Jean-Baptiste Ganaye Video
compositore
- Francia
Ultimo aggiornamento
2024-05-02
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Gioacchino Rossini Barber Nicolas Baldeyrou Basset Kossenko Ortega Dubost Rossetto Ganaye 1816
Dear Friends, I hope you’re well ! Today’s video was composed by a composer like no other, who can instantly bring so much joy and hope, the one and only Gioachino Rossini ! Composed in 1816 and premiered in Rome, The Barber of Seville by Gioacchino Rossini established several records:it was composed in only two weeks, by a 24-year old who had already written 16 operas! The music flows forth with breathtaking limpidity. Serenades, duets and ensembles brighten the comedy with vocal flourishes and verbal antics. And yet, the genius of Rossini resides in mastering the physical crescendo, designed to increase tension until the audience is boiling with impatience and ready to explode. The overture immediately offers a surprise: a tutti warns the audience that the show has started and then a delightful melody takes over, is repeated and swells to the breaking point...Laughter and rhythms burst forth and overflow. All the insolence of Beaumarchais’s play is captured in the madcap universe created by Rossini. In this arrangement, I used all my set of period of the early XIXth century, 2 clarinets in A, 2 clarinets in C, one basset clarinet and one basset horn and of course a beautiful natural horn I would like to thank all my super nice and talented friends bringing their period instruments at home to complete the piece: Alexis Kossenko, Gabriel Pidoux, David Douçot d’Ortega, Yann Dubost, Javier Rossetto and Antoine Ganaye ???? I hope you'll like it and don't hesitate to give me ideas Take care and stay safe! ️ #rossini #barberofseville #periodinstruments #clarinet
Rossini Nicolas Baldeyrou Neves Magali Mosnier David Guerrier Ganaye
Dear friends, I hope you’re well and all spent a very nice summer despite of the strange conditions ! It has been a long I didn’t post anything but I wanted to record a longer piece as usual, and I have to say that took quite a lot of time Then I decided to arrange the whole Rossini Guillaume Tell overture in my personal wind band version ️ This real symphonic poem ahead of its time starts with an incredible cello quintet describing a sunrise over the Swiss Alps, supported by basses and some timpani rolls announcing the storm coming. And I felt that this introduction would particularly fit for a bass clarinet ensemble and a contrabass. The second movement of William Tell’s overture, the storm, is a highly dramatic moment depicting the episode in the 4th act when William is weathering a storm on a ship on his way to jail, taking the rudder and running aground on the beach. The third movement is the famous « Ranz des vaches » that Rossini chose to be played by the English horn and the flute. A Ranz des Vaches or Kuhreihen is a simple melody traditionally played on the horn by the Swiss Alpine herdsmen as they drove their cattle to or from the pasture. The Kuhreihen was linked to the Swiss nostalgia and Homesickness (also known as mal du Suisse "Swiss illness" or Schweizerheimweh "Swiss homesickness"). In my personal version, we’ll have lovely sheeps instead of cows, hope you won’t mind Suddenly, the peaceful pastoral scene is interrupted by a fast-paced, high-intensity galop, which was a popular style of ballroom dance at the time. Titled “The March of the Swiss Soldiers”, it points toward the majestic final scenes of the opera, where the Swiss Armed Forces free their homeland from Austrian rule. I would like to thank again and again all my friends who joined me for this video : Anne-Sophie Neves piccolo Magali Mosnier flute Hélène Devilleneuve Oboe Julien Hardy French bassoon David Guerrier Trumpet Antoine Ganaye Trombone Stay safe, have a very nice Sunday and see you in two weeks for a brand new video ! ️
Bourdeau Caron Barraud Ganaye Lamotte Lattès
Avec : Jérôme Robart (Nicolas Le Floch), Mathias Mlekuz (Bourdeau), François Caron (Monsieur de Sartine), Vincent Winterhalter (Semacgus), Claire Nebout (La Paulet), Sava Lolov (Comte de la Borde), Michaël Abiteboul (Sanson), Norah Lehembre (Aimée d’Arranet), Yves Lambrecht (Amiral d’Arranet), Louis Barraud (Louis XVI), Claire Ganaye (Marie-Antoinette) Avec la participation de Lucie Lucas, Martin Lamotte, Agnès Soral, Cyril Garnier et Antoine Chappey D’après l’œuvre de Jean-François Parot (Editions J.C Lattès) Un mystérieux prisonnier meurt en tentant de s’évader de la prison de Fort-L’Evêque. En enquêtant sur le meurtre de l’inconnu, Nicolas Le Floch va se retrouver au coeur d’une affaire d’espionnage impliquant le Ministre de la Marine, Monsieur de Sartine, qui tente par tous les moyens d’assurer la suprématie de la flotte Française dans la guerre contre les Anglais. Dans le même temps, le roi demande à Nicolas de retrouver une flûte, présent qui devait solenniser la signature de l’alliance militaire entre l’Autriche et la France tandis que, de son côté, la reine Marie-Antoinette prie Nicolas de contrer des menées visant à la compromettre. De Paris à Versailles, le policier des Lumières poursuit sa traversée du siècle et va de surprises en surprises. Armé de la confiance du jeune Roi Louis XVI, du soutien de son collègue Bourdeau et de ses amis, Nicolas devra démêler les arcanes de ces affaires extraordinaires, dans un contexte prérévolutionnaire déjà palpable.
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): G...