Hans Bronsart von Schellendorff Video
compositore e direttore d'orchestra tedesco
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Ponti Rachmaninoff Ignaz Moscheles Charles Valentin Alkan Sigismund Thalberg Moritz Moszkowski Schellendorf Scriabin
Michael Ponti performs Rachmaninov's Prelude in F major, Op. 32, No. 7. This recording is part of a 3-LP set produced by Vox in the early 1960s and distributed in a boxed set in the early 1970s, Serial number SVBX 5456. Ponti is remembered for his wide-ranging recordings of the unknown romantic repertoire on the Vox label. He recorded a series of concertos, many of which had never been recorded before, and some indeed unrecorded since, by such composers as Ignaz Moscheles, Charles-Valentin Alkan, Sigismund Thalberg, Moritz Moszkowski and Hans Bronsart von Schellendorf. He also recorded the complete piano music of Scriabin, Rachmaninoff and Tschaikovsky. NB: There is a skip in this track, owing to a defect on the LP. My apologies.
Liszt Ferencz Schellendorff François René Duchâble James Conlon Cummings Apthorp Breitkopf London Philharmonic Orchestra 1811 1830 1839 1857 1861 1863 1886 1913 1914
Franz Liszt (Hungarian Liszt Ferencz, in modern usage Liszt Ferenc ((October 22, 1811 – July 31, 1886) was a 19th-century Hungarian composer, virtuoso pianist, conductor, teacher and Franciscan tertiary. Piano Concerto No. 2, S.125 Dedication: Hans Bronsart von Schellendorff (1830–1913) 1. Adagio sostenuto assai (0:00) - Allegro agitato assai (5:40) - Un poco più mosso (6:15) - Tempo del andante (7:15) 2. Allegro moderato (7:45) 3. Allegro deciso (13:02) - Marziale un poco meno allegro (15:55) - Un poco animato (16:27) - Un poco meno mosso 4. Allegro animato (20:05) François-René Duchâble and the London Philharmonic Orchestra conducted by James Conlon Description by Robert Cummings [-] Liszt began work on his Piano Concerto No. 2 in 1839 and initially completed it in 1857. Further revisions were made over the course of the next few years and a final version was fashioned in 1861, with its publication in 1863. Like the first piano concerto, it is cast in a single movement although, unlike its sibling, the sections comprising it are numerous and less distinct, prompting some musicologists to view it as a symphonic poem with piano. W.F. Apthorp subtitled the concerto, "The life and adventures of a melody." His description is quite appropriate because, also like the First, the whole of this concerto derives from its opening melody, which, over the course of the work's 20 or so minutes, yields many transformations and variations. This is also a more intimate composition than the first, and, ironically, more bombastic, as well. The work was premiered in Weimar on January 7, 1857, with the work's dedicatee, Hans von Bronsart, as soloist and Liszt conducting. Publisher info: Franz Liszt: Musikalische Werke. Serie I, Band 13. (pp.59-134) Leipzig: Breitkopf & Härtel, 1914. Plate F.L. 28. Copyright: Public Domain
Schellendorff Franz Liszt Hector Berlioz Johannes Brahms 1830 1840 1853 1861 1867 1887 1895 1913
It is my express desire that any and all remuneration that might be due me go instead to the performers and any others who might hold copyright. Hans Bronsart von Schellendorff +••.••(...)) Piano Trio in G minor, Op. 1 I. Allegro molto: Maestoso - Appassionato II. Vivace III. Adagio ma non troppo - attacca: IV. Grave - Allegro agitato The Gorjan Trio Hans Bronsart von Schellendorf (also called Hans von Bronsart) was born into a Prussian military family, and educated at Berlin University. He studied piano with Adolph Jullack. He went to Weimar in 1853 where he met Franz Liszt and became familiar with all the musicians in Liszt's circle at the time, including Hector Berlioz and Johannes Brahms. It is a measure of his close relationship with Liszt that it was he who played the solo part in the first Weimar performance of Liszt's 2nd Piano Concerto, with the composer conducting. When the concerto was published, Liszt dedicated it to Bronsart. After having trained for several years with Liszt, he worked as a conductor in Leipzig and Berlin, and then took the post of general manager of the Royal Theatre in Hanover from 1867 to 1887. He held a similar post in Weimar from 1887 until his retirement in 1895. He met his second wife Ingeborg Bronsart von Schellendorf (née Ingeborg Lena Starck) (1840–1913), also a composer, in Weimar. They married in 1861. Bronsart von Schellendorff died in Munich in 1913.
Schellendorff Franz Liszt Ponti Kapp Bülow Hector Berlioz Johannes Brahms 1830 1840 1853 1861 1867 1872 1887 1895 1913
Hans Bronsart von Schellendorf (11 February 1830 – 3 November 1913) was a pianist and composer who studied under Franz Liszt. Piano Concerto in F-sharp minor, Op. 10 (1872) Dedicated to his wife Ingeborg Bronsart I. Allegro maestoso II. Adagio ma non troppo III. Allegro con fuoco Michael Ponti, piano and the Westphalian Symphony Orchestra conducted by Richard Kapp The piano concerto was much favoured by Hans von Bülow, who rated the work as the "most significant one of the so-called Weimar school". Hans Bronsart von Schellendorf (also called Hans von Bronsart) was born into a Prussian military family, and educated at Berlin University. He studied piano with Adolph Jullack. He went to Weimar in 1853 where he met Franz Liszt and became familiar with all the musicians in Liszt's circle at the time, including Hector Berlioz and Johannes Brahms. It is a measure of his close relationship with Liszt that it was he who played the solo part in the first Weimar performance of Liszt's 2nd Piano Concerto, with the composer conducting. When the concerto was published, Liszt dedicated it to Bronsart. After having trained for several years with Liszt, he worked as a conductor in Leipzig and Berlin, and then took the post of general manager of the Royal Theatre in Hanover from 1867 to 1887. He held a similar post in Weimar from 1887 until his retirement in 1895. He met his second wife Ingeborg Bronsart von Schellendorf (née Ingeborg Lena Starck) (1840–1913), also a composer, in Weimar. They married in 1861. Bronsart von Schellendorff died in Munich in 1913.
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