Henry Wood Video
direttore d'orchestra inglese
Commemorazioni 2024 (Morte: Henry Wood)
- organo
- musica classica
- Regno Unito, Regno Unito di Gran Bretagna e Irlanda
- direttore d'orchestra, compositore, professore universitario
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2024-06-08
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Charles Edward Ives Alexei Lubimov Drury Sinclair Kirkpatrick Cob Elliott Carter Beethoven 1623 1840 1874 1904 1911 1915 1919 1920 1938 1939 1947 1954 2012
Composer: Charles Edward Ives (20 October 1874 – 19 May 1954) Work Title: Piano Sonata No.2, 'Concord, Mass., 1840–60' Performers: Alexei Lubimov (piano), Laurent Verney (viola), Sophie Cherrier (flute) 0:00 - I. "Emerson" (after Ralph Waldo Emerson) 16:23 - II. "Hawthorne" (after Nathaniel Hawthorne) 29:21 - III. "The Alcotts" (after Bronson Alcott and Louisa May Alcott) 35:29 - IV. "Thoreau" (after Henry David Thoreau) The Piano Sonata No.2, Concord, Mass., 1840–60 (commonly known as the Concord Sonata) is a piano sonata by Charles Ives. It is one of the composer's best-known and most highly regarded pieces. A typical performance of the piece lasts around 45 minutes. Some material in the Concord Sonata dates back as far as 1904, but Ives did not begin substantial work on it until around 1911 and largely completed the sonata by 1915. The Concord Sonata was first published in 1919 with a second, revised, edition appearing in 1947. It is this version which is usually performed today. In 2012, a reprint of the original, uncorrected 1920 edition was published, including Essays before a Sonata and with an added introductory essay by the New England Conservatory's Stephen Drury. According to James B. Sinclair's catalogue of Ives' works, the sonata was publicly premiered by John Kirkpatrick on November 28, 1938 in Cos Cob, Connecticut. There had been earlier performances of isolated movements and excerpts. The second performance (given in many sources as the premiere), also given by Kirkpatrick, was given at the Town Hall in New York City on January 20, 1939. Among those present was Elliott Carter, who reviewed the piece in the March–April 1939 edition of the journal Modern Music. The sonata's four movements represent figures associated with transcendentalism. In the introduction to his Essays Before a Sonata (published immediately before the Concord Sonata) Ives said the work was his "impression of the spirit of transcendentalism that is associated in the minds of many with Concord, Massachusetts of over a half century ago. This is undertaken in impressionistic pictures of Emerson and Thoreau, a sketch of the Alcotts, and a scherzo supposed to reflect a lighter quality which is often found in the fantastic side of Hawthorne." The piece demonstrates Ives' experimental tendencies: much of it is written without barlines, the harmonies are advanced, and in the second movement, there is a cluster chord created by depressing the piano's keys with a 14 3⁄4-inch (37 cm) piece of wood. The piece also amply demonstrates Ives' fondness for musical quotation: the opening bars of Ludwig van Beethoven's Symphony No.5 are quoted in each movement. Sinclair's catalogue also notes less obvious quotations of Beethoven's Hammerklavier Sonata and various other works. Unusually for a piano sonata, there are optional parts for other instruments: near the end of the first movement there is an optional part for viola, and in the last movement a flute (an instrument which Thoreau played) briefly appears. Source: (http•••) Source videos: 1st movement: (http•••) 2nd movement: (http•••) 3rd movement: (http•••) 4th movement: (http•••)
Edward Elgar Henry Wood 1899 1901
Elgar published Chanson de Matin and Chanson de Nuit in 1899. Originally written for violin and piano, he orchestrated them in 1901 when they were played at a Queen's Hall Promenade concert conducted by Sir Henry Wood
Ofra Harnoy Rigby Dawes Jude Perkins Flint 1652
00:00 Free as a Bird (Lennon; arr: J. Wall) with Jeremy Wall, piano / Doug Riley, synth 03:53 Eleanor Rigby (Lennon-McCartney)* 06:06 Here, There and Everywhere (Lennon-McCartney)* 08:47 In My Life (Lennon-McCartney)* 11:46 And I Love Her (Lennon-McCartney)* 13:57 When I´m Sixty-Four (Lennon-McCartney)* 16:52 Michelle (Lennon-McCartney) with Andrew Dawes, violin 20:25 Nowhere Man (Lennon-McCartney)* 23:21 Yesterday (Lennon-McCartney)* 25:50 Girl (Lennon-McCartney)* 28:59 Across the Universe (Lennon-McCartney)+ 32:48 Here Comes the Sun (Harrison)+ 35:56 Norwegian Wood / For No One (Lennon-McCartney)+ 40:26 She´s Leaving Home (Lennon-McCartney)+ 43:57 Lucy in the Sky with Diamonds (Lennon-McCartney)+ 48:02 Octopus´s Garden (Starkey)+ 50:55 Imagine (Lennon)+ 54:21 Hey Jude (Lennon-McCartney) with Adele Armin, violin 58:46 Golden Slumbers / Carry That Weight / The End+ All arrangements, except Free as a Bird, by Doug Riley Ofra Harnoy, solo cello *Orford String Quartet: Andrew Dawes & Kenneth Perkins, violins Terence Helmer, viola / Denis Brott, cello +Armin String Quartet: Adele Armin & Anthony Flint, violins Paul Armin, viola / Richard Armin, cello
Reis Pelo Barbosa Domingues Oeste 1911
PT - O Hino do Maranhão é da autoria (partitura) do maestro Antônio Carlos dos Reis Rayol e a letra foi criada pelo professor Antônio Batista Barbosa de Godóis, com variações para orquestração e canto do maestro Antônio de Assis Republicano. O hino foi criado pela Lei nº 167562 de 30 de março de 1911, sancionada pelo governador Luís Antônio Domingues da Silva. O Maranhão é uma das 27 unidades federativas do Brasil, localizada na Região Nordeste englobando a sub-região Meio-Norte do País. O estado faz divisa com três estados brasileiros: Piauí (leste), Tocantins (sul e sudoeste) e Pará (oeste), além do Oceano Atlântico (norte). Com área de 331 937,450 km² e com 217 municípios, é o segundo maior estado da região Nordeste e o oitavo maior estado do Brasil. Com uma população de 7 114 598 habitantes, é o 11º estado mais populoso do país. A capital e cidade mais populosa é São Luís. Outros municípios com população superior a cem mil habitantes são Imperatriz, São José de Ribamar, Timon, Caxias, Codó, Paço do Lumiar, Açailândia e Bacabal. Em termos de produto interno bruto, é o quarto estado mais rico da Região Nordeste do Brasil e o 17º estado mais rico do Brasil. As principais atividades econômicas são a indústria (o trabalho de transformar alumínio e alumina, celulose, alimentícia, madeireira), os serviços, o extrativismo vegetal (babaçu), a agricultura (soja, mandioca, arroz, milho) e a pecuária. Possui um dos menores Índices de Desenvolvimento Humano (IDH) do país, com 0,687 pontos. EN - The Antônio Carlos dos Reis Rayol authored the Maranhão anthem (score) and the lyrics were created by the teacher Antônio Batista Barbosa de Godóis, with variations for orchestration and singing by the conductor Antônio de Assis Republicano. The anthem was created by Law nº 167562 of March 30, 1911, sanctioned by Governor Luís Antônio Domingues da Silva. Maranhão is one of the 27 federative units in Brazil, located in the Northeast region, encompassing the Mid-North sub-region of the country. The state borders three Brazilian states: Piauí (east), Tocantins (south and southwest) and Pará (west ), beyond the Atlantic Ocean (north). With an area of 331 937.450 km² and 217 municipalities, it is the second largest state in the Northeast region and the eighth largest state in Brazil. With a population of 7 114 598 inhabitants, it is the 11th most populous state in the country. The most populous capital and city is São Luís. Other municipalities with a population of over 100,000 are Imperatriz, São José de Ribamar, Timon, Caxias, Codó, Paço do Lumiar, Açailândia and Bacabal. In terms of gross domestic product, it is the fourth richest state in the Northeast Region of Brazil and the 17th richest state in Brazil. The main economic activities are industry (the work of transforming aluminum and alumina, cellulose, food, wood), services, plant extraction (babaçu), agriculture (soybeans, cassava, rice, corn) and livestock. It has one of the lowest Human Development Indexes (HDI) in the country, with 0.687 points.
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