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Rod Gilfry Gabriel Fauré Morten Lauridsen Francis Poulenc Maurice Ravel Walsh David Lang Matthew Aucoin Jake Heggie Brett Dean Thomas Adès Renée Fleming San Francisco Opera Metropolitan Opera 1990 2020
Baritone Rod Gilfry and pianist Peter Walsh perform portions of "Chanson d'amour" by Gabriel Fauré, "Sure on this Shining Night" by Morten Lauridsen, "Le bestiaire: La carpe" by Francis Poulenc, and "Don Quichotte à Dulcinée: Chanson romanesque" by Maurice Ravel. Gilfry also discusses his musical upbringing and career path, what he's learned about being a voice teacher. He also talks about his personal connection with the music of Ravel and sings his "Don Quichotte à Dulcinée: Chanson à boire." From the Vocal Arts DC 2020-21 season. Rod Gilfry is a two-time GRAMMY nominee, singer and actor who has performed in all the world's music capitals and appears on over 30 recordings. He is acclaimed world-wide in opera, musicals, recitals and cabaret. An important part of his 75-role repertoire are the 13 leading roles he has created in new operas. Recent performances include the Los Angeles Opera productions of David Lang's solo opera "the loser," Matthew Aucoin's "Crossing," and Jake Heggie's "It's a Wonderful Life" at the San Francisco Opera. He recently created the role of Claudius in Brett Dean's "Hamlet" at the Glyndebourne and Adelaide Festivals, with a reprisal at The Metropolitan Opera. His previous appearance at The Metropolitan Opera was in Thomas Adès' "The Exterminating Angel." Vocal Arts DC (VADC) presents classically-trained singers and pianists in Washington, DC, at The Kennedy Center and in educational events. Performing acoustically, our world-class musicians showcase a wide range of the greatest song literature, including newly-composed commissions. Founded in 1990 as The Vocal Arts Society by Dr. Gerald Perman, the modest first season featured Renée Fleming and recitals at the French Embassy’s Maison Française. Today VADC includes an annual subscription concert series, online content, master classes, and a vocal competition providing scholarships. (http•••) (http•••) (http•••) (http•••) (http•••)
Plácido Domingo José Carreras Luciano Pavarotti Zaragozano Ferrer Pepita Embil Etxaniz Zaragoza Beethoven Vincenzo Bellini Georges Bizet Benjamin Britten Luigi Cherubini Francesco Cilea Manuel Falla Gaetano Donizetti Umberto Giordano Charles Gounod Fromental Halévy Georg Friedrich Händel Ruggero Leoncavallo George Alexander Macfarren Hastings Pietro Mascagni Jules Massenet Wolfgang Amadeus Mozart Ópera Nacional Washington Teatro Degollado Israel National Opera 1941 1959 1962 2015
Nacimiento: 21 de enero de 1941 Biografía Es un cantante, director de orquesta, productor y compositor español, 34 exdirector general de la Ópera Nacional de Washington y de la Ópera de Los Ángeles (California). Con registros de barítono y tenor, formó parte del trío Los tres tenores, junto al también español José Carreras y al italiano Luciano Pavarotti. Entre otras distinciones, posee la Orden del Imperio Británico y la Gran Cruz de Alfonso X el Sabio. Plácido Domingo nació el 21 de enero de 1941 en la madrileña calle de Ibiza, n.º 34. Es hijo de dos cantantes de zarzuela, el zaragozano Plácido Domingo Ferrer y la guipuzcoana Josefa Pepita Embil Etxaniz. Su hermana se llamaba María José, quien falleció en 2015. Domingo debutó como barítono el 12 de mayo de 1959, interpretando a Pascual en la obra Marina, en el teatro Degollado de la ciudad de Guadalajara, México. Después interpretó a Borsa en Rigoletto y al Padre Confesor en Diálogos de carmelitas, entre otros. En ese mismo año volvió a debutar, esta vez como tenor, interpretando a Alfredo en La Traviata, en el teatro María Teresa Montoya de la ciudad de Monterrey. Entonces decidió seguir interpretando zarzuela con sus padres. Pero fue en 1962 cuando Plácido Domingo triunfó: ese año se fue a la Ópera de Tel Aviv, la ópera nacional de Israel, en la cual estuvo dos años y medio y cantó en 280 representaciones. Wikipedia in English Birth: January 21, 1941 Biography He is a Spanish singer, conductor, producer and composer, 34 former general director of the Washington National Opera and the Los Angeles Opera (California). With baritone and tenor registers, he was part of the trio Los tres tenores, together with the Spanish José Carreras and the Italian Luciano Pavarotti. Among other distinctions, he holds the Order of the British Empire and the Grand Cross of Alfonso X the Wise. Plácido Domingo was born on January 21, 1941 in the Madrid street of Ibiza, No. 34. He is the son of two zarzuela singers, Placido Domingo Ferrer from Zaragoza and Josefa Pepita Embil Etxaniz from Gipuzkoa. His sister was named María José, who passed away in 2015. Domingo made his debut as a baritone on May 12, 1959, playing Pascual in the play Marina, at the Degollado theater in the city of Guadalajara, Mexico. He then played Borsa in Rigoletto and Father Confessor in Diálogos de carmelitas, among others. That same year he made his debut again, this time as a tenor, playing Alfredo in La Traviata, at the María Teresa Montoya theater in the city of Monterrey. He then decided to continue performing zarzuela with his parents. But it was in 1962 when Placido Domingo triumphed: that year he went to the Tel Aviv Opera, Israel's national opera, in which he spent two and a half years and sang in 280 performances. Repertoire • Ludwig van Beethoven • Fidelio (Florestan) • Vincenzo Bellini • Norma (Pollione) • Georges Bizet • Carmen (Don José) • Benjamin Britten • Peter Grimes (Peter Grimes) • Luigi Cherubini • Medea (Giasone) • Francesco Cilea • Adriana Lecouvreur (Maurizio) • Manuel de Falla • La vida breve (Paco) • Gaetano Donizetti • L'elisir d'amore (Nemorino) • Lucia di Lammermoor (Edgardo) • Poliuto (Poliuto) • Umberto Giordano • Andrea Chénier (Andrea Chénier) • Charles Gounod • Faust (Faust) • Romeo y Julieta (Romeo) • Fromental Halévy • La Juive (Eléazar) • Georg Friedrich Händel • Tamerlán (Bajazet) • Ruggero Leoncavallo • Pagliacci (Canio) • George Alexander Macfarren • Robin Hood (Robin Hood) • She Stoops to Conquer (George Hastings) • Helvellyn (Martin) • Pietro Mascagni • Cavalleria rusticana (Turiddu) • Jules Massenet • Le Cid (Rodrigue) • Manon (Des Grieux) • Werther (Werther) • Wolfgang Amadeus Mozart
James Conlon Colburn Roosevelt Rai National Symphony Orchestra National Symphony Orchestra 1941 1948
Can music be a driver for positive change? "Music can be a deeply life-affirming passion for anybody." – Conductor James Conlon visited the Thomas Mann House in Pacific Palisades to reflect on the relationship between fear and music in society. Conlon is currently the music director of Los Angeles Opera and principal conductor of the RAI National Symphony Orchestra. He is known for his efforts in reviving music by composers suppressed during the Nazi regime. The "Ziering-Conlon Initiative for Recovered Voices at the Colburn School" has championed works by ostracized composers and has drawn deserved attention to composers whose names and works had very nearly been eliminated from history. Don’t miss James Conlon talk about fear, Thomas Mann’s role in the Los Angeles exile community and his "Recovered Voices" initiative in the new episode of our ongoing series "Freedom from Fear."/ Sources: James Conlon at the Los Angeles Opera: (http•••) Ziering-Conlon Initiative for Recovered Voices at the Colburn School: (http•••)/ About "Freedom from Fear:" In his 1941 State of the Union address, President Franklin D. Roosevelt proclaimed four goals for “people everywhere in the world“: Freedom of speech, freedom of worship, freedom from want, and freedom from fear. These Four Freedoms became part of the United Nations Declaration of Human Rights. Roosevelt equated "Freedom from Fear" mainly with overcoming war and violence. Today, the global consequences of the pandemic, climate change, and of rapid digital evolution and the resulting social change trigger fears all over the world. As social seismographs, the protagonists of the "Freedom from Fear" video series reflect on the significance of the right to live without fear in search of answers: How can literature, dance, music, philosophy, and politics conquer social fears?/ 1941 proklamierte US-Präsident Franklin D. Roosevelt in seiner Rede zur Lage der Nation vier Ziele, die für alle Menschen weltweit gelten sollten: die Freiheit der Rede, die Freiheit der Religionsausübung, die Freiheit von Not und die Freiheit von Angst. Sie alle sind 1948 in die Allgemeine Erklärung der Menschenrechte der Vereinten Nationen aufgenommen geworden. Während Roosevelt mit „Freedom from Fear“ vor allem die Überwindung von Krieg und Gewalt im Blick hatte, sind es heute die globalen Folgen der Pandemie, der Erderwärmung, der rasanten digitalen Entwicklung und des damit einhergehenden gesellschaftlichen Wandels, die weltweit Ängste auslösen. Als Seismographen unserer Gesellschaft reflektieren die Protagonist:innen der Videoreihe „Freedom from Fear“ die Bedeutung des Rechtes auf eine Leben ohne Angst und suchen nach Antworten, wie Literatur, Kunst, Tanz, Musik, Philosophie und Politik soziale Angst überwinden kann.
Lisette Oropesa Lindemann Catán Riccardo Muti Brahms Weill James Levine Daniel Barenboim Metropolitan Opera Bavarian State Opera San Francisco Opera Dutch National Opera Opera Philadelphia Chicago Symphony Orchestra Pittsburgh Symphony Orchestra Cleveland Orchestra Orchestra Accademia Nazionale Santa Cecilia Philadelphia Orchestra Washington National Opera Teatro Real Madrid Concertgebouw 2008
Join internationally-renowned soprano Lisette Oropesa for a Royal Opera Masterclass featuring her coaching members of the Company's Jette Parker Young Artist Programme. Subscribe to our channel to watch more Masterclass sessions with some of the world's top singers. Oropesa grew up in Baton Rouge, Louisiana, and initially trained as a flautist before studying voice at Louisiana State University. She was a winner of the Metropolitan Opera’s National Council Auditions grand finals and subsequently became a member of the Lindemann Young Artist Development Program. Since leaving the Program in 2008 she has returned to the Metropolitan Opera in roles including Nannetta (Falstaff), Sophie (Werther), Susanna (Le nozze di Figaro) and Gilda (Rigoletto). Engagements elsewhere include Konstanze (Die Entführung aus dem Serail) for Bavarian State Opera and Paris Opéra, Norina (Don Pasquale) for Glyndebourne Festival, Ophélie (Hamlet) in Lausanne, Susanna and Marie (La Fille du régiment) for Washington National Opera, Romilda (Serse) and Susanna for San Francisco Opera, Gilda for Rome Opera, Grand Théâtre de Genève, Dutch National Opera, Teatro Real, Madrid, and at the Amsterdam Concertgebouw, Violetta (La traviata) for Opera Philadelphia and Rosalba (Catán’s Florencia en el Amazonas) for Los Angeles Opera. Oropesa’s concert appearances include Carmina Burana with Chicago Symphony Orchestra and Riccardo Muti, Pittsburgh Symphony Orchestra and Cleveland Orchestra, performances with the Orchestra dell’Accademia Nazionale di Santa Cecilia and the Philadelphia Orchestra and Brahms’s Liebeslieder Walzer at Weill Hall with James Levine and Daniel Barenboim. This event is generously supported by Rolex
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