Dmitri Chostakovitch Lady Macbeth du district de Mtsensk, Op. 114 Vidéos
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2024-05-06
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Aušrinė Stundytė Irena Milkevičiūtė Prokofiev Korngold Richard Strauss Shostakovich Berg Asmik Grigorian Oper Köln Salzburg Festival 1976 1994 2000 2020
The celebrated and widely acclaimed for the combination of acting and vocalism Lithuanian soprano Aušrinė Stundytė (b. 1976) studied singing from 1994 to 2000 at the Lithuanian Academy of Music and Theatre with Irena Milkevičiūtė and then for long 11 years she dissapeared from the Lithuanian operatic scene. At first, Stundytė continued her vocal training with Helga Forner at the Academy of Music and Theatre in Leipzig and then made her debut in the Oper Köln, guested in Lübeck, Essen, Lisbon or - as Sieglinde in Die Valkyrie - in Palermo. She sang many classical soprano roles but only recently, having performed the roles of Renata in Prokofiev‘s “The Fiery Angel“ and Marietta in Korngold‘s “Die tote Stadt“ and, especially, the passionate and destructive Elektra in Richard Strauss‘ “Elektra“, Salome in Richard Strauss “Salome“ and, above all, Katerina in Shostakovich‘s “Lady Macbeth of the Mtsensk District“, Stundytė gained the inner freedom in her dramatic artistic world. She has worked with many famous conductors and stage directors, including Dmitry Tcherniakov, Krzystof Warlikowski, and Calixto Bieito. Her extensive repertoire of songs and concerts also includes the song cycles of Strauss, Berg, and Wagner. This video presents an excerpt from the Richard Strauss’ opera “Elektra” under direction of Krzystof Warlikowski shown in the Salzburg Festival in 2020 with Aušrinė Stundytė in the title role. The fact that the role of her sister Crysothemis was performed by another famous Lithuanian soprano Asmik Grigorian is another reason to single out this staging. The whole opera is available at (http•••)
Dmitri Shostakovich Thomas Sanderling Sanderling Russian Philharmonic Orchestra 2006
Provided to YouTube by Universal Music Group Shostakovich: Suite from the Opera "Lady Macbeth of the Mtsensk District", Op. 29 (a) - 1. Allegro von brio · Russian Philharmonic Orchestra · Thomas Sanderling Shostakovich: The Story of the Priest and His Helper Balda; Lady Macbeth-Suite ℗ 2006 Deutsche Grammophon GmbH, Berlin Released on: 2006-01-01 Producer, Executive Producer: Sid McLauchlan Producer, Recording Producer: Lyubov Doronina Studio Personnel, Recording Engineer: Alexander Karasev Studio Personnel, Recording Engineer: Gennadi Trabantov Editor: Pavel Lavrenenkov Composer: Dmitri Shostakovich Auto-generated by YouTube.
Sergei Larin Lorin Maazel Riccardo Muti Claudio Abbado James Levine Zubin Mehta Virgilijus Noreika Bizet Puccini Shuisky Neeme Järvi Tchaikovsky Sergei Leiferkus Galina Gorchakova Anatoly Kotcherga Larissa Diadkova Shostakovich Rachmaninov Rimsky Korsakov Balakirev Borodin Mussorgsky Medtner Gretchaninov Rubinstein Kalinnikov Opera Ballet Theatre Slovak National Theatre Vienna State Opera Covent Garden Salzburg Festival Metropolitan Opera 1956 1981 1991 1992 1994 1998 2008
Sergei Larin - Don Carlo - Io l'ho perduta - Salzbourg 1998 - Dir. Lorin Maazel. Sergej Larin (Lithuanian: Sergejus Larinas; Russian: Серге́й Ларин; March 9, 1956 – January 13, 2008) was one of a number of operatic tenors from the former Soviet Union to achieve success in the West. His vocal talent was acknowledged by some of the world's leading conductors including Riccardo Muti, Claudio Abbado, James Levine and Zubin Mehta. Larin was also a recitalist, with several programs of songs preserved on disc. Larin was born in Daugavpils, Latvia. After completing a degree in French philology in Gorky and undergoing voice training in Lithuania under the Lithuanian tenor Virgilijus Noreika, he made his debut at the Lithuanian Opera and Ballet Theatre in 1981, singing Alfredo in La Traviata. After nearly a decade of performances at various Soviet venues, Larin made his debut in the West. Larin's international career started after he signed a contract with the Slovak National Theatre and moved to Slovakia, following which he made a debut at the Vienna State Opera. His Covent Garden debut took place in 1991, where he sang Don José in Bizet's Carmen, while Cavaradossi in Puccini's Tosca served for his debuts at both Paris and the Metropolitan Opera. His later roles at the Met included Don Jose in "Carmen", Pinkerton in "Madama Butterfly", Dmitri in "Boris Godunov" and Don Alvaro in "La forza del destino". The prevailingly lyric impact of his strong tenor made him the choice for important Russian roles at several theatres. His experience with Boris Godunov began with the Fool, took him next to the role of the wily Shuisky, and finally to the False Dmitri I. The Metropolitan Opera heard his first performances of the Pretender when the Kirov visited in 1992. In 1994, Larin sang Dmitri with Claudio Abbado at the Salzburg Festival (the performance was recorded). Salzburg audiences heard Larin's rendition of Don Carlos in 1998. Larin also performed as Calaf in a production of Puccini's Turandot mounted in China and recorded, video-taped, and distributed globally. His Andrei in Neeme Järvi's recording of Tchaikovsky's Mazeppa placed him in the company of Sergei Leiferkus, Galina Gorchakova, Anatoly Kotcherga, and Larissa Diadkova, the top Russian singers in the 1990s. He also performed as Sergei in Shostakovich's Lady Macbeth of the Mtsensk District. Larin recorded several discs of Russian songs for the Chandos label, exploring Rachmaninov and Tchaikovsky in discs entirely devoted to their works and offering another recital devoted to songs of "The Mighty Handful" (Rimsky-Korsakov, Cui, Balakirev, Borodin, and Mussorgsky) as well as two discs of miscellany, including Medtner, Gretchaninov, Rubinstein, and Kalinnikov. His accompanist in the project was Eleonora Bekova. He died in Bratislava, Slovakia. Source : Wikipedia
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