Brian Stenger Poulsen Video
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Andersen Moller Poulsen Fønss Schrøder 2013
Panel debate on Leadership at Aarhus Symposium 2013, where the theme was "Leadership and Innovation". The participants were: - Nils S. Andersen, Group CEO of A.P. Moller – Maersk A/S - Henrik Poulsen, CEO of DONG Energy - Jørgen Rugholm, Director at McKinsey & Company's Copenhagen Office - Lone Fønss Schrøder, Partner at Norfalck
Jean Sibelius Neeme Järvi Shakespeare Wilhelm Hansen Hansen Poulsen Gothenburg Symphony Orchestra 1901 1924 1925 1926 1927
Jean Sibelius: "The Tempest" Suite No. 2, Op. 109, No. 3 (with Score) Composed: 1925-26 Conductor: Neeme Järvi Orchestra: Gothenburg Symphony Orchestra 00:00 1. Chorus of the Winds 03:20 2. Intermezzo 05:03 3. Dance of Nymphs 06:53 4. Prospero 08:35 5. Song I 09:43 6. Song II 10:45 7. Miranda 12:48 8. The Naiads 14:11 9. Dance Episode The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it in 1925–26, at about the same time as he wrote his tone poem Tapiola. Sibelius derived two suites from the score. The music is said to display an astounding richness of imagination and inventive capacity, and is considered by some as one of Sibelius's greatest achievements. He represented individual characters through instrumentation choices: particularly admired was his use of harps and percussion to represent Prospero, said to capture the "resonant ambiguity of the character". Sibelius had completed his 7th Symphony, which was to be his last, in 1924. The Tempest and Tapiola were to be his last great works, and he wrote little else for the remaining 32 years of his life, which came to be known as "The Silence of Järvenpää". The idea for music for The Tempest was first suggested to Sibelius in 1901, by his friend Axel Carpelan. In 1925, his Danish publisher Wilhelm Hansen again raised the idea, as the Royal Theatre in Copenhagen was going to stage the work the following year, directed by Adam Poulsen. Sibelius wrote it from the autumn of 1925 through to the early part of 1926, during which time he turned 60. (Although according to Sibelius's journal, he was working on the music in May 1927.)[2] The complete music lasts for over an hour. It originally consisted of 34 pieces, for vocalists, mixed-voice choir, harmonium and a large orchestra. It was first performed in Copenhagen on 15 March 1926. The first night attracted international attention but Sibelius was not present. Reviews noted that "Shakespeare and Sibelius, these two geniuses, have finally found one another", and praised in particular the part played by the music and stage sets. Only four days later Sibelius set off for an extended trip to work on new commissions in Rome. He did not hear the music for the first time until the autumn of 1927 when the Finnish National Theatre in Helsinki staged the work. For this performance, he composed an alternative Epilogue, bringing the number of items to 35. The Overture has been described as "the single most onomatopoetic stretch of music ever composed". Sibelius published the Overture as a separate piece, and arranged two suites from the music, comprising 19 pieces. These suites condensed and combined items from the stage music, sometimes in ways that obscure the drama. It is in the form of these suites that the music has been most frequently heard in the concert hall and on recordings. Various recordings do not stick to the formal suites but include other items.
Carl August Nielsen Paavo Järvi Järvi Poulsen Gennady Rozhdestvensky Philharmonia Orchestra 1201 1653 1779 1850 1865 1918 1919 1923 1929 1931 1940 1992
Carl August Nielsen (9 June 1865 – 3 October 1931) was a Danish composer, conductor and violinist, widely recognized as his country's most prominent composer. Suite (7 Orchestral Pieces) from "Aladdin", Op 34 +••.••(...)) Incidental Music for Adam Oehlenschläger;s +••.••(...)) Play 'Aladdin or the Wonderful Lamp in 5 Acts (30 numbers) 1. Oriental Festival March (No.11) 2. Aladdin's Dream/Dance of the Morning Mist (No.22) (2:44) 3. Hindu Dance (No.16) (5:38) 4. Chinese Dance (No.14) (8:46) 5. The Marketplace in Ispahan (No.7) (12:01) 6. Dance of the Prisoners (No.15) (16:53) 7. Negro Dance (No.17) (22:03) The Philharmonia Orchestra conducted by Paavo Järvi Nielsen's Aladdin, Opus 34/FS 89, is incidental music written to accompany a new production of Adam Oehlenschläger’s "dramatic fairy tale" presented at The Royal Theatre in Copenhagen in February 1919.. Nielsen composed much of the music in Skagen during the summer of 1918, completing it after returning to Copenhagen in January 1919. He experienced major difficulties with the work as the director, Johannes Poulsen, had used the orchestra pit for an extended stage, leaving the orchestra cramped below a majestic staircase on the set. When Poulsen cut out large parts of the music during final rehearsals and changed the sequence of dances, Nielsen demanded that his name be removed from the posters and the programme.[1] In fact, the theatre production in February 1919 was not very successful and was withdrawn after only 15 performances. The complete score, lasting over 80 minutes, is Nielsen's longest work apart from his operas. Demonstrating great inventiveness, Nielsen's enriched style can be observed in the musical language he used for the exotic dances, paving the way for his Fifth Symphony.[2] In May 1992 a recording of virtually the entire score was made by the Danish Radio Symphony Orchestra and Chamber Choir with Gennady Rozhdestvensky. Nielsen frequently conducted extracts from Aladdin to great popular acclaim both in Denmark and abroad. The music was successfully presented at London’s Queen's Hall on 22 June 1923 and at 12 performances of Aladdin at the Deutsches Schauspielhaus in Hamburg in November and December 1929. Nielsen had been scheduled to conduct extracts with the Radio Symphony Orchestra on 1 October 1931 when he suffered a major heart attack. Lying on a hospital bed, he was nevertheless able to listen to the Oriental March, Hindu Dance and Negro Dance on a crystal set before he died the following day.[2] The extracts were published in 1940 as the Aladdin suite.
Jacob Hansen Hansen Poulsen Burden 2021
New album “Servant of the Mind” is out on 3 December 2021! Available as Double Vinyl, Ltd. Double Vinyl Color Edition, CD, 2CD, Ltd. Deluxe Box Edition and as digital album including “Wait A Minute My Girl”, “Dagen Før”, “Becoming” & “Shotgun Blues” - Out-Now: (http•••) VOLBEAT – Shotgun Blues (OFFICIAL MUSIC VIDEO) Check out the new VOLBEAT video “Shotgun Blues”. The Song is available for streaming here: (http•••) Produced by Jacob Hansen with Michael Poulsen Mixed by Jacob Hansen Lyrics and music: Michael Poulsen Directed by Adam Rothlein Produced by Ghost Atomic Pictures Director of photography - Odin Wadleigh Editor - Jon Danovic Follow VOLBEAT: (http•••) (http•••) (http•••) (http•••) (http•••) Lyrics: Living in darkness, became a burden in daylight Carrying the souls of the dead and feeding them with life Stop wearing me out, I present you the gate I’m passing you over and leave you with faith You’re living a second life that don’t belong to you Step out of my body I believe you like it too Stop wearing me out, I present you the gate I’m passing you over and leave you with faith You’re now leaving I couldn’t rule with you One minute to sing the shotgun blues How you feeling? Do you love it too? One minute to sing the shotgun blues 32 years have gone, you’re now on the other side Leaving with good energy, a blessing in disguise Stop wearing me out, I present you the gate I’m passing you over and leave you with faith You’re now leaving I couldn’t rule with you One minute to sing the shotgun blues How you feeling? Do you love it too? One minute to sing the shotgun blues You’re now leaving I couldn’t rule with you One minute to sing the shotgun blues How you feeling? Do you love it too? One minute to sing the shotgun blues
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