Karlheinz Stockhausen Samstag aus Licht, Opp. 51-54 Vidéos
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2024-04-25
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Karlheinz Stockhausen Basset Kathinka Pasveer Suzanne Stephens Stephens Pierre Laurent Aimard Kertész 1628 1987
Karlheinz Stockhausen - Evas Zweitgeburt (Eve's second birthgiving), Nr. 57 (1987) Act 2 of the opera Montag aus Licht (Monday from Light) Scored for 7 solo boy singers, basset-horn, 3 basset-teases (2 basset-horns and 1 vocal basset-horn), piano, choir (tape or live), and on stage: 21 actresses, girls' choir, modern orchestra (3 synth. players, 1 perc., tape) Children's Choir of Radio Budapest (Janos Remenyi, choir master) Zaans Kantatekoor (Jan Pasveer, choir master) Coeur de Basset (basset horn) - Suzanne Stephens Budgerigar (piano) - Pierre-Laurent Aimard Monday Boy (soprano) - Gabriella Vakarcs Tuesday Boy (soprano) - Attila Kudor Wednesday Boy (soprano) - Patrik Pulinka Thursday Boy (soprano) - Borbála Györi Friday Boy (soprano) - Agnes Pintér Saturday Boy (soprano) - Péter Kertész Sunday Boy (soprano) - Gergely Hutás Bassettinen (2 basset horns and soprano) - Rumi Sota, Nele Langrehr, Kathinka Pasveer Scene 1: Mädchenprozession - 0:00 In the Girls' Procession, a choir of young girls, wearing dresses shaped like lilies, ceremonially enters bearing candles. The sea is now frozen, and women are hacking blocks of ice with axes, and melting the ice in cauldrons. The idea came from a ritual Stockhausen witnessed in Japan, in a valley near Kyoto, in which girls were carrying small lamps in a procession to a temple. This type of ceremony, with processions of torches, candles, or other forms of fire, is found as a fertility rite in many world traditions, such as the Egyptian Feast of Lamps for Osiris, the Greek and Roman rites of Hecate and Diana, respectively, and later in the Christian festival of torches on 15 August in honor of the Virgin Mary. Scene 2: Befruchtung mit Klavierstück - 10:13 Conception with Piano Piece. The women and girls call for a grand piano played by a budgerigar to inseminate the Eve statue for a second birth. The budgerigar plays Klavierstück XIV. Scene 3: Wiedergeburt - 16:28 Rebirth. To the singing of American Indian children, the piano is quickly pulled away and the statue's womb begins to glow, green and red, like a nativity scene. The sunlight returns, and seven boys are born, one for each weekday. Eve's Song is essentially a concerto for basset horn and synthesizers, against a background of the continuing boys' and girls' choirs from the preceding scenes, and trombones.[16] It consists of a succession of four situations: Scene 4a: Evas Lied - Cœur de Basset - 22:09 Cœur de Basset emerges from the breast of the statue, playing a basset horn. The women melt large chunks of ice in steaming vats. With glass laboratory equipment, they condense the steam into water. Scene 4b: Evas Lied - In Wochenkreis - 25:53 Cycle of the Week, Cœur de Basset teaches each of the boys the song of his weekday. Scene 4c: Evas Lied - Basset-Teases - 43:14 The women put the water they have collected into watering cans and sprinkle the earth with it. Cœur de Basset divides into multiple basset-horn players, Busi, Busa, and Muschi. A transparent Eve figure emerges from the statue and floats toward the boys. Scene 4d: Evas Lied - Initiation - 52:45 Cœur, Busi, Busa, and Muschi begin a dance, confusing and infatuating the boys. A distant thunderstorm is heard, and a boy calls, "Turn off the lights!" The lights go out. (http•••) Join the Score Video Creator Discord Server: (http•••) PATREON - Pay a small monthly fee and gain access to my online score library, full of rare scores that I have used in videos - (http•••) PAYPAL - Donations of any amount welcome! - (http•••)
Karlheinz Stockhausen Provencher Leduc Claude Champagne Léonard Gibbons Kathinka Pasveer 1982 2016
Excerpts from the second scene of SAMSTAG aus LICHT: KATHINKAs GESANG als LUZIFERs REQUIEM for flute and six percussions by german composer Karlheinz Stockhausen +••.••(...)). Flute: Marilène Provencher-Leduc Percussions: Catherine Cherrier, Alexandre Ducharme, Lucas Ferrari, Jolain Goulette, Olivier Maranda and Corinne René Percussionists co-directed by: Olivier Maranda and Lorraine Vaillancourt Performed and recorded in May 2016 at Salle Claude-Champagne, Montreal Sound technician: Blaise Borboën-Léonard Cameras: Huei Lin, Ian Gibbons Video production : bureau121b Special thanks to: Kathinka Pasveer and Lise Daoust
Karlheinz Stockhausen Wray Davy Cummings 1983 2015
Kathinkas Gesang Als Luzifer's Requiem by Karlheinz Stockhausen Version for Flute and 6 Percussionists. 1983 Work No. 52. California Institute of the Arts, Wild Beast. February 17th, 2015; 5:30PM & 8:30PM Jennifer Ingertila FLUTE Anna Wray, Brietta Greger, Davy Sumner, James Waterman, Leanna Goddard, and Robin Hirshberg PERCUSSIONISTS Justin Scheid TECHNICAL DIRECTOR Lauren Sego LIGHTING DESIGNER Chy Chi FILMMAKER Hannah Plotke ARTIST Nate Cummings SET DESIGNER Thea Mesirow PERCUSSION ASSISTANT Jenica Anderson VIDEO EDITOR Stockhausen Foundation for Music, Kürten, Germany (www.karlheinzstockhausen.org). The score and a recording can be ordered directly at www.stockhausen-verlag.com
Hoch-Zeiten (High Times, or Marriages) is performed simultaneously in two different halls by five choral groups and five orchestral sections, respectively. The five divisions in each hall perform at independent speeds, producing "a tour de force of multiple superimposed tempi" (Toop 2008). The performance is then repeated, with the audiences changing halls (Ulrich 2011, 4). As such, these two versions are sometimes regarded as both the fifth and sixth scenes of Sonntag (Stockhausen 2003a, 5). The basic structure of the orchestral version is identical to that of Hoch-Zeiten for Choir, but has added to it five duos and two trios performed by the first-desk players of the orchestra. These ensembles are recollections of characteristic moments from each of the seven operas in the Licht cycle, presented not in weekday order but in the order they were composed (Stockhausen 2004b, 5, 7–28): Thursday duo, for trumpet and clarinet, quoting from Mondeva, act 1, scene 2 of Donnerstag Saturday duo, for flute and trombone, quoting from Kathinkas Gesang, scene 2 of Samstag Monday duo, for viola and cello, quoting from Wochenkreis, the second "situation" of act 2, scene 3 (Evas Lied) of Montag Tuesday duo, for flugelhorn and trombone, quoting from Pietà, in act 2 of Dienstag Friday duo, for oboe and bassoon, quoting from Elufa, the ninth "real scene" of Freitag Wednesday trio, for clarinet, violin, and cello, quoting from the "Carousel" section of Michaelion, scene 4 of Mittwoch Finally, a Sunday trio for flute, viola, and synthesizer, quoting the opening of Lichter—Wasser, the first scene of Sonntag.
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