[2] he was bitten so severely on his left arm by a dog, that he could no longer play the violin adequately even after the wound had healed. He then turned to the cello and had lessons with the principal cellist of the Vienna Court Opera, Philipp Schindlöker +••.••(...)),[3] making such rapid progress that after only a year he was engaged by a Hungarian aristocrat to play in his string quartet, where he remained for two years.[2][4] In 1815 the guitarist Mauro Giuliani appeared with Joseph Merk, Johann Nepomuk Hummel and the violinist Joseph Mayseder in a series of chamber concerts in the botanical gardens of Schönbrunn Palace (dubbed the "Dukaten Concerte", after the price of the ticket, which was a ducat). He frequently performed with Mayseder throughout his career, and was even dubbed "the Mayseder of the cello".[1][4][5] After touring the Austrian provinces, in 1816 or 1818 Merk was appointed to his teacher Schindlöker's old post of principal cellist at the Vienna Court Opera.[3][5] In 1822 Franz Schubert wrote a quartet for male voices, Geist der Liebe (D.747; Op. 11, No. 3), especially for a Joseph Merk concert.[6] Merk dedicated his 20 Études, Op. 11, to Schubert.[5] In 1823 Merk became professor at the Vienna Conservatory, remaining in that position until 1848.[4] His pupils included Karl Leopold Bohm, Anton Trag, Jacque Franco-Mendes and Franz Knecht.[2][4][6] He became associated with Ludwig van Beethoven's Triple Concerto, his performances of it helping to bring it out of the obscurity in which it had languished since its debut in 1808 (Beethoven himself having never played it in public, unlike his piano concertos[7]).[8] These include performances in 1825[9] or 1830[2][10] with Mayseder and the pianist Carl Maria von Bocklet. In 1829, the 19-year-old Frédéric Chopin visited Vienna, and dedicated his Introduction and Polonaise brillante, Op. 3, to Joseph Merk.[11] In a letter, Chopin wrote "On Thursday there was a soiree at Fuchs's, when Limmer introduced some of his own compositions for four violoncellos. Merk as usual made them more beautiful than they really were by his playing, which is so full of soul. He is the only violoncellist I really respect".[12] Chopin was also said to have played with Merk.[6] He was named k.k. Kammervirtuoso (translated as Imperial and Royal Chamber Virtuoso) to the Emperor in 1834.[4] Up to 1837-38, only five other musicians had ever been given this special title: the violinists Niccolò Paganini and Joseph Mayseder, the pianist Sigismond Thalberg, and the singers Giuditta Pasta and Jenny Lutzer.[13] In 1836 a reviewer wrote that Merk "would undoubtedly evoke admiration among those who give preference to singing instead of to difficulties alien to the nature of the instrument. Let all the cellists imitate his tone, taste, performance and abandon useless torments in conquering difficulties that never touch anybody's soul."[6] In 1836 Friedrich August Kummer dedicated his Souvenir de la Suisse, Concertino for cello and orchestra, Op. 30, to Joseph Merk.[14] On 19 April 1838 Merk played Beethoven's "Archduke" Trio with Mayseder and Franz Liszt. Liszt also played privately for Merk, and on 23 April the two took part in a performance of Hummel's Septet for piano, flute, oboe, horn, viola, cello and bass.[13] Joseph Merk's compositions include a Concerto, a Concertino, an Adagio and Rondo, a Polonaise, various sets of variations, études and similar works. His complete list of works can be found here. He died in Vienna's 19th district Döbling in 1852, aged 57 lessons through Skype 210-699-4914 John Stuart Here's my edited copy of the sheet music.. (http•••)
Liya Yakupova, Raimund Lissy - Violine. Joseph Mayseder: 3 Walzer aus MV 70. In Zeiten der Pandemie muss man zu Hause bleiben. Gemeinsames Musizieren ist daher nicht möglich - hier aber doch mit Hilfe der Technik. Auch in einer schweren Zeit ist Musik besonders wichtig. Aufnahme L. Yakupova: 28.3.2020 Aufnahme R. Lissy: 29.3.2020
Joseph Mayseder Milanollo Palais Niederösterreich 1843
Eva-Maria Wieser - Solo Violine ; Teresa Wakolbinger - Violine Regina Brandstätter - Violine; Raimund Lissy - Viola; Benedikt Hellsberg - Violoncello Zwei junge Mädchen aus Italien, Teresa und Maria Milanollo, gaben 1843 in Wien über 20 Konzerte, bei denen sie das Wiener Publikum zu Begeisterungsstürmen hinrissen. Die Wunderkinder, wie sie in den Zeitungen benannt wurden, spielten u.a. Werke von Mayseder, Maria Milanollo mehrmals die 6. Polonaise. Im Rahmen eines Filmprojektes über JOSEPH MAYSEDER, Komponist und Virtuose des 19. Jahrhunderts, spielte nun die Wiener Künstlerin Eva-Maria Wieser im Palais Niederösterreich zur Erinnerung an die Milanollo-Schwestern einen Ausschnitt der 6. Polonaise. (http•••) (http•••) C&W Film, (http•••)
Joseph Mayseder Morrison Steiner Lehner 1809
Ein Ausschnitt vom 3. Satz des 2. Violinkonzerts, komponiert 1809, mit Streichquartettbegleitung verfilmt. - Benjamin Morrison, Violine Solo; Raimund Lissy, 1. Violine; Judith Steiner, 2. Violine; Robert Bauerstatter, Viola; Susanne Lehner, Violoncello (http•••) (http•••) C&W Film, (http•••)
o
- cronologia: Compositori (Europa). Interpreti (Europa).
- Indici (per ordine alfabetico): M...