Emile Norblin Video
compositore
- Francia
Ultimo aggiornamento
2024-04-29
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Alexandre Chevillard Camille Chevillard Charles Lamoureux Norblin François Joseph Fétis Beethoven Jean Delphin Alard Mazas Anton Hekking Hekking Onslow Théâtre Italien 1811 1829 1831 1835 1849 1859 1860 1877 1923
La Trompette Classique en Trois Volumes Gradués par Pierre Pollin et Henri Classens - VOLUME A ANDANTE Alexandre CHEVILLARD +••.••(...)) M.M = 76 PLAYLIST : (http•••) Pierre Alexandre François Chevillard ( Antuérpia - 15 de janeiro de 1811 - Paris , 18 de dezembro de 1877 ) foi um violoncelista , pedagogo e compositor belga . Ele nasceu em uma família do soldado Pierre Claude Alexandre Chevillard e Helene Petronille Marie Smyers. Ele é o pai da violoncelista Camille Chevillard +••.••(...)), mais tarde genro do líder da orquestra Charles Lamoureux . Na idade de nove anos, ele recebeu sua educação musical no Conservatório de Paris com Louis Pierre Martin Norblin. Ele conseguiu um primeiro prêmio aos dezesseis anos. Ele recebeu lições de François Joseph Fétis para aprendizado de composição . Ele voltou para Bruxelas e em orquestras e solo. De volta a Paris, tornou-se violoncelista do Théâtre de Gymnase (1829) e do Théâtre Italien em Paris (1831). Ele tentou interessar os parisienses nos últimos quartetos de cordas de Ludwig van Beethovenestabelecendo "Société des derniers quatuors de Beethoven" (1835). Ele saiu em turnê com essas obras, incluindo a Alemanha. Os músicos de medalhas foram Jean Delphin Alard, Sabbatier (violino) e Vignier (viola); em 1849, Alard e Vignier foram substituídos por Jean Pierre Maurin e Mas / Mazas. Foi professor no Conservatório de Bruxelas e professor de 1859/1860 no Conservatório de Paris. Anton Hekking foi aluno dele em Paris. Georg Onslow encomendou seu Quarteto de Cordas nº 30, opus 56 . #Chevillard #trompetteclassique #trumpet #trompete
Ruth Sandhoff Egbert Junghanns Norblin Conradin Kreutzer Weingarten Michael Haydn Haydn Beethoven Sailer 1593 1644 1650 1730 1745 1748 1752 1769 1771 1773 1777 1790 1791 1793 1802 1811 1813 1816 1830 1932 2012
★ Follow music ► (http•••) Composer: Ernestus Weinrauch +••.••(...)) previously attributed to Meingosus Gaelle +••.••(...)) Work: Stabat Mater C-Dur (c.1791) Performers: UIrike Johanna Jöris (soprano); Ruth Sandhoff (alto); Hans-Jürgen SchöpfIin (tenor); Egbert Junghanns (bariton); Obserschwäbischer Kammerchor; SWF-Sinfonieorchesters Baden-Baden; Erno Seifriz +••.••(...), conductor) Stabat Mater C-Dur (c.1791) 1. Stabat Mater 0:00 2. O quam tristis 7:36 3. Eja mater 11:53 4. Fac me vere 19:02 5. Virgo virginum 24:58 6. Inflammatus 28:17 Drawing: Jan Piotr Norblin +••.••(...)) - Dietine in Front of a Church (1790) Image in high resolution: (http•••) Drawing: Matthäus Merian +••.••(...)) - Thonauwerth [Donauwörth] (1644) Image in high resolution: (http•••) Further info: (http•••) Listen free: No available / [Pater] Ernestus (Faustinus) Weinrauch (Donauwörth, 17 October 1730 - Zwiefalten, 9 April 1793) German composer. He entered the Benedictine monastery at Zwiefalten in 1748 and served it for more than 30 years as organist and regens chori and also at times as subprior. He composed primarily liturgical music for his monastery, but also stage music for a Schwäbisch Gmünd passion play Die Geisslung as well as one oratorio Kain und Abel (both in D-Tl and the Stadtarchiv, Schwäbisch Gmünd). Although he did not have his works printed, many were disseminated through copies. Several of his manuscripts survive (in D-Bsb, HR, OB and the two above-named libraries). Weinrauch was also a respected teacher, counting among his pupils the composers Konrad Back in Ottobeuren, Conradin Kreutzer and probably also J.L. Schubaur. / [Pater] Meingosus (Johannes) Gaelle (Buch, 16 June 1752 - Salzburg, 4 February 1816) German composer, theologian and physicist. He attended the grammar school at Tettnang and the Hofen priory school attached to the Benedictine abbey of Weingarten (now Schloss Friedrichshafen, Lake Constance). He entered the monastery of Weingarten in 1769 and took his vows in 1771. From autumn 1771 he studied at the Benedictine University of Salzburg, taking doctorates in philosophy (1773) and theology (1777) and becoming friendly with Michael Haydn. He returned to Weingarten and was ordained (20 September 1777); at the monastery he taught practical philosophy and mathematics, was in charge of the novices and became deputy librarian, choral director and even chief cook. After the dissolution of the monastery (1802) he remained at Weingarten for two years, then became professor of dogmatics and ecclesiastical history at the University of Salzburg. Numerous copies of works by Haydn, Mozart and Beethoven in the St Peter chapter library indicate that Gaelle performed them for his Salzburg brothers. After the dissolution of the university he was appointed Father Superior of Maria Plain (1811), where he devoted himself particularly to experiments on the theory of electricity and published his 'Beyträge zur Erweiterung und Vervollkommnung der Elektricitätslehre in theoretischer und practiscsher Hinsicht' (Salzburg, 1813/R). Gaelle’s compositions were intended for use in church services and to promote conviviality within the monastery. Of special importance is the setting of Sebastian Sailer’s Schöpfung (Adam und Evas Erschaffung), which Gaelle designated a comic opera. Siegele has noted the effective use of simple melodies and rich harmonies in the arias, melodramatic style in the recitatives and intimate instrumentation. Beneath the comic aspect, both Sailer’s text and Gaelle’s music have more complex features. Gaelle’s compositional style (in the opera chamber works) is characterized by the use of single themes, fairly long series of variations, modulations to remote keys and small musical units.
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