Giusto Fernando Tenducci Video
compositore italiano
Commemorazioni 2025 (Nascita: Giusto Fernando Tenducci)
- soprano
- opera
- Italia
- compositore, cantante lirico
Ultimo aggiornamento
2024-05-09
Aggiorna
Peter Whelan Whelan Tommaso Giordani Giordani Tenducci Irish Baroque Orchestra Baroque Orchestra 2021
Provided to YouTube by IIP-DDS The Celebrated Overture and Irish Medley to the Island of Saints: II. Shepherds I Have Lost My Love · Peter Whelan · Irish Baroque Orchestra · Tommaso Giordani The Trials of Tenducci: A Castrato in Ireland ℗ Linn Records Released on: 2021-03-12 Music Publisher: Copyright Control Composer: Tommaso Giordani Auto-generated by YouTube.
Aris Christofellis Duni Giacomelli Hasse Tenducci Artaserse
Duni - Prudente Mi Chiedi Giacomelli -Merope - Polifonte Hasse - Artaserse - Pallido il Sole Griselda- Airs Extraits Recitative and Rondo for Tenducci Hasse- Artaserse - Fortunate Te Passate Giacomelli - Merope - Quel Usignuolo
Thomas Alexander Erskine McGibbon Barsanti Johann Stamitz Bremner Foote Pinto Corri Reinagle Covent Garden 1732 1743 1745 1752 1755 1756 1761 1762 1764 1765 1767 1768 1769 1770 1774 1781 1787 1831 1984
★ Follow music ► (http•••) Composer: Thomas Erskine +••.••(...)) Work: Overture 'The Maid of the Mill' (c.1768) Performers: Concerto CaIedonia Drawing: Attributed to Patrick Nasmyth +••.••(...)) - View of Edinburgh from the South West near Tollcross Image in high resolution: (http•••) Further info: (http•••) Listen free: (http•••) / Thomas Alexander Erskine (6th Earl of Kelly [Kellie]) (Kellie Castle, Fife, 1 September 1732 - Brussels, 9 October 1781) Scottish composer. Born into a genteel, poor and somewhat bohemian landowning family, he seems to have learnt to play the violin at an early age. He attended Edinburgh High School for two years, but his formal education was ended by the 1745 Rebellion, in which his father sided with Bonnie Prince Charlie. At 17 Kelly joined the Edinburgh Musical Society (as ‘Lord Pittenweem’, the family's cadet title), probably taking violin lessons from McGibbon. He also closely studied the orchestral works of contemporary masters, especially those of Barsanti, who had lived in Edinburgh up to 1743. In about 1752 he went on the Grand Tour, spending much of the next four years in Mannheim, and then probably Paris, studying composition and violin with Johann Stamitz; in August 1755 Stamitz published his orchestral trios op.1 from Paris, ‘dédiées à The Right Honourable Mylord Pittenweem’. On his father's death in 1756 Kelly returned to Scotland an ardent convert to Mannheim orchestral music. His own opus 1, a set of six splendid orchestral overtures glowing with Mannheim effects to which British audiences were totally unaccustomed, was published by Bremner in Edinburgh in 1761. Kelly probably spent considerable time in London in the early 1760s; from this period date his friendships with the actor Samuel Foote and the castrato G.F. Tenducci. In 1762 he became Grand Master Mason of England. He wrote two overtures for pasticcios given in London theatres, for Ezio (Little Haymarket, 29 November 1764) and The Maid of the Mill (Covent Garden, 31 January 1765). From 1767 Kelly spent most of his time in Edinburgh. He accepted the deputy governorship of the Edinburgh Musical Society that year. It was largely through his efforts that Tenducci became a frequent visitor to Edinburgh (where he sang in the Scottish production of Arne's Artaxerxes in 1769), that J.G.C. Schetky, Thomas Pinto, the Corri family and John Collett settled in the town, and that the Reinagle family were encouraged to stay. He continued to compose, and his work was performed locally to vast applause: by 1770 it had become an outstanding attraction for upper-class visitors to Edinburgh. After 1769 no more of Kelly's new compositions were printed, but they circulated vigorously round Scotland in manuscript copies. By 1774 there are signs that Kelly's creativity was waning. His eight minuets for Lord Stanley's wedding in Surrey are all recycled old ones (see Johnson, 1984), and after that he seems to have suffered a complete nervous and physical breakdown. Home's portrait (c1778, touched up for publication as an engraving) shows him a worn-out wreck in his mid-40s. He went to Spa in Belgium in 1781 to drink the waters, but the cure was unsuccessful and he died in Brussels on the way back.
Bach Nicolau Figueiredo Hoffmann Johann Christian Bach Vieira Tenducci Legge Gluck Gaetano Guadagni Francesco Bernardi Bernardi Gioacchino Conti Conti Carlo Broschi Farinelli Broschi Giovanni Carestini Gaetano Majorano Hasse Porpora Giacomelli Concerto Köln Artaserse 1682 1686 1698 1705 1710 1714 1720 1721 1725 1728 1730 1732 1733 1734 1735 1736 1737 1738 1739 1750 1752 1754 1755 1756 1759 1760 1761 1762 1769 1773 1782 1783 1790 1792
Nicolau de Figueiredo, cembalo . "Concerto Köln", Konzertmeister - Markus Hoffmann. Live broadcast from Katowice on 30.11.09 Johann - Christian Bach +••.••(...)) Concerto Nr.6 for cembalo and orchestra f- minor (2th movement Andante) WC 73 (or 69?). Cadences by Amral Vieira. "Concerto f Per il cembalo dal Sgr.J.C.Bach detto il Milanese riveduto dal Sgr C. F. E. Bach" For the detailed information, please, watch the 1th movement - video./ I think, that this wonderful melancholic music suits very well to my idea about making an homage to the Primi Uomini- some of them worked also for J.-Ch. Bach. Of course, there are not all of the famous Musici, but the most known and adored . Giusto Ferdinando Tenducci +••.••(...) ) by Th. Gainsborough (ca.1773-75) and on the contemporary "fan- card". :-) For him J.-Chr. Bach wrote the aria "La legge accetto" to insert in Gluck´s "Orfeo" 1773 in Napoli./ Gaetano Guadagni +••.••(...)) The first Orfeo by Gluck , Wien 1762 and by Gluck- Bach in London , 1769-70. The first Arbace ("Artaserse") by J.-Chr. Bach , Turin 1760./ Francesco Bernardi Senesino +••.••(...) ). By unknown master and on the draft to his portrait by John Vanderbank (1725) in the role of Bertarido in "Rodelinda". 1720- 1728 and 1730- 1733 Il Primo Uomo by Händel in London./ Gioacchino Conti Gizziello +••.••(...)). Ariodante by Händel ´s revival of the opera in London, 1736 The first Meleager in" Atalanta", Sigismondo in "Arminio" , Anastasio in " Giustino" and Alessandro in "Berenice ", London 1737. Teacher of Gaetano Guadagni. The first Alessandro ( "Alessandro nell´ India") by D. Perez in Lissabon , 1755 In 1752 -55 The King Opera Director in Lissabon./ Carlo Broschi Farinelli +••.••(...)) by Jacopo Amigoni +••.••(...)). Il Divino Assoluto./ Giovanni Carestini Cusanino +••.••(...)). At the beginning of his career at 1721- sung for A.Scarlatti in Rome. 1733 and 1739 - Il Primo Uomo by Händel in London. In Napoli in 1735, he commanded a fee higher than that of Caffarelli. Sung for Gluck in Milano, Hasse in Dresden, was at the Russian court in St. Petersbourg 1754- 56./ Filippo Balatri +••.••(...)) by P.J. Horemans (1733) . The only one Musico , who left us absolutely priceless diary - memoires "Vita e Viaggi di F. B." +••.••(...) ) and " Frutti del Mondo, esperimentati da F. B" ( 1735). He travelled from Toscana to Russia 1698 as a "gift" for Zar Peter I the Great. Then he was sent by Peter to the Great Khan of Tatars and sung for him as the only one castrato - singer at all. 1714 he met Händel in London and inspired him with his stories to write later "Tamerlano". He was a wonderful person as well as an sensitive musician and witty and gifted writer ./ Gaetano Majorano Caffarelli +••.••(...)) Il Primo Uomo for Porpora , Hasse, Giacomelli - the first Trasimede in "La Merope" in Venice , 1734 The first Faramondo and Serse by Händel in London, 1738 The first Poro ( "Alessandro nell´India") by D. Perez in Lissabon, 1755./
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- cronologia: Compositori (Europa). Cantanti lirici (Europa).
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