Alexandre-Joseph Artot Video
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Cara Artot Artot Padilla Padilla Giuseppe Verdi 2006
Provided to YouTube by Rebeat Digital GmbH Parigi, o cara (La Traviata) · Björn Talen · Lola Artot de Padilla Lebendige Vergangenheit - Talen Björn ℗ 2006 Preiser Records Released on: 2006-08-14 Composer: Giuseppe Verdi Auto-generated by YouTube.
Tchaikovsky Désirée Artôt Yelizaveta Lavrovskaya 1878 1888
Tchaikovsky: Six French Romances, Op. 65 (1888) VI. Rondel. Allegretto grazioso (G major) Tchaikovsky's Six French Romances (Six Mélodies) for voice and piano, Op. 65 (TH 108 ; ČW 252-257) were completed in October 1888. Instrumentation For medium voice (Nos. 1, 3, 4, 5, 6) or low voice (No. 2), with piano accompaniment. Movements and Duration: A complete performance of the set lasts around 15 to 20 minutes. VI. Rondel. Allegretto grazioso (G major) Original: Il se cache dans ta grâce Un doux ensorcellement. Pour leur joie et leur tourment Sur les coeurs tu fais main basse. Tous sont pris. Nul ne se lasse De ce servage charmant. Il se cache dans ta grâce Un doux ensorcellement. C'est l'affaire d'un moment, Ton regard qui sur nous passe Est le filet qui ramasse Nos âmes; dieu sait comment! Il se cache dans ta grâce Un doux ensorcellement. English: He hides in your grace A sweet bewitchment. For their joy and torment On the hearts you make low hand. All are taken. No one gets tired Of this charming serfdom. He hides in your grace A sweet bewitchment. It's a matter of a moment, Your gaze that passes over us Is the net that picks up Our souls; god knows how! He hides in your grace A sweet bewitchment. Paul Collin, from his poem of the same name in the cycle Mélodies (by 1878). Composition: The idea for the songs arose from Tchaikovsky's meeting with Désirée Artôt in Berlin during his conducting tour of western Europe. Tchaikovsky met with her for the first time in twenty years on 23 January/4 February 1888. On 26 January/7 February the composer spent an evening with Désirée Artôt, during which she asked him to write a romance for her. Performances: Tchaikovsky's "mélodies" were intended to be performed in the Parisian musical salons of his time. Publication: Tchaikovsky wrote the songs to the original French texts, and soon after their completion he sent them to Pyotr Jurgenson, with the note: "Partly in view of the speed with which I wrote these romances and their small size, but chiefly because you will have to pay for a translation, I've decided that I don't want more than 300 rubles from you". In the same letter, the composer asked for a copy of the songs to be given to the singer, Yelizaveta Lavrovskaya, at her request. Autographs: Tchaikovsky's manuscript scores of all six songs are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 146). Dedications: On 17/29 October 1888, Tchaikovsky wrote to Désirée Artôt: "I have just delivered to my publisher, P. Jurgenson, 6 mélodies which I have written for you, and for which I ask you to consent to accept the dedication.
Tchaikovsky Désirée Artôt Yelizaveta Lavrovskaya 1843 1878 1888 1915
Tchaikovsky: Six French Romances, Op. 65 (1888) II. Déception. Moderato (E minor) Tchaikovsky's Six French Romances (Six Mélodies) for voice and piano, Op. 65 (TH 108 ; ČW 252-257) were completed in October 1888. Instrumentation For medium voice (Nos. 1, 3, 4, 5, 6) or low voice (No. 2), with piano accompaniment. Movements and Duration: A complete performance of the set lasts around 15 to 20 minutes. II. Déception. Moderato (E minor) Original: Le soleil rayonnait encore. J'ai voulu revoir les grands bois, Où nous promenions autrefois Notre amour à sa belle aurore. Je mi disais: "Sur le chemin, Je la retrouverai, sans doute: Ma main se tendra vers sa main, Et nous nous remettrons en route." Je regarde partout. En vain! J'appelle! Et l'écho seul m'écoute! O le pauvre soleil pâli! O les pauvres bois sans ramage! O, mon pauvre amour, quel dommage! Si vite perdu dans l'oubli! English: The sun was still shining. I wanted to see the great woods again, where we used to walk Our love at its beautiful dawn. I said to myself: "On the way, I will find it, no doubt: My hand will reach out to his hand, And we'll get back on the road." I look everywhere. In vain! I call! And the echo alone listens to me! O poor pale sun! O the poor woods without warbling! O, my poor love, what a pity! So quickly lost in oblivion! Paul Collin (1843–1915), from his poem of the same name in the cycle Mélodies (by 1878). Composition: The idea for the songs arose from Tchaikovsky's meeting with Désirée Artôt in Berlin during his conducting tour of western Europe. Tchaikovsky met with her for the first time in twenty years on 23 January/4 February 1888. On 26 January/7 February the composer spent an evening with Désirée Artôt, during which she asked him to write a romance for her. Performances: Tchaikovsky's "mélodies" were intended to be performed in the Parisian musical salons of his time. Publication: Tchaikovsky wrote the songs to the original French texts, and soon after their completion he sent them to Pyotr Jurgenson, with the note: "Partly in view of the speed with which I wrote these romances and their small size, but chiefly because you will have to pay for a translation, I've decided that I don't want more than 300 rubles from you". In the same letter, the composer asked for a copy of the songs to be given to the singer, Yelizaveta Lavrovskaya, at her request. Autographs: Tchaikovsky's manuscript scores of all six songs are now preserved in the Russian National Museum of Music in Moscow (ф. 88, No. 146). Dedications: On 17/29 October 1888, Tchaikovsky wrote to Désirée Artôt: "I have just delivered to my publisher, P. Jurgenson, 6 mélodies which I have written for you, and for which I ask you to consent to accept the dedication.
Tchaikovsky Désirée Artôt Nikolay Rubinstein Rubinstein 1868 1869 1946
Tchaikovsky wrote his Romance in F minor, Op. 5 (TH 127 ; ČW 104), for solo piano in October or November 1868 in Moscow. There is one movement: Andante cantabile (F minor, 106 bars). A complete performance lasts around 6 minutes. The Romance appears to date from the period of Tchaikovsky's relationship with the soprano Désirée Artôt, who sang in the 1868–69 season with the Italian Opera Company in Moscow. The opera season began in September 1868, and the Romance was first performed and published in December the same year, which suggests a composition date of October or November 1868. Nikolay Rubinstein gave the first performance at a charity concert in Moscow University on 8/20 December 1868. The same pianist premiered the Romance in Saint Petersburg, at the fourth Free Music School concert on 30 November/12 December 1869. The Romance was published in December 1868 by Pyotr Jurgenson in Moscow. It was included in volume 51Б of Tchaikovsky's Complete Collected Works (1946), edited by Ivan Shishov.
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