André-Noël Pagin Video
compositore francese
- violino
- Francia
- compositore
Ultimo aggiornamento
2024-05-07
Aggiorna
Francis Poulenc Chappuis Ferrand Pagin 2018
Litanies à la Vierge Noire - Francis Poulenc Ensemble Diaphane et Daniel Chappuis (orgue) Eglise St-Martin, Vevey, Novembre 2018 Julia Deit-Ferrand Zoéline Trolliet Léonie Cachelin Ludmila Schwartzwalder Jennifer Pellagaud Marion Pagin Roxane Choux
Aldrich Bach Bachmann Hillel Bennett Bergson Cappelen Neri Chalmers Cheung Ching Davidson Dowling Chesneau Frye Grice Haack Hale Harman Jenkins Katz Lepore Kellogg Locke Lorenzen Medina Millikan Montague Padilla Gálvez Pagin Sanders Penco Piccinini Putnam Reinach Rosenberg Salmon Searle Siegel Elia Vendler Williamson Wittgenstein Zimmerman
This is an audio version of the Wikipedia Article: List of philosophers of language Listening is a more natural way of learning, when compared to reading. Written language only began at around 3200 BC, but spoken language has existed long ago. Learning by listening is a great way to: - increases imagination and understanding - improves your listening skills - improves your own spoken accent - learn while on the move - reduce eye strain Now learn the vast amount of general knowledge available on Wikipedia through audio (audio article). You could even learn subconsciously by playing the audio while you are sleeping! If you are planning to listen a lot, you could try using a bone conduction headphone, or a standard speaker instead of an earphone. You can find other Wikipedia audio articles too at: (http•••) You can upload your own Wikipedia articles through: (http•••) "The only true wisdom is in knowing you know nothing." - Socrates SUMMARY / This is a list of philosophers of language. Virgil Aldrich William Alston G. E. M. Anscombe Karl-Otto Apel Aristotle J. L. Austin Alfred Jules Ayer Joxe Azurmendi Jody Azzouni Kent Bach Ingeborg Bachmann Archie J. Bahm Yehoshua Bar-Hillel Walter Benjamin Jonathan Bennett Henri Bergson Max Black Paul Boghossian Andrea Bonomì Jacques Bouveresse F. H. Bradley Robert Brandom Berit Brogaard Herman Cappelen Rudolf Carnap Hector-Neri Castañeda Stanley Cavell David Chalmers Cheung Kam Ching Noam Chomsky Alonzo Church Nino Cocchiarella James F. Conant William Crathorn Donald Davidson Arda Denkel Michael Devitt Keith Donnellan William C. Dowling César Chesneau Dumarsais Michael Dummett David Efird S. Morris Engel John Etchemendy Gareth Evans Kit Fine Dagfinn Føllesdal Gottlob Frege Marilyn Frye Robert Maximilian de Gaynesford Peter Geach Alexander George Allan Gibbard Gongsun Long Nelson Goodman Paul Grice Jeroen Groenendijk Samuel Guttenplan Þorsteinn Gylfason Susan Haack Jürgen Habermas Peter Hacker Ian Hacking Axel Hägerström Bob Hale Oswald Hanfling Gilbert Harman John Hawthorne Jaakko Hintikka William Hirstein Richard Hönigswald Jennifer Hornsby Paul Horwich Wilhelm von Humboldt Carrie Ichikawa Jenkins David Kaplan Jerrold Katz Saul Kripke Mark Lance Stephen Laurence Ernest Lepore David Kellogg Lewis John Locke Béatrice Longuenesse Paul Lorenzen William Lycan John McDowell Colin McGinn Merab Mamardashvili Ruth Barcan Marcus José Medina Maurice Merleau-Ponty John Stuart Mill Ruth Millikan Richard Montague Charles W. Morris Adam Morton Stephen Neale William of Ockham Jesús Padilla Gálvez Peter Pagin L.A. Paul Charles Sanders Peirce Carlo Penco John Perry Gualtiero Piccinini Steven Pinker Plato Hilary Putnam Willard Van Orman Quine Adolf Reinach Denise Riley Richard Rorty Roscellinus Jay Rosenberg Bertrand Russell's views on philosophy Bertrand Russell Gilbert Ryle Robert Rynasiewicz Mark Sainsbury Nathan Salmon Stephen Schiffer Duns Scotus John Searle Susanna Siegel Brian Skyrms Quentin Smith Scott Soames David Sosa Robert Stalnaker Jason Stanley Jaun Elia Stephen Yablo P. F. Strawson Alfred Tarski Kenneth Allen Taylor Ernst Tugendhat Michael Tye Zeno Vendler Vācaspati Miśra Friedrich Waismann Brian Weatherson Michael Williams Timothy Williamson John Wisdom Ludwig Wittgenstein Crispin Wright Georg Henrik von Wright Edward N. Zalta Eddy Zemach Paul Ziff Dean Zimmerman
Grieg Beethoven Fabric Pagin Charles Burney Filippo Manfredi Gatti Angeleri Luigi Boccherini Bach Vivaldi Debussy 1768 1767 Tchaikovsky Schumann Haydn Schubert Chopin Handel Brahms
Subscribe and turn on notifications to be alerted of our uploads! (http•••) 00:00:00 Sonata No. 1 in B-Flat Major, Op. 5, G. 25 I. Allegro con moto 00:04:26 Sonata No. 1 in B-Flat Major, Op. 5, G. 25 II. Adagio 00:07:50 Sonata No. 1 in B-Flat Major, Op. 5, G. 25 III. Presto assai 00:11:24 Sonata No. 2 in C Major, Op. 5, G. 26 I. Allegro con spirito 00:15:57 Sonata No. 2 in C Major, Op. 5, G. 26 II. Largo 00:19:35 Sonata No. 2 in C Major, Op. 5, G. 26 III. Tempo di minuetto 00:23:00 Sonata No. 3 in B-Flat Major, Op. 5, G. 27 I. Moderato 00:28:50 Sonata No. 3 in B-Flat Major, Op. 5, G. 27 II. Allegro 00:33:08 Sonata No. 4 in D Major, Op. 5, G. 28 I. Andante 00:40.02 Sonata No. 4 in D Major, Op. 5, G. 28 II. Allegro assai 00:46:18 Sonata No. 4 in D Major, Op. 5, G. 28 III. Rondo: Tempo di minuetto 00:50.55 Sonata No. 5 in G Minor, Op. 5, G. 29 I. Allegro molto 00:54:30 Sonata No. 5 in G Minor, Op. 5, G. 29 II. Cantabile ma con un poco di moto 00:58:53 Sonata No. 5 in G Minor, Op. 5, G. 29 III. Presto assai 01:01:51 Sonata No. 6 in E-Flat Major, Op. 5, G. 30 I. Maestoso assai 01:08.33 Sonata No. 6 in E-Flat Major, Op. 5, G. 30 II. Rondo: Allegretto ma con moto Angeleri, Franco Gatti, Enrico (P)(C) Tactus Sas Italy Image Licensed From Shutterstock.com All Rights Reserved Six sonatas for Fortepiano, with violin accompaniment. Opera V Within the vast musical output of Boccherini the six sonatas for fortepiano with violin accompaniment, from his Opera quinta, constitue the only examples written for this instrumental combination. Considering the enormous popularity that these works enjoyed right from their first appearance in 1768, it may be surprising that their author did not continue to write for a genre which had proven so fortunate. One explanation of this disinterest may lie in the fact that, in all probability, at no other time did the particular circumstances leading to the work's conception and the motivations behind its inspiration present themselves. In 1767, Boccherini travel led with his friend, the violinist Filippo Manfredi to Paris, where he had already achieved a glowing reputation as composer and ’cellist, and there he had occasion to meet M. me Joui de Brillon. Here is how Charles Burney, in his work The present of Music in France and Italy, describes this personage: ". . . she in one of the greatest lady-players on the harpsichord in Europe. This lady not only plays the most difficult pieces with great precision, taste, and feeling, but is an excellent sight's-woman; of which I was convinced by her executing some of my own music, that I had the honor of presenting to her. She likewise composes; and she was so obliging as to play several of her own pieces both on the harpsichord and pianoforte accompanied with the violin by M. Pagin, who is reckoned in France the best scholar of Tartini ever made. [. . . ] she likewise draws well and engraves, and is a most accomplished and agreeable woman [. . . ]" The six sonatas for fortepiano and violin undoubtedly owe their origin both to the extraordinary personality of M. me Brillon, to whom they are dedicated, and to the technical and expressive possibilities manifestly displayed by the forte-piano. In the musical panorama of the eighteenth century relative to this genre, these sonatas offer without a doubt the greatest interest in so far as the piano is concerned (a surprising fact considering that Boccherini's chosen instrument was the violoncello), and represent a fundamental point of reference in the evolution of the relationship between these two instruments. The sonata for a Keyboard instrument with violin accompaniment, born in around the mid eighteenth century, was for a great while characterized by the former instrument's predominance over the latter, the violin being relegated to a subordinate role which at times is noticeably unessential to the composition. In the sonatas by Boccherini, however, the violin does not merely provide a secondary decorative element, but is instead completely integrated with the fortepiano into a single musical fabric, thus giving rise to an evolutionary process which will culminate in Beethoven's conception of the sonata for violin and piano. Check our Fantastic Selection with the best Classical Music for Relaxation, Meditation, Focus, Reading, Studying and Stress Relief: (http•••) (http•••) (http•••) Check our channel including the best music from Grieg, Mozart, Beethoven, Bach, Vivaldi, Debussy, Brahms, Handel, Chopin, Schubert, Haydn, Dvorak, Schumann, Tchaikovsky and many more: (http•••) #Boccherini #ClassicalMusic #Sonatas
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- cronologia: Compositori (Europa).
- Indici (per ordine alfabetico): P...