Georges Hüe Video
compositore francese
- opera
- Francia
- compositore
Ultimo aggiornamento
2024-05-13
Aggiorna
Paul Hindemith Gansch Bach 1895 1939 1963 2017
Piano Accompaniment: (http•••) More Accompaniments: (http•••) Donate: (http•••) Buy me a coffee: (http•••) Sonata for Trumpet and Piano op. 137 (1939) Paul Hindemith +••.••(...)) Biographical Info The sonata opens with the trumpet proclaiming a sturdy theme over piano figuration to the performance direction mit Kraft (with strength). Two more ideas are presented, with the movement’s eventual form set out in the neatly symmetrical arrangement of A-B-C-A-C-B-A. The second movement has a quirky, whimsical air to it, somewhat like a comical march but with a pronounced undercurrent of tension. The last movement is the longest and the sonata’s center of emotional gravity. Entitled ''Trauermusik'' (music of mourning), it takes the trumpet, so often used as an instrument of brilliance and pomp and celebration, on a troubled, meditative journey that culminates in the somber intoning of the chorale-theme ''Alle Menschen müssen sterben'' (all men must die), which Bach had set as a chorale-prelude (BWV 643). This sonata was one of several Hindemith composed in 1939, as part of his project to supply music of substance and challenge to serious amateur performers on various instruments. This particular work took on a depth quite beyond the scope of its companion sonatas; it became one of Hindemith’s most personal expressions, and in that sense suggests a link to such works as the opera Mathis der Maler and the more familiar three-part symphony he created from materials in that work The music that became the flashpoint of his unplanned confrontation with the Nazi authorities in his native country. In 1939, the year he composed this sonata, Hindemith was living as an exile in Switzerland, where he watched his own country annex Austria, occupy Czechoslovakia, and finally ignite World War II by invading Poland, while its leaders were intensifying their obsession with anti-Semitism and moving determinedly toward full-scale genocide. The Trumpet Sonata, perhaps to Hindemith’s own surprise, became a protest and a profound lamentation. Perhaps as a reflection of these ominous events, Hindemith’s Trumpet Sonata took on a rather somber hue. Hindemith held this sonata in high esteem. To a friend he wrote that “it is maybe the best thing I have succeeded in doing in recent times.” Source: (http•••) Follow me for more on: Bandcamp: (http•••) Facebook: (http•••) Instagram: trumpetrecords #trumpetrecords #sivopenev Paul Hindemith - Sonata for Trumpet and Piano - I. Mit Kraft (Hans Gansch)
Nhà hát sông Hương ở Huế có kinh phí 200 tỷ đồng tuy chưa đủ sức thành một biểu tượng kiến trúc mới, tương xứng với "kỳ quan" sông Hương thơ mộng...nhưng vẫn là một thiết chế văn hóa cần thiết cho Huế, phục vụ quảng bá, giao lưu các loại hình văn hóa, nghệ thuật... #NhàhátsôngHương #Huế #sôngHương #Lequangchannel
Exécutées avec la même technique (la percussion directe au percuteur dur), certaines méthodes de débitage d’éclats comme l'explique Jacques Pelegrin, sont assimilables à de simples “formules” d’agencement d’enlèvements monotones, mais la (ou les) méthodes Levallois mettent en jeu la notion de prédétermination et deux valeurs différentes des enlèvements (des éclats qui visent à modifier le nucléus, et des éclats à valeur de produits). - Coordination générale des MOOC FEDER SoCulture : Lydie ROLLIN-JENOUVRIER (COMUE UPL) - Coordination des partenariats : Isabelle SIDÉRA (CNRS, Préhistoire et Technologie) - Ingénierie pédagogique : Thu Nga DANG (COMETE, Université Paris Nanterre) - Réalisation : Vanessa TUBIANA-BRUN, ingénieure CNRS (Maison Archéologie & Ethnologie, René-Ginouvès) - Montage : Delphine LESTAGE, Vanessa TUBIANA-BRUN - Image : Philippe BERGERARD, Gurvan HUE, Luc RONAT, Alexandra SABATHÉ, Vanessa TUBIANA-BRUN - Son des séquences de taille : Nicolas ZWARG Les contenus et ressources pédagogiques de ce MOOC sont sous une Licence Creative Commons BY NC ND : BY: l’utilisateur doit mentionner le nom d’auteur NC: L’utilisateur ne peut exploiter l’œuvre dans un contexte commercial ND: L’utilisateur ne peut modifier ou altérer le contenu du cours sans consentement
In the documentary "Night Mail" (1936), John Grierson narrates the opening scene with WH Auden's poem of the same name, "Night Mail." Auden wrote the poem specifically for the film. Visit my channel for more films that quote poetry. (No copyright infringment intended. I don't own the content of this video and make no money from it.) To make the poem's rhythm better sound like a chugging train, Auden's text was slightly altered for the film. Its original version is provided here. This is one of my very favorite poems. I teared up the first time I heard it. Night Mail WH Auden This is the Night Mail crossing the border, Bringing the cheque and the postal order, Letters for the rich, letters for the poor, The shop at the corner and the girl next door. Pulling up Beattock, a steady climb / The gradient's against her, but she's on time. Past cotton-grass and moorland boulder Shovelling white steam over her shoulder, Snorting noisily as she passes Silent miles of wind-bent grasses. Birds turn their heads as she approaches, Stare from the bushes at her black-faced coaches. Sheep-dogs cannot turn her course; They slumber on with paws across. In the farm she passes no one wakes, But a jug in the bedroom gently shakes. Dawn freshens, the climb is done. Down towards Glasgow she descends Towards the steam tugs yelping down the glade of cranes, Towards the fields of apparatus, the furnaces Set on the dark plain like gigantic chessmen. All Scotland waits for her: In the dark glens, beside the pale-green lochs Men long for news. Letters of thanks, letters from banks, Letters of joy from girl and boy, Receipted bills and invitations To inspect new stock or visit relations, And applications for situations And timid lovers' declarations And gossip, gossip from all the nations, News circumstantial, news financial, Letters with holiday snaps to enlarge in, Letters with faces scrawled in the margin, Letters from uncles, cousins, and aunts, Letters to Scotland from the South of France, Letters of condolence to Highlands and Lowlands Notes from overseas to Hebrides / Written on paper of every hue, The pink, the violet, the white and the blue, The chatty, the catty, the boring, adoring, The cold and official and the heart outpouring, Clever, stupid, short and long, The typed and printed and the spelt all wrong. Thousands are still asleep Dreaming of terrifying monsters, Or of friendly tea beside the band at Cranston's or Crawford's: Asleep in working Glasgow, asleep in well-set Edinburgh, Asleep in granite Aberdeen, They continue their dreams, And shall wake soon and long for letters, And none will hear the postman's knock Without a quickening of the heart, For who can hear and feel himself forgotten? .
o
- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): H...