Emilio Aragón Álvarez Video
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2024-05-06
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Burke Gruber Isaac Albéniz 2016
Provided to YouTube by NAXOS of America I Heard Music in My Head / Suite Española No. 1, Op. 47, B. 7: Suite espanola No. 1, Op. 47: VI. Aragon (Fantasia) (arr. version for 2 guitars) · Calvin E. Burke The Song of the Torero ℗ 2016 Atlantic Crossing Records Released on: 2016-01-08 Artist: Calvin E. Burke Ensemble: Gruber & Maklar Composer: Isaac Albéniz Auto-generated by YouTube.
Isaac Albéniz Zaragoza Ravel Respighi Rachmaninoff
This new recording presents the two Suites Espanola, including popular works like Cadiz and Asturias (with its unique guitar imitations), as well as the third Suite Ancienne, which contains baroque dance forms in romantic disguise. Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): (http•••) More Information: (http•••) Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: (http•••) Composer: Isaac Albéniz Artist: Sebastian Stanley (piano) The first volume of Sebastian Stanley’s Albéniz survey was greeted with enthusiasm for the repertoire and praise for the interpretations in the pages of Fanfare and elsewhere: ‘He is tender and sentimental in the lyrical moments, animated and energetic in his attack elsewhere. He clearly loves the music, and dispatches it with unapologetic flair.’ His sequel opens with the First Suite Española which contains several of the composer’s most colourful and best-known pieces. It begins with the vibrant guitar-strumming textures and Moorish harmonies of ‘Granada (Serenata)’ and continues with his own interpretation of a dance from his native Catalonia. Evocations of Seville, Cadiz and Asturias all spring from the pages with the sharp colours of a Goya canvas, and the suite comes to an exotic, sensuous conclusion with a Cuban habanera. The Second Suite Española is much smaller and less well-known. Its two movements are evocations of Zaragoza and (once more) Seville. Sebastian Stanley includes two further landscapes in sound: the Zambra granadina (Danse orientale) evokes flamenco dance that features a haunting melody to a seductively syncopated accompaniment. The rolled chords of Cádiz (Gaditana) suggest the strumming of guitars, setting the scene for an animated copla dance. The neoclassical side of Albéniz comes to the fore with the third of his Suites Anciennes – consisting of a graceful Minuet and sprightly Gavotte – which anticipate similar projects to revive Baroque forms in modern guise by Ravel and Respighi. As a reminder of the incomparable richness of the finest Spanish piano music,’ Sebastian Stanley’s Albéniz series should invite the attention of curious listeners and pianophiles alike. Social media links: Facebook: (http•••) Spotify: (http•••) Brilliant Classics: Facebook: (http•••) Spotify: (http•••) Instagram: (http•••) TikTok: (http•••) Tracklist: Suite espanola No. 1, Op. 47: 0:00:00 I. Granada 0:05:09 II. Cataluna 0:07:45 III. Sevilla 0:12:38 IV. Cadiz 0:17:09 V. Asturias 0:23:50 VI. Aragon 0:28:59 VII. Castilla 0:32:08 VIII. Cuba Suite espanola No. 2, Op. 97: 0:38:12 I. Zaragoza 0:42:07 II. Sevilla Suite ancienne No. 3: 0:49:20 I. Minuetto 0:52:57 II. Gavota 0:56:55 Zambra granadina (danse orientale) 1:00:14 Cadiz (gaditana) Spotify Playlists: Most Popular Piano Classics: (http•••) Top 50 Rachmaninoff: (http•••) Best Piano Music: (http•••) Peaceful and Relaxing Piano Music: (http•••) Beautiful Piano Nocturnes: (http•••) Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. (http•••) #Albinez #Suite #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
La Suite española Op. 47, evocadora y ambientada en diversas zonas de España, originalmente estaba compuesta por cuatro piezas distintas cuyos títulos eran Granada, Cataluña, Sevilla, y Cuba. Con posterioridad se publicaron, en otras ediciones y a veces con nombres distintos, las cuatro siguientes: Cádiz, Asturias, Aragón, y Castilla. Cada página lleva asociado un subtítulo que indica o un baile de la región o una forma musical. Albéniz designó de esta manera las páginas: Granada, (Serenata); Cataluña, (Courante); Sevilla, (Sevillanas); Cuba (Nocturno); Cádiz, (Saeta); Asturias, (Leyenda); Aragón, (Fantasía) y Castilla, (Seguidillas). Os propongo escuchar en audición comparada la página Sevilla, en su versión original para piano, la versión orquestal y una versión para violín y piano ¿Cuál te gusta más? Esperamos vuestros comentarios Playlist Suite española nº 1 Op. 47. Sevilla. Piano (00:00) Suite española nº 1 Op. 47. Sevilla. Versión orquestal (04:34) Suite española nº 1 Op. 47. Sevilla. Versión para violín y piano. Grabación histórica de Jascha Heifetz (09:17) Muchas gracias por ver este vídeo. ¡Esperamos que te haya gustado! Si es así, no olvides compartirlo y suscribirte a nuestro canal Síguenos también en: (http•••) (http•••) Podcast en Spotify: (http•••) #albeniz #músicaespañola
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