Dominique Proust Video
fisico, organista, astronomo, fisico teorico, astrofisico
- organo
- Francia
Ultimo aggiornamento
2024-04-21
Aggiorna
Reynaldo Hahn Hahn Bernhardt Magda Tagliaferro Graham Johnson Jules Massenet Orchestre National Lorraine 1212 1502 1874 1930 1947 1961 2002 2006 2020
Reynaldo Hahn (August 9, 1874 – January 28, 1947) was a Venezuelan, naturalized French, composer, conductor, music critic, diarist, theater director, and salon singer. Best known as a composer of more than 100 songs, he wrote in the French classical tradition of the mélodie. He was close friends with Marcel Proust and Sarah Bernhardt amongst many others. Please support my channel: (http•••) Piano Concerto in E major (1930) Dedication: à Magda Tagliaferro 1. Improvisation: Modéré très liberement (0:00) 2. Danse: Vif (12:12) 3. Rêverie (15:02), Toccata (23:00) et Finale Angelyne Pondepeyre, piano and Orchestre National de Lorraine conducted by Fernand Quatrocchi Graham Johnson writes that Hahn "was never truly of the twentieth century"; he was for many years regarded chiefly as evoking the spirit of fin de siècle Paris. He was not in sympathy with the more obviously modern music of the early decades of the 20th century, but he moved with the times. According to a 2020 analysis: Trained in the canons of Late Romanticism by his mentor and patron Jules Massenet, he succeeded in adjusting his style to the modernity of the Années folles, composing musical comedies with echoes of jazz, foxtrot and Argentinian tango, making masterly use of the saxophone and the piano in his orchestra … a catalogue of compositions ranging from chamber music – the sublime Piano Quartet and Piano Quintet – to ballet and the orchestral repertory. Hahn's biographer Jacques Depaulis writing in 2006, comments that many composers suffer a period of neglect after their deaths and are then rediscovered, a process known in France as "la traversée du désert" – crossing the desert. In 1947 a British newspaper remarked that Hahn "is hardly remembered today outside the boundaries of France". In 1961, 14 years after the composer's death, the musicologist Hans Heinz Stuckenschmidt dismissed Hahn as "a talented gossip who had a gift for grinding out operettas and little, tastefully performed ballads in limitless quantities". In the last decades of the 20th century there was a revival in interest in Hahn's music: Johnson (2002) refers to "an ever-widening range of his mélodies to be heard regularly on the concert platform".
Ernest Chausson Jarecki Lemaire César Franck Debussy Vincent Indy Indy Jules Massenet Albéniz Alfred Cortot Eugène Ysaÿe 1855 1877 1879 1882 1886 1889 1890 1891 1896 1897 1899 1932
1. Animé Recorded in 1932 Yvonne Levy, piano, Edmond Bastide, Violin Sigismond Jarecki, Viola, Fernand Lemaire, Cello Thanks to Neal for allowing me to use his excellent transfers. You can find this and many other wonderful selections and information at his website: (http•••) Ernest Chausson +••.••(...)) If Marcel Proust had written music, it might have sounded something like Ernest Chausson's: intensely passionate, yet rarely given to grand gestures. The effectiveness of Chausson's ardent, even erotic, musical language derives largely from the slithery chromatic style the composer inherited from his most important teacher, César Franck. Not a prolific composer, Chausson died in 1899, at the age of 44, from injuries sustained in a bicycle accident. Chausson's death silenced the most distinctive voice in French music in the generation immediately preceding Debussy's; indeed, Chausson's music forms an elegant, if swaying, bridge between Franck's lush, Wagnerian Romanticism and the sensuous Impressionist language of Debussy. Chausson came from a well-to-do family; in fact, comfortable circumstances throughout his entire life made it unnecessary for him to pursue a living as a musician. Although interested in music from a young age, Chausson pursued law studies at his father's behest. In 1877, he was sworn in as a lawyer in Paris; in the same year, he wrote his first work, the unpublished song Lilas. The impulse to devote himself to composition was sparked in 1879, when he attended a performance of Wagner's Tristan und Isolde in Munich and met there the sometime Wagner disciple Vincent d'Indy. Chausson entered the Paris Conservatory in the following year and began studies with Jules Massenet; his formal musical education was rounded out by private study with Franck. Chausson's talent flowered in short order; a number of even his earliest published works / especially the song set Seven Melodies, Op. 2 +••.••(...)) / have long been regarded as small masterpieces. As secretary of the Société Nationale de Musique (an organization founded by Saint-Saëns and others to promote the performance of French instrumental music) from 1886, Chausson became a full-fledged member of the Parisian musical community. His salon became a regular meeting place for literary and musical notables includeing Mallarmé, Debussy, Albéniz, pianist Alfred Cortot, and violinist/composer Eugène Ysaÿe. A prolific composer of songs, Chausson also composed works for voice and orchestra, choral music, and several operas. He is best known, however, for his chamber music / especially the Concerto for piano, violin, and string quartet, Op. 21 +••.••(...)), and the Piano Quartet, Op. 30 (1897) / and for imaginative orchestral works like the Symphony in B flat major, Op. 20 +••.••(...)), and the Poème for violin and orchestra, Op. 25 (1896).
Richard Wagner Beethoven Alfred Schnittke Maurice Ravel Arai Suzuki Bach Vivaldi Poulet Christian Ivaldi Pablo Casals Vaux Claude Pascal Flier Mstislav Rostropovitch Alfred Cortot Jean Marc Luisada I Musici Orchestre Philharmonique Japon Festival Pablo Casals Festival Automne Carnegie Hall 2003 2008 2010 2012 2013 2014
Lien pour faire un don : (http•••) Programme : Richard Wagner : Romance wwv.94 Ludwig van Beethoven : Sonate n°.7 Op.30 n.2 Alfred Schnittke : Suite dans le style ancien Maurice Ravel : Sonate sol majeur Yuri KURODA : Violon Née à New York, Yuri KURODA commence ses études de violon à l’âge de cinq ans avec Satoru Arai, au “Suzuki Talent Institute” à Kyoto. À neuf ans, elle joue le Concerto de Bach avec l’Orchestre Concertino di Kyoto, et plus tard, le Concerto de Vivaldi avec Félix Ayo d’I Musici. En 2003, elle rencontre Maître Gérard Poulet qui l’incite à travailler dans sa classe à l’Ecole Normale de Musique de Paris, où elle obtient le “Diplôme Supérieur de Concertiste” à l’unanimité. Également diplômée au Conservatoire National de Région de Paris avec la plus haute récompense, elle est lauréate de nombreux concours internationaux ; 1er Grand Prix “J. S. Bach”, “Prix Rodolfo Lipizer” en Italie, et plusieurs prix au Japon. Elle se perfectionne également auprès de Jean Mouillère, Roland Daugareil, Christian Ivaldi... Depuis, elle se produit régulièrement en soliste ainsi qu’en chambriste et donne des master class dans le monde entier, en Allemagne, France, Italie, Pays-Bas, Suisse, Pologne, Géorgie, Japon, États Unis, Nouvelle Calédonie, etc. et participe à de nombreux festivals : Festival Pablo Casals, Rencontres Musicales autour de La Prée, Grands concerts de Clairvaux, Festival de Chaillol, Musiciennes à Ouessant, Festival de l’Abbaye de Montivilliers, Balades Musicales en Oléron, Festival l'Automne à Nohant, Festival Musicales Guil-Durance, Festival de quatuors du Luberon, Festival Vaux d’ Yonne, Festival d’Echternach (Luxembourg), Musiciennes en Martinique, Festival "Georgian Immigrant Musicians in Tbilisi"... Elle joue notamment avec l’Orchestre Philharmonique du Japon, l’Orchestre Philharmonique de Czestochowa en Pologne, ... En 2010 à Cabourg, elle donne en création, la Sonate dite de Vinteuil pour violon et piano de Claude Pascal, inspirée de l’œuvre de Marcel Proust. La totalité de ce concert fait l’objet d’un enregistrement “live” chez Polymnie (POL210579). Elle est membre du Quatuor Benaïm (de 2008 jusqu’à la fin de sa collaboration en 2013), Trio Pléiades depuis 2014. ... Née à Moscou (Russie), Alexandra Matvievskaya commence le piano à l'âge de 5 ans. Pendant ses études au Conservatoire Tchaïkovski de Moscou dans la classe de Yuri Aïrapetian, élève de Iakov Flier, elle rencontre Mstislav Rostropovitch et participe aux concerts de sa fondation pour de jeunes musiciens en tant que soliste et pianiste de musique de chambre. Jouant dans un duo piano-violoncelle, elle obtient plusieurs prix aux concours internationaux de musique de chambre: Swedish International Duo Competition, Katrineholm, Suède (1er prix), International Chamber Music Competition, New-York, Etats-Unis d'Amérique (Grand Prix et concert au Carnegie Hall). Elle travaille également comme assistante de son professeur de piano au Conservatoire Tchaïkovski de Moscou. Ensuite elle obtient à l’unanimité son diplôme supérieur d'Exécution de piano ainsi que le diplôme supérieur de Pianiste-Concertiste à l'École Normale de Paris Alfred Cortot dans la classe du célèbre pianiste français Jean Marc Luisada, s’intéressant beaucoup aux traditions de l'école française de piano, école très différente de l'école de piano russe. Après elle se perfectionne toujours à l’Ecole Normale de Paris dans la classe de Jean Marc Luisada et Caroline Sageman En décembre 2012 elle obtient le 2ème prix et le prix spécial pour la meilleure interprétation d'oeuvre romantique au 6ème Concours International de Piano Claude Bonneton à Sète, France. Alexandra donne des concerts dans les différentes salles du monde, participe aux festivals et passe des concours comme soliste et pianiste de musique de chambre en France, Russie, Ukraine, Luxembourg, Italie, Espagne, Suède, Croatie, Serbie, Chine, Etats-Unis d'Amérique et République d'Afrique du Sud.
o
- cronologia: Interpreti (Europa).
- Indici (per ordine alfabetico): P...