Evelyn Parnell Video
cantante lirico
- soprano
- Stati Uniti d'America
Ultimo aggiornamento
2024-06-16
Aggiorna
Richter Antonio Vivaldi André Ridder Daniel Hope Guo Schmidt Lagger Sayako Kusaka Dill Villar Paredes Hutchinson Götz Rieth Parnell Schneider Weiss 1742 2012
Conducted by André de Ridder, Performed by Daniel Hope and the Konzerthaus Kammerorchester Berlin Track list: Spring 0 - 0:01 Spring 1 - 0:42 Spring 2 - 3:15 Spring 3 - 6:33 Summer 1 - 9:43 Summer 2 - 13:54 Summer 3 - 17:54 Autumn 1 - 22:54 Autumn 2 - 28:37 Autumn 3 – 31:45 Winter 1 - 33:29 Winter 2 - 36:30 Winter 3 - 39:22 2012 Universal Music Classics & Jazz, Deutsche Grammophon ::: The album is a complete recomposition and reinterpretation of Vivaldi's The Four Seasons. Although Richter said that he had discarded 75% of Vivaldi's original material, the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music. On the album, Daniel Hope plays the "Ex-Lipinski" violin, an instrument made by Giuseppe Guarneri del Gesù in 1742 and made available to the violinist by an anonymous German family. Main personnel: Max Richter – composer, mixing, producer, quotation author André de Ridder – conductor Daniel Hope – primary artist, violin [solo] Raphael Alpermann – harpsichord Konzerthaus Kammerorchester Berlin – orchestra Alexander Kahl – cello David Drost – cello Nerina Mancini – cello Ying Guo – cello Ernst-Martin Schmidt – viola Felix Korinth – viola Katja Plagens – viola Matthias Benker – viola Alicia Lagger – violin [first] Christoph Kulicke – violin [first] Karoline Bestehorn – violin [first] Sayako Kusaka – violin [first], concertmaster Cornelia Dill – violin [second] Jana Krämer – violin [second] Johannes Jahnel – violin [second] Ulrike Töppen – violin [second] Ronith Mues – harp Georg Schwärsky – double bass Jorge Villar Paredes – double bass Sandor Tar – double bass Additional personnel: Antonio Vivaldi – original material Felix Feustel – product manager Neil Hutchinson – recording engineer, mixing Christian Kellersmann – original concept Nick Kimberley – liner notes Götz-Michael Rieth - mastering engineer Mandy Parnell – mastering engineer Matthias Schneider – project manager Erik Weiss – photography Jenni Whiteside – editing Double Standards – art direction xxx BUY AND SUPPORT THE ARTISTS / LABELS ((http•••) ! All rights reserved for the producers / artists / labels of these tracks. All the tunes that are uploaded are for PROMOTIONAL use only. If the owner or third party copyright holder do not agree with their material being uploaded on youtube, please contact us, and we will remove it immediately.
Parnell Connolly Redmond Clarke Pearse Rebel 1782 1800 1871 1899 1900 1901 1903 1904 1905 1907 1913 1914 1916 1917 1918 1922
Arthur Griffith Art Ó Gríobhtha +••.••(...)) Born at 61 Upper Dominick Street on 31 March 1871 into a family of Welsh descent, Arthur Griffith was educated by the Christian Brothers before working as a printer like his father who worked for The Nation newspaper. As a young man he joined the Irish Republican Brotherhood and the Gaelic League. After the split in the Irish Parliamentary Party, the failure of the Home Rule campaign and the death of Charles Stuart Parnell, a hero for the young Griffith, he went to live in South Africa for a time while recovering from TB where he sympathetized and identified with the Boer cause and supported Paul Kruger. Griffith returned to Ireland in 1899 and together with William Rooney (d. 1901) formed the United Irishman newspaper. Inspired by the rhetoric of 19th century Irish nationalist John Mitchel, Griffith was a fierce opponent of the IPP alliance with the Liberal Party. He also supported independence movements in Egypt and India and was an outspoken opponent of British imperialism as well as socialism (his attitudes did not stop him co-operating with James Connolly). In 1900 he and Maud Gonne, the muse of poet W.B. Yeats and wife of John McBride, organised opposition to the visit of Queen Victoria to Ireland and in 1903 opposed the visit of King Edward VII. In 1900 he also formed the Cumann na nGaedheal ("Society of Gaels") which aimed to unite the various Irish nationalist separatist movements. During the Boer War, Griffith supported the Boers and opposed British Army recruitment while John McBride and others formed an Irish Brigade to fight against the British. Later Griffith like many others in Irish society in 1904 defended an ugly anti-Jewish pogram in Limerick however years later his anti-semitic opinions changed and he became a close friend of many prominent Irish Jews. Griffith also shared the period's social conservativism and tight laced sexual morality. In 1907 he denounced the John Milington Synge's The Playboy Of The Western World as "a vile and inhuman story told in the foulest language we have ever listened to from a public platform" and for its protrayl of Irish women as "a drift of females standing in their shifts." The tenets of the Sinn Féin policy were outlined in Griffith's highly influential work The Resurrection of Hungary which proposed a dual monarchy for Britain and Ireland with separate governments for both kingdoms in the style of Hungary which had secured a similar autonomy within the Austran Empire. Griffith claimed the Act of Union of 1800 which created the United Kingdom of Great Britain and Ireland was illegal and that the Irish Parliament founded by Henry Grattan in 1782 should be restored and that Irish parliamentarians should abstain from Westminister. When the Sinn Féin Party was formed in 1905 its first leader was Edward Martyn, a wealthy cultural activist and playwright who was descended from Jacobite Irish Catholic gentry. The party merged with other nationalist organisations and quickly became infiltrated by hardline IRB members who sought to turn it into an openly republican party. It struggled to gain support in competition with the broader IPP but succeeded in electing a number of councillors including W. T. Cosgrave in Dublin. Matters were not helped by Griffith's opposition to strikers led by Jim Larkin and support for the employers during the 1913 Dublin Lockout. Griffith and most other Irish nationalists passionately supported the drive for Home Rule in the 1910s that led to the passage of the Home Rule in 1914 which was nonetheless suspended by the British government after the commencement of World War I 1914-1918. The Irish Volunteers enjoyed the support of the broad Irish nationalist spectrum who had been gearing up to what looked like an inevitable confrontation with the Ulster Volunteer Force, the British military and British Conservatives who sought to usurp the democratic will of the majority of the Irish people which was behind Home Rule. When John Redmond and his IPP and the majority of the membership endorsed Irish participation in the war, the movement split and a hardline republican clique around Thomas Clarke, Thomas McDonagh and Patrick Pearse planned what became the Easter Rising in 1916. Griffith and Sinn Féin had little or nothing to with the rebellion except that some members had participated such as W. T. Cosgrave and the rising became erronously known as the Sinn Féin rebellion. After the release of rebel prisoners by late 1916 and eqarly 1917, the membership of the party exploded and the IRB took over control of organisation sidelining the dual monarchists and transforming it into an openly republican party under the new leadership of Eamon De Valera. Griffith who had resigned the leadership and his supporters sidelined by the republican newcomers had threatened to split the party in 1917. Nonetheless the popularity of Sinn F
Haynes Vega André Rieu David Hobson Sir Neville Marriner Yvonne Kenny Cecilia Bartoli Rosario Spina Tedeschi Antoinette Halloran Benjamin Northey Boyle Selby Moffat Nicolette Fraillon Genevieve Lacey Lacey Cornish Sally Anne Russell Parnell Sewell Sebastian Lang Lessing Sydney Opera House Australian Youth Orchestra 2008
Love Song Violin Video Black Eyes Gisele Scales (http•••) www.shopgiselescales.bigcartel.com Violin Black Eyes Gisele Scales (http•••) Watch Gisele Scales live at Prima Luna, Sydney, Australia performing her love song Black Eyes on Electric Violin. Gisele was booked for a Mother's Day function with special guests the Roosters football team. (http•••) A founder member of the Canberra Youth Orchestra Gisèle first found herself in front of a mic as backing Vocalist for Peter Garrett's ANU college band Devil's Breakfast. At University of Sydney she studied Languages and was 1st Violin with the Music Department Orchestra. Graduating with a BA Joint Honours (French & Italian) Gisèle took up a teaching scholarship in Paris for a year then moved to London. Translator/interpreter by day, she moonlighted as Vocalist/Violinist/Writer/Arranger with post-punk band The Recruits, soul record producer Ches Haynes, Vega (Their single "Mother Egypt" was a European No.1) (http•••) Eurogliders (http•••) Midnight Oil (http•••) and Thomas Dolby. Also working as a TV scriptwriter and actor Gisèle became a broadcaster with the BBC World Service, presenting a variety of programs from news & current affairs, to finance and the arts. Returning to Australia she worked as a newsreader for 702 ABC Radio, before presenting programs for ABC Radio National including The Music Show, Round Midnight, The Daily Planet and Originals on CD. Gisèle also worked for ABC Classic FM as presenter of live broadcast concerts from the Sydney Opera House; as fill-in presenter for Your Requests & Jazztrack, and then as presenter of Classic Drive. Gisèle currently produces and hosts the monthly In-Flight music program Concert Hall for Qantas. Guests interviewed include André Rieu, David Hobson, Sir Neville Marriner, Yvonne Kenny, Cecilia Bartoli, Rosario la Spina, Amelia Farrugia, Nigel Westlake, Simon Tedeschi, Antoinette Halloran, Benjamin Northey , Sean O'Boyle, William Barton, Kathryn Selby, Art Phillips, Moffat Oxenbould, Nicolette Fraillon, Gerard Willems, Genevieve Lacey, Ian Cleworth (TaikOz), Colin Cornish (Australian Youth Orchestra), Peter Dean (Southern X Soloists), Sally-Anne Russell, Nick Parnell, Sally Maer, Geoff Sewell (Amici Forever), and Sebastian Lang-Lessing. Gisèle toured for Musica Viva in schools with the vocal quartet Blindman's Holiday, and was also the violinist with the Argentinian/Uruguayan tango band Tango del Angel. She continues to work as a freelance Composer/Violinist/Vocalist, her most recent credits being for Piaf sensation Jeannie Lewis' latest release 'Southeart'. Drawing on this diversity of experience, Gisele has also recorded her own CD of original electro rock pop music, with world influences, including some French, Italian & German vocals. It features soaring electric violin and vocals with beats, over lush keyboard soundscapes. Finalist in Best Fiddler Soloist category,Golden Fiddle Awards 2008, Gisèle Scales '2 Think' CD is an inspirational journey; a motivational celebration of Life Language and Love / magic on the dance floor! (http•••) The album "2 Think" marks Gisèle's solo debut after several years as a band and session musician for the likes of Midnight Oil (10 to 1 award-winning album), Thomas Dolby, Eurogliders and Jeannie Lewis. She had a No.1 hit in Europe with the band Vega , with their single "Mother Egypt": (http•••) 'Special' the lead single from "2 Think" made it into the Top 20 Best Australian songs online poll, run by The Weekend Australian Magazine: (http•••) Gisèle's album "2 Think" was reviewed in the US-based music magazine Skope / " The other outlier is the multi-talented Gisele Scales from Sydney, Australia. A talented electronic violinist and vocalist, Gisele has been invading dance music circles all over the world. Her recent CD, 2 Think, gives dance music enthusiasts everything they could want: electronica, techno, rock, tango, world music, and breakbeat rhythms overlaid with her seductive pop vocals. But this isn't just music for your party. Gisele's "Green" is a statement about global warming and other eco-disasters. Both her "Can U Love 1 Another" with its gypsy violin and her "Armonia," a world music-rich track, speak to global peace. Gisele Scales is definitely on the rise." - Janie Franz, Skope Magazine (http•••) Watch Gisele Scales Violin Video of Love Song Black Eyes: (http•••) (TITLE) Love Song Black Eyes Violin Video by Gisele Scales
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- cronologia: Cantanti lirici (Nord America).
- Indici (per ordine alfabetico): P...