Giovanni Ernesto di Sassonia-Weimar Video
principe e compositore tedesco (1696-1715)
Commemorazioni 2025 (Morte: Giovanni Ernesto di Sassonia-Weimar)
- Sassonia-Weimar
- compositore
Ultimo aggiornamento
2024-05-04
Aggiorna
Bach Herbert Collum Prince Johann Ernst Saxe Weimar Frommer
1) Toccata and Fugue in D Minor, BWV 565 2) Organ Concerto No. 4 in C Major, BWV 595 (arr. of Concerto by Prince Johann Ernst of Saxe-Weimar) 3) Fantasia and Fugue in G Minor, BWV 542 4) Pastorale in F Major, BWV 590 5) Partita diverse sopra O Gott, du frommer Gott, BWV 767
Anton Eberl Saxe Weimar Martynov 1765 1807
Anton Eberl (13 June 1765 – 11 March 1807) was an Austrian composer, teacher and pianist of the Classical period. Work: Piano Sonata in G-minor, Op.39 (Dedicated to the Grand Duchess Maria Pavlovna of Saxe-Weimar.) Mov.I: Allegro appassionato 00:00 Mov.II: Adagio molto espressivo 05:30 Mov.III: Allegro agitato vivace assai 14:53 Pianist: Yury Martynov, plays on a ???
Giordani Sartori Benedetto Marcello Gino Tagliapietra Baldassare Galuppi Antico Bach Arthur Grumiaux Tovey Vivaldi Telemann Saxe Weimar Webern Hack
Sorry, just for the happy few (recording mid 50's). More about Egida Giordani Sartori at (http•••) Egida Giordani Sartori studied at the Conservatory "Benedetto Marcello" in Venice and took her degree in piano with Maestro Gino Tagliapietra. At fifteen she began her concert career successfully as a pianist, later devoting herself to the study of ancient music and of the harpsichord under the guide of Maestro Perruedo Vignanelli. She then took her new degree with highest honours at the Santa Cecilia Conservatory in Rome, attending also the higher courses of that academy. For some time she has been developing her career as a harpsichord, player with concerts in Ita y and abroad; she has played in the principal concert halls of Europe and f o r several broadcasting stations, both in recitals and concerto performances. In musical criticism and history she has made special researches into harpsichord and chamber music in Italian and foreign libraries with particular reference to the Venetian School, bringing to light again such works as those by Baldassare Galuppi and Benedetto Marcello. She has made some of her specialised knowledge available for use in encyclopaedias. She has taught the harpsichord at Milan Conservatory since 19.S8 and she has formed the "Trio Antico" and the ensemble "Musicorum Arcadia," with which she has toured successfully and made recordings. She.has also made various solo-records and for Philips played Bach's Sonatas for Violin and Clavier with Arthur Grumiaux. No apology need be made for Bach that he should have transcribed other men's work, for long before Tovey wrote, Bach had understood well enough that "a theme belongs to the man who knows how to use i t . " I t was once thought that his arrangements for harpsichord of concertos by Vivaldi and Marcello were apprentice attempts to grasp the principles of popular Italian concerto style. They clearly are not: not only because works by Telemann and the Duke of Saxe- Weimar (who compared to Bach was a raw amateur) also served him as models, but also because these keyboard verslons are a good deal more than laboured reproductions of revered originals. Something quite vital has happened in transit; what started Vivaldi has come out, unequivocally, Bach. What has happened? Essentially, one may say, new turns of details so apt and discerning as to assure Bach full claims to creative originality. Just as Webern's orchestration of parts of Bach's Musical Offering is no mere tepid hack-work, but a fulsome exercise in personal idiom based on a given musical idea, so these keyboard transcriptions are set in Bach's own world — entry provided by Vivaldi. The patron or admirer who found them a good means of playing over to himself — without the need to summon an orchestra — concertos in the much loved Italian style would certainly have had to reckon with Bach's decisive intervention. #EgidaGiordani
Franz Xaver Wolfgang Mozart Wolfgang Amadeus Mozart Saxe Weimar 1791 1804 1818 1844
Picture: Sir David Wilkie - Pitlessie Fair (1804) Franz Xaver Wolfgang Mozart (26 July 1791 / 29 July 1844) was the youngest child of six born to Wolfgang Amadeus Mozart and his wife Constanze. He was a composer, pianist, conductor, and teacher whose musical style was an early Romanticism, heavily influenced by his father's mature style. Work: Piano Concerto No.2 in E-flat major, Op.25 (1818) Dedication to Son Altesse Imperiale Madame la Grande Duchesse Marie Paulowne, Princesse héréditaire de Saxe-Weimar Mov.I: Allegro con brio 00:00 Mov.II: Andante espressivo 13:37 Mov.III: Rondo: Allegretto 17:45 Pianist: Henri Sigfridson Orchestra: International New Symphony Orchestra Lemberg Conductor: Gunhard Mattes
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- cronologia: Compositori (Europa).
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