Giulio Gadda Video
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2024-05-06
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IRON BUTTERFLY - IN A GADDA DA VIDA-ORIGINAL FULL VERSION -1968 VIDEO CONVERTED IN 3D (Red & Blue - 480P) The video track was recorded on May 27,1968, at Ultrasonic Studios in Hempstead, Long Island, New York. CD SOUND - HIGH QUALITY (856 X 480) - BEST VIDEO AND SOUND BY IRON BUTTERFLY ON YOUTUBE - 17:02 Minutes In-A-Gadda-Da-Vida, honey, don't you know that I love you? In-A-Gadda-Da-Vida, baby, don't you know that I'll always be true? Oh, won't you come with me and take my hand? Oh, won't you come with me and walk this land? Please take my hand! -Repeat- ~solos~ -Repeat-
Testi Pietro Floridia Bartoletti Rizzi Bruschi Gadda 2014
Una produzione Teatro dell’Argine testi di Giulia D’Amico, Pietro Floridia, Valentina Kastlunger e Andrea Paolucci con Caterina Bartoletti, Lorenzo Cimmino, Giovanni Malaguti, Ida Strizzi coreografie: Mario Coccetti collaborazione musicale: Andrea Rizzi scene: Nicola Bruschi, Andrea Gadda, Gabriele Silva aiuto scenografa: Luana Pavani aiuto regia: Giulia D’Amico regia di Andrea Paolucci
Benning Primrose Vuillaume Carcassi Gadda Becker Seifert Colburn Storioni 1765 1788 1841 1899 1950 1960 1969 1988 1997 2003 2014
(http•••) "The Viola: An Exhibition of Sound, Form and Beauty" Primrose International Viola Competition Attendees, Participants and Judges ... You are cordially invited to attend a 3 day exhibit of fine violas for viewing, trial and purchase at LA's most renowned violin shop Benning Violins Thursday, June 12 | Friday, June 13 | Saturday, June 14 From 8:00 AM to 4:00 PM Fine violas crafted by old and modern masters ... Pietro Giovanni Mantegazza (1765 Milan) J.B. Vuillaume (1841 Paris) Lorenzo Carcassi Gaetano Gadda Carl Becker (1950 Chicago) Lorenzo Storioni (1788 Cremona) Eric Benning (1997 Los Angeles) Grubaugh & Seifert (2014 Petaluma CA) Paulus Pilat (1960 Los Angeles) Bela Szepessy (1899 Budapest) Otto Erdesz (1969 New York) Oded Kishony (1988 Barboursville, Virginia) Daniel A. Karinkanta (2003 Buenos Aires) ... and many more. Also included in the exhibit are fine viola bows crafted by old and modern masters from around the world. Benning Violins houses one of the largest in-house collections of fine violins, violas, cellos and bows on the West Coast and is conveniently located less than 15 minutes from The Colburn School.
Fiorenza Cossotto Bizet Mercedes Llopart Poulenc Donizetti Anna Bolena Cherubini Maria Callas Mozart Meyerbeer Bellini Koenemann Giulietta Simionato Shirley Verrett Grace Bumbry Rita Gorr Christa Ludwig Marilyn Horne Viorica Cortez Tatiana Troyanos Joan Sutherland Montserrat Caballé Leyla Gencer Elena Souliotis Verdi Giuseppe Taddei Nicolai Gedda Scala Covent Garden Théâtre Royal Liège Lyric Opera Chicago Metropolitan Opera 1925 1935 1936 1952 1957 1958 1959 1962 1964 1967 1968 1985 1988 2003 2005
Fiorenza Cossotto (born on April 22, 1935) is an Italian mezzo soprano. She is considered by many to be one of the great mezzo-sopranos of the 20th century. Born on April 22, 1936 in Crescentino, Province of Vercelli, Italy, Cossotto attended the Turin Academy of Music and graduated top of her class. After her studies with Mercedes Llopart, she made her operatic debut as Sister Matilde in the world premiere of Poulenc's Dialogues of the Carmelites in 1957 at La Scala in Milan. Her international debut was at the 1958 Wexford Festival as Giovanna Seymour in Donizetti's Anna Bolena. Her Covent Garden debut was in 1959 as Neris in Cherubini's Médée, with Maria Callas in the title role. A 1962 performance of the lead in La favorita at La Scala led to wider fame and she made her American debut in the same role in 1964 at the Lyric Opera of Chicago and as Amneris at the Metropolitan Opera in 1968. Altogether between the seasons of 1967--68 and 1988--89 she gave 148 performances at the Met (exclusively leading roles). She was considered an expert in portrayals of major mezzo/contralto roles in mid-19th century Italian opera; e.g. Favorita, Amneris, Azucena, Eboli, Preziosilla, Maddalena, Ulrica and Laura. She also essayed Carmen, Mozart's Cherubino, Urbain in Meyerbeer's Les Huguenots, Bellini's Romeo and Marfa in Khovantschina. She kept on singing, and in 2005 she celebrated her 70th birthday with a performance of Suor Angelica at the Théâtre Royal in Liège, Belgium. According to the book "Opera" published by Koenemann, "She [Cossotto] and Giulietta Simionato were the leading Italian mezzo-sopranos of the 1960s and 1970s. She [Cossotto] won plaudits in the annals of operatic history for her wonderful vocal timbre, her perfect singing technique, and the ease with which she could master different registers. Besides singing the great mezzo roles, she also took the outstanding alto parts of the Italian operatic repertoire." Among her competitors were Shirley Verrett, Grace Bumbry, Rita Gorr, Christa Ludwig, Marilyn Horne, Viorica Cortez and Tatiana Troyanos. Apart from mezzo and alto roles, she also sang soprano roles traditionally sung by mezzos such as Santuzza (Cavalleria Rusticana) and Adalgisa (Norma). She sang Adalgisa next to the Normas of Callas, Joan Sutherland, Montserrat Caballé, Leyla Gencer and Elena Souliotis. Full live documents (except only partially for Callas) of these performances have been commercially released in audio and/or video. She also tried her luck in soprano roles (alas in studio only) of Lady Macbeth and Marchesa del Poggio (Un giorno di regno), and made a commercial recording of soprano arias by Verdi. Her repertory at the Met included Amneris, Eboli, Adalgisa, Santuzza, Azucena, Dalila, Carmen (only on tour and in outdoor park concerts), Principessa (Adriana Lecouvreur) and Mistress Quickly (which she added in 1985, singing with Giuseppe Taddei as Falstaff)... With Nicolai Gedda (born Harry Gustaf Nikolai Gädda; 11 July 1925) is a Swedish operatic tenor. Debuting in 1952, Gedda had a long and successful career in opera until the age of 77 in June 2003, when he made his final operatic recording. Skilled at languages, he performed operas in French, Russian, German, Italian, English, Czech, and Swedish; also one in Latin. In January 1958, he created the part of Anatol in the world premiere of the American opera Vanessa at the Metropolitan Opera. Having made some two hundred recordings, Gedda is one of the most widely recorded opera singers in history. His singing is best known for its beauty of tone, vocal control, and musical perception... (http•••) Lyrics & English Translation Carmen Right by the walls of Sevilla, At my old friend Lillas Pastia's, I'll go to dance the seguidilla And drink some manzanilla, I'll go to my old friend Lillas Pastia's. But all alone it's not much fun, True pleasure is when you're a pair; So, to make sure I've got someone, I'll bring my lover with me there! My lover man! To hell with him now! I broke up with him yesterday! And my poor heart's ripe for a whim now, My heart is free, it's free to play! I am pursued by scores of gallants; But none that I like through and through. Now here's the weekend - what's the balance? Who will love me? I'll love him too! Who wants my soul? It's ripe for mating! You have arrived right with the tide! I have no time to waste by waiting, For with my new man by my side, Right by the walls of Sevilla, At my old friend Lillas Pastia's, I'll go to dance the seguidilla And drink some manzanilla, This Sunday I'll go to my old friend Pastia's! A link to this wonderful artists personal website: (http•••) Please Enjoy! I send my kind and warm regards,
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): G...