Arsenal Vidéos
salle de spectacle de Metz, France
2
Commémorations 2024 (Inauguration: Arsenal (Metz))
- Metz
- France
Dernière mise à jour
2024-05-06
Actualiser
Sergej Newski Helmut Lachenmann Roosevelt Arsenal Staatsoper Stuttgart Staatsoper 1941 1948 2016 2021
“I don't portray fear, but I deal with that discomfort, a certain confinement within a situation, that is perhaps overcome with the help of music,” Sergej Newski states in the new episode of 'Freedom from Fear.' But also outside of his often humanistic compositions, he thinks that, to deal with fear, now more than ever, international collaborations - not only between institutions in the field of music but also between people - have to be continued or even intensified. Sergej Newski studied composition in his hometown Moscow as well as in Dresden and Berlin. He was influenced by Friedrich Goldmann, Matthias Spahlinger and Helmut Lachenmann, among others. In his vocal music, which dominates his creative efforts, Newski works with a comprehensive arsenal of sounds composed of tones, noises and diverse forms between speech and song. He constantly finds new ways to give this material an order easily understood audibly, creating manifold transitions between the individual material levels. Sergej Newski‘s compositions are performed by leading interpreters of New Music and can regularly be heard at international festivals. * Sources & Further Information: Portrait of Sergej Newski: (http•••) Sergej Newski on the political Situation in Russia (2016): (http•••) "Die Einfachen" / "The simple ones": (http•••) Lev Ponomaryov's open letter: "(http•••) "Boris" at Staatsoper Stuttgart: (http•••) * About "Freedom from Fear:" In his 1941 State of the Union address, President Franklin D. Roosevelt proclaimed four goals for “people everywhere in the world“: Freedom of speech, freedom of worship, freedom from want, and freedom from fear. These Four Freedoms became part of the United Nations Declaration of Human Rights. Roosevelt equated "Freedom from Fear" mainly with overcoming war and violence. Today, the global consequences of the pandemic, climate change, and of rapid digital evolution and the resulting social change trigger fears all over the world. As social seismographs, the protagonists of the "Freedom from Fear" video series reflect on the significance of the right to live without fear in search of answers: How can literature, dance, music, philosophy, and politics conquer social fears? * 1941 proklamierte US-Präsident Franklin D. Roosevelt in seiner Rede zur Lage der Nation vier Ziele, die für alle Menschen weltweit gelten sollten: die Freiheit der Rede, die Freiheit der Religionsausübung, die Freiheit von Not und die Freiheit von Angst. Sie alle sind 1948 in die Allgemeine Erklärung der Menschenrechte der Vereinten Nationen aufgenommen geworden. Während Roosevelt mit „Freedom from Fear“ vor allem die Überwindung von Krieg und Gewalt im Blick hatte, sind es heute die globalen Folgen der Pandemie, der Erderwärmung, der rasanten digitalen Entwicklung und des damit einhergehenden gesellschaftlichen Wandels, die weltweit Ängste auslösen. Als Seismographen unserer Gesellschaft reflektieren die Protagonist:innen der Videoreihe „Freedom from Fear“ die Bedeutung des Rechtes auf eine Leben ohne Angst und suchen nach Antworten, wie Literatur, Kunst, Tanz, Musik, Philosophie und Politik soziale Angst überwinden kann.
Maiguashca Arsenal 1971 1975 1976
Issued by the Dutch "Nea Mousa Promotion Centre for Contemporary Music", the initial 1976 issue of this music documents the 8th meeting of "The Oeldorf Group" of Composer-Performers Pëter Eótvös (whose "Cricket Music" graces Creelpolation 1), Joachim Krist, Dietrich Frische, Gabriele Schumacher, and Mesias Maiguashca, who met annually at the barn pictured on the cover to workshop & perform each other's pieces from 1971 on. The two-part "Oeldorf 8" suite, composed in 1975, is a thing of wonder; from the outset, Maiguashca's spoken introduction of the players & concept gets slowly eroded by errant, pointillist electronic sound - composed that year at the storied WDR - which then lets loose for a good 10 minutes before a swarm of slowly rising held tones c/o the players acoustic arsenal slowly comes to the fore. On the second side, the acoustic sounds - patiently, elegantly state their cases across a good half of the segment until a rising pulse-wave drone essentially annihilates the more nuanced phrasing & slowly builds to an almost Roland Kayn-esque climax of raw oscillator gristle. Such polarizing music from such an unassuming cover! Purchase Creel Pone editions: (http•••) Rare & covetable Early Electronic & Avant-Garde LPs for sale: (http•••) Further reading: (http•••)
Arsenal Dung Tuk Guion Woo Chun Lam Ching 1987
Comando Infernal 1987 | PELICULA COMPLETA EN ESPAÑOL | CINE DE ACCION Sinopsis Un grupo de prisioneros tienen la misión de destruir todo un arsenal militar antes de que llegue a manos del Vietcong. Si logran su misión con éxito obtendrán la libertad y una jugosa recompensa Título original Dung Fong Tuk Ying (Eastern Condors) Año 1987 Duración 93 min. País Hong Kong Hong Kong Dirección Sammo Hung Guion Barry Wong Música Sherman Chow, Ting Yat Chung Fotografía Arthur Wong Reparto Sammo Hung, Yuen Biao, Yuen Woo-Ping, Corey Yuen, Charlie Chin, Billy Lau, Haing S. Ngor, Joyce Godenzi, Ha Chi-Chun, Melvin Wong, Dick Wei, Wu Ma, Lam Ching-Ying, ver 12 más Productora Golden Harvest Company, Paragon Films Ltd Género Acción. Bélico | Artes marciales. Guerra de Vietnam Suscríbanse para más contenido de Series y Películas Clásicas (http•••) (http•••)
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