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Henri Tomasi Berger Philippe Gaubert Vincent Indy Indy Georges Caussade Paul Vidal Schumann Debussy Doll 1901 1921 1927 1941 1948 1952 1971 1976 2017 2018
00:00 - I. Réveil du Petit Soldat 00:38 - II. Poupée Triste: Andantino 01:15 - III. Berceuse Pour la Petite Cousine Arabe 01:49 - IV. Le Petit Cheval: Vif 02:20 - V. Le Clown et l'Ecuyère: Mouvement de Valse 02:57 - VI. Le Petit Jésus et sa Maman: Lent 03:30 - VII. Berger, Bergère: Andantino 04:00 - VIII. La Boite à Musique: Andantino 04:40 - IV. Concert des Petits Anges Musiciens: Andantino 05:13 - X. La Berceuse à Claudinet: Andante 05:54 - XI. Les Rois Mages: Largamento 06:25 - XII. Les Tambourinaires: Vif / Piano: Emilie Capulet Year of Recording: 2017-2018 / "Henri Tomasi was a French classical composer and conductor. He was born in Marseille on 17 August 1901 to a family who originated from Corsica. At the age of seven he entered the Conservatoire de Musique de Marseille, and during those early summers he stayed with his grandmother in Corsica, where he learned traditional Corsican songs. World War I delayed his entrance into the Paris Conservatoire, but in 1921 he eventually began his studies there. His teachers included Philippe Gaubert, Vincent d'Indy, Georges Caussade, and Paul Vidal. In 1927 he won the ‘Prix de Rome’. World War II marked a turning point in Tomasi’s fortunes. He began to achieve international recognition, when previously his reputation had been confined to his native France. He now became one of the foremost French composers of his day. He was drawn especially towards opera, composing twelve in all between 1941-1971. Yet, instrumental music also seemed to stir a passion. He wrote twenty concertos for some of the most eminent soloists around at the time. A car accident in 1952, in which he broke one of his legs, put an end to his conducting career four years later. He also had to contend with encroaching deafness. His remaining years were devoted to composition. He died in 1971. The wide-eyed innocence of childhood is the subject of Le Coin de Claudinet (1948), a suite of twelve pieces cast in the vein of Schumann’s Album for the Young, Debussy’s Children’s Corner and other such cycles. It was composed for his son’s fourth birthday, with each of the pieces lasting under a minute. The cameos depict such things as trumpet calls of tin soldiers, a sad song of a doll, a galloping toy horse and a musical box." (Stephen Greenback) / COPYRIGHT Disclaimer, Under Section 107 of the Copyright Act 1976. Allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.
Balys Dvarionas Alfrēds Kalniņš Karg Karg Elert Egon Petri Rimas Rimas Geniušas Geniušas Schubert Lithuanian Chamber Orchestra 1904 1920 1924 1926 1928 1933 1935 1938 1939 1940 1941 1947 1949 1958 1964 1972
Dvarionas - Themes and Variations for Bassoon and Piano Piano - Pierre-Richard Aubin Bassoon - Michel Bettez ————————————————————————— Balys Dvarionas, 19 June [O.S. 6 June] 1904 in Liepāja — 23 August 1972 in Vilnius), was a Lithuanian composer, pianist, conductor and educator. Dvarionas first became known as a composer after World War II. His works are in a romantic vein, with roots in folk song. Balys Dvarionas was born into the large family of an organist. Along with his ten sisters and brothers, Dvarionas was taught music from his early childhood. Later he had private lessons from Alfrēds Kalniņš, the famous Latvian composer. After completing the middle school of commerce, Dvarionas worked as an organist and conductor of the Youth Choir of Lithuanian Society in Liepāja. In 1920, Dvarionas went to Leipzig, where he studied piano under Robert Teichmüller at the Conservatory and attended special music theory and composition courses held by Stephan Krohl and Sigfried Karg-Elert. After graduating from the Conservatory in 1924, Dvarionas returned to Kaunas, Lithuania where he performed his first recital, and afterwards spent two years studying piano in Berlin under Egon Petri, a famous German pianist. Balys Dvarionas was a synthesis of talents in piano, teaching, conducting and composing. They bloomed almost all at once and Dvarionas soon became one of the most famous personalities in Lithuanian music. From 1924 on he performed throughout Lithuania, and in 1928 he began to perform abroad. In 1926 he began teaching at the Kaunas Music School (after 1933 — Lithuanian Conservatory) and in 1949 he started working at the Music Academy in Vilnius, where he continued teaching until the end of his life. Dvarionas was awarded a professorship in 1947. Over 50 pianists graduated from Prof. B.Dvarionas’ class. Dvarionas's pupils included conductor Rimas Geniušas, pianists Liucija Drąsutienė, Aleksandras Jurgelionis, Gražina Ručytė-Landsbergienė, and Halina Znaidzilauskaitė. In the 1930s, Dvarionas emerged as a conductor as well. He attended conducting courses in Salzburg and in 1939 he passed his examinations as an external student at the Conservatory in Leipzig. From 1935 to 1938 Dvarionas was a conductor of Kaunas Radiophone Orchestra. In 1939 he established the Vilnius City Orchestra together with the well-known Lithuanian architect Vytautas Landsbergis-Žemkalnis, and worked as a conductor there until the Lithuanian Philharmonic Orchestra was established, where he was head conductor in 1940–1941 and 1958–1964. Dvarionas' final public performance was on May 12, 1972 with the Lithuanian Chamber Orchestra at the Philharmonic Hall; he played a Mozart piano concerto and conducted a mass by Schubert. He was already suffering from his final illness and died on August 23, 1972. Balys Dvarionas is buried at the cemetery in Palanga, a seaside resort town in western Lithuania, where Dvarionas loved to spend summers, composing many pieces at his cottage. Source: Wikipedia, Balys Dvarionas ————————————————————————— I, in no way, mean to make any money via my videos. I make them to allow others to discover classical music, and help them by (sometimes) providing sheet music.
Luís Freitas Branco National Symphony Orchestra 1890 1917 1955 2008
Luis de Freitas Branco +••.••(...)) RTE National Symphony Orchestra (maestro Álvaro Cassuto) Suite Alentejana No.1 (1917) 1.I. Prelude: Allegretto 00:07:42 2.II. Intermezzo: Adagio - Andantino 00:05:10 3.III. Finale: Allegro 00:08:24 [...The Suite Alentejana No. 1 is based on the rich musical folklore of the Alentejo, a region of Portugal south of Lisbon where Freitas Branco spent many of his summers...] Disco na integra. 3/3
Vadstena Academy Pierre Gaveaux 2010
Provided to YouTube by NAXOS of America Le traite nul, Act I: Aria. L'Amor, l'Amor, oh, kärlek från mig hastar (Sung in Swedish) · Britt-Marie Aruhn · Vadstena Academy · Arnold Östman 40 Summers of Opera ℗ 2010 dB Productions Released on: 2010-10-01 Artist: Britt-Marie Aruhn Ensemble: Vadstena Academy Conductor: Arnold Östman Lyricist: Benedict Joseph Marsollier Composer: Pierre Gaveaux Auto-generated by YouTube.
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- cronologia: Cantanti lirici (Europa).
- Indici (per ordine alfabetico): S...