Ultimo aggiornamento
2024-05-05
Aggiorna
Johannes Brahms Alexander Schneider Budapest String Quartet 1937
Johannes Brahms. String quintet no. 1 in F major, op. 88 Budapest String Quartet (Josef Roisman, violin; Alexander Schneider, violin; Boris Kroyt, viola; Mischa Schneider, cello); Alfred Hobday, viola II Recorded 8 February 1937 I. Allegro non troppo ma con brio (0:00) II. Grave ed appassionato - Allegretto vivace - Presto (8:31) III. Allegro energico (20:30)
Brahms Alexander Schneider Budapest String Quartet 1751 1929 1935 1936
Brahms: String Quartet No. 2 in A Minor, Op. 51, No. 2 The Budapest String Quartet: Joseph Roisman, violin I Alexander Schneider, violin II István Ipolyi, viola Mischa Schneider, cello Recorded April 30 and May 1, 1935, in EMI's Studio No. 3, Abbey Road, London, on Gramophone Company 78-rpm matrices 2EA 2041, 2042, and 2045 through 2050. Issued in Europe as HMV DB 2507 through DB 2510, and in the USA, late in 1936, as Victor Musical Masterpiece set M-278 (records 8798 through 8801). The Brahms A Minor Quartet is in four movements: 1. Allegro non troppo 2. Andante moderato (at 8:40) 3. Quasi menuetto moderato (at 17:51); Allegretto vivace (at 19:29) 4. Finale: Allegro non assai (at 23:01)
Budapest String Quartet Beethoven Quartet Kodály Berlin Philharmonic Cincinnati Symphony Orchestra New York Philharmonic Orchestra Beethoven Hauser Jenő Hubay David Popper Szigeti Sándor Végh Roth Fritz Reiner Arturo Toscanini Concertgebouw Orchestra 1880 1886 1893 1917 1920 1921 1922 1925 1927 1929 1930 1931 1932 1936 1938 1940 1955 1958 1967 1975 1978
Recorded in 1929. Personnel listed in photo is correct for this recording. Allegretto vivace e sempre scherzando Found at satyr78lp.blogspot.com, a great site with many wonderful downloads available. Thanks to Rolf for his many fine, hard to find transfers. The Budapest String Quartet was a string quartet in existence from 1917 to 1967. It originally consisted of three Hungarians and a Dutchman; at the end, the quartet consisted of four Russians. A number of recordings were made for HMV/Victor through 1938; from 1940 through 1967 it recorded for Columbia Records. Additionally, several of the Quartet's live performances were recorded, at the Library of Congress and other venues. 1st Violin: Emil Hauser +••.••(...)from 1917 to 1932) 2nd Violin: Imre Pogany +••.••(...)from 1920 to 1927) Viola: István Ipolyi +••.••(...)from 1917 to 1936) Cello: Harry Son (1880- ca.1940) (from 1917 to 1930) The Budapest String Quartet was formed in 1917 by four friends, all members of opera orchestras that had ceased playing owing to World War I The members were all protégés of Jenő Hubay (violin), a Hungarian pupil of Joseph Joachim and David Popper (cello), a Bohemian. Hubay and Popper had helped to make Budapest a major centre for musical education, attracting famous students such as Josef Szigeti. Hubay and Popper had supported Sándor Végh and Feri Roth in the formation of quartets, and were themselves part of an earlier Budapest Quartet, the new quartet being named partly in honour of that. The debut recital of the new Budapest String Quartet (in Hungarian: Budapesti Vónosnégyes), took place in December 1917 in Kolozsvár, then in Hungary, now called Cluj-Napoca, in present-day Romania. The quartet was established with quite forward-looking rules: 1. All disputes, musical or business, were to be resolved by a vote. In case of a tie—no change. 2. Players were not allowed to take engagements outside the quartet. 3. Players were paid equally—no preference was given for the leader (first violin). 4. No wives or girlfriends were permitted at rehearsals or discussions. No previous quartet had attempted to live entirely on the proceeds from its concerts. This was a brave decision for the time. The original members were Emil Hauser, aged 24, from Budapest; Alfred Indig, from Hungary; István Ipolyi, aged 31, from Újvidék in Hungary; and Harry Son from Rotterdam, Holland. In 1920 Indig resigned in the hope of advancement; he was replaced by Imre Pogany. Pogany came from Budapest and had studied under Hubay and Kodály. After resigning, Indig became a soloist with the Concertgebouw Orchestra of Amsterdam. In 1931 he became Concertmaster of the Berlin Philharmonic. When the Nazis came to power, Indig fled to Paris where he led a quartet for a while. Nothing more is known about him. In 1921 or 1922, owing to unrest in Budapest, the quartet moved to Berlin. There they developed a large repertoire. The quartet received mixed reviews, however. In 1925 they played in London and signed a recording contract with His Master's Voice, making recordings at Abbey Road Studios. In May 1927, without telling the others, Pogany traveled to Cincinnati to see his friend Fritz Reiner about a job in the symphony orchestra there. He was offered Principal Second Violin but refused it. The other members of the quartet were furious because if he had left, they would have found it very difficult to find and rehearse a replacement player in time for the new season. In the ensuing row Pogany resigned. He emigrated to America and joined the Cincinnati Symphony Orchestra and also taught at the local Conservatory of Music. In 1929 he joined the New York Philharmonic Orchestra under Arturo Toscanini as principal second violin. He remained there until his retirement in 1958.
Beethoven Tchaikovsky Budapest Quartet 2008
Provided to YouTube by The Orchard Enterprises String Quartet No. 13 in B Major, Op. 130: VI. Grosse Fugue, Op. 133 · Ludwig van Beethoven · Budapest Quartet Mozart: La Clemenza di Tito - Beethoven: String Quartet No. 13 - Tchaikovsky: Variations on a Rococo Theme, et. al ℗ 2008 Smith & Co ℗ 2008 Smith & Co. Sound & Vision BV Released on: 2008-04-07 Auto-generated by YouTube.
o
- Ensemble musicali (Europa).
- Indici (per ordine alfabetico): B...