Wilhelm Gericke Vidéos
chef ou cheffe d'orchestre, compositeur ou compositrice
Commémorations 2025 (Naissance: Wilhelm Gericke)
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2024-05-11
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Ruth Welting Daniel Barenboim Joseph Anton Bruckner Cota Richard Heuberger Maio Wilhelm Gericke Schubert Franz Liszt Richard Strauss Félix Mendelssohn Ritter Oberleithner Pelo Sob Filarmónica Viena Musikverein 1892 1980
DISCO REGULARMENTE TRANSMITIDO NA ANTENA 2 DA RDP! Esta gravação data de 1980 e pertence à Banda 1 da Face B do disco LP de 33 R.P.M. Nº 2 editado pela “Deutsche Grammophon” com a matriz “2707 116” e o nome “Anton Bruckner – Symphonie No. 7”, disco onde a soprano Ruth Welting, o Coro Sinfónico e a Orquestra Sinfónica de Chicago, sob a regência de Daniel Barenboim, interpretam a “Sinfonia Nº 7 em Mi Maior”, o “Helgoland para Coro Masculino e Orquestra Sinfónica” e este “Salmo Nº 150 para Soprano, Coro Misto e Orquestra Sinfónica”, ambos de Joseph Anton Bruckner. Catalogado com a cota “WAB 38”, este “Salmo Nº 150” foi o resultado da encomenda de Richard Heuberger a Bruckner, para a composição dum hino festivo para a abertura da Exposição Internacional de Música e Teatro, em 7 de Maio de 1892, mas infelizmente, Bruckner não conseguiu entregar a peça a tempo, para o propósito de Heuberger. No entanto, o trabalho estreou no Musikverein de Viena, em 13 de Novembro de 1892, com o Clube dos Cantores de Viena, a Orquestra Filarmónica de Viena, e a solista soprano Henriette Standthartner, sob o comando de Wilhelm Gericke, onde se apresentou também uma abertura de Schubert e o “Concerto para Piano e Orquestra Nº 1 em Mi Bemol Maior” de Franz Liszt, seguido pela “Canção da Tempestade dos Andarilhos” de Richard Strauss, e “Loreley” de Félix Mendelssohn. O manuscrito foi dedicado a Wilhelm Ritter von Härtel, está armazenado no arquivo da Biblioteca Nacional de Áustria, e foi lançado pela primeira vez em novembro de 1892, com outra dedicação a Max von Oberleithner, de Doblinger, além de uma pontuação de redução de vocais e piano de Cyrill Hynais. Trata-se da obra-prima de Bruckner na matéria da Música Sacra e da Música Vocal Sinfónica, aqui muito bem interpretada pela soprano Ruth Welting, pelo Coro e pela Orquestra Sinfónica de Chicago, dirigidos pelo mestre Daniel Barenboim. Espero que gostem.
Gravel Sylva Bacon Woodward Julius Sachs Sachs Knop Gericke 1627 1699 1842 1859 1875 1929 1937
Hydroponics is a subset of hydroculture, the method of growing plants without soil, using mineral nutrient solutions in a water solvent.[1] Terrestrial plants may be grown with only their roots exposed to the mineral solution, or the roots may be supported by an inert medium, such as perlite or gravel. The nutrients in hydroponics can come from an array of different sources; these can include but are not limited to byproduct from fish waste, duck manure, or normal nutrients The earliest published work on growing terrestrial plants without soil was the 1627 book Sylva Sylvarum or A Natural History by Francis Bacon, printed a year after his death. Water culture became a popular research technique after that. In 1699, John Woodward published his water culture experiments with spearmint. He found that plants in less-pure water sources grew better than plants in distilled water. By 1842, a list of nine elements believed to be essential for plant growth had been compiled, and the discoveries of German botanists Julius von Sachs and Wilhelm Knop, in the years 1859–1875, resulted in a development of the technique of soilless cultivation.[2] Growth of terrestrial plants without soil in mineral nutrient solutions was called solution culture. It quickly became a standard research and teaching technique and is still widely used. Solution culture is now considered a type of hydroponics where there is no inert medium. In 1929, William Frederick Gericke of the University of California at Berkeley began publicly promoting that solution culture be used for agricultural crop production.[3][4] He first termed it aquaculture but later found that aquaculture was already applied to culture of aquatic organisms. Gericke created a sensation by growing tomato vines twenty-five feet (7.6 metres) high in his back yard in mineral nutrient solutions rather than soil.[5] He introduced the term hydroponics, water culture, in 1937, proposed to him by W. A. Setchell, a phycologist with an extensive education in the classics.[6] Hydroponics is derived from neologism υδρωπονικά, constructed in analogy to γεωπονικά,[7] geoponica, that which concerns agriculture, replacing, γεω-, earth, with ὑδρο-, water.[2] Reports of Gericke's work and his claims that hydroponics would revolutionize plant agriculture prompted a huge number of requests for further information. Gericke had been denied use of the University's greenhouses for his experiments due to the administration's skepticism, and when the University tried to compel him to release his preliminary nutrient recipes developed at home he requested greenhouse space and time to improve them using appropriate research facilities. While he was eventually provided greenh
Joaquín Turina Isa Katharina Gericke Gericke Hoppe 2015
La plataforma ProyectandoARTE vistió a la soprano Isa Katharina Gericke para su interpretación de las "Musas de Andalucía" de Joaquín Turina: Nº 6, Erato: "Trovos y saetas", soprano Isa Gericke, violines Esther Hoppe y Antonio Viñuales, viola Almudena Arribas y violonchelo István Vardái. Firma seleccionada por ProyectandoARTE: Atelier Mercedes de Alba Realización audiovisual: Acceptus Producciones (http•••) (http•••) (http•••)
Reiser Kirsten Flagstad Hennes Isa Katharina Gericke Gericke Forsberg Hjalmar Borgstrøm Sigurd Lie Rode Håkansson
"Jeg reiser ikke alene!"_Teaser_ Oficial Den norske opera og ballett, scene 2.- 3. september, kl. 14.00 - en konsertforestilling inspirert av Kirsten Flagstad og hennes nordiske sangrepertoar. Isa Katharina Gericke, sopran Bengt Forsberg, klaver Kristen Grødem, manus og regi. Video Artist: Romulo Corrêa /www.romulocorrea.com Styling: Betty D. Songs/writers : * Til min Mor/To my mother, Hjalmar Borgstrøm/CallyMonrad * Regn/Rain. Arne Dørumsgård/Sigmund Obstfelder * Sne/Snow. Sigurd Lie/Helge Rode * Søvnen/the sleep. Arne Dørumsgaard/Arnulf Øverland * Pil og bue/Bow and arrow. Sverre Jordan/Helge Rode * Ur "Idyll och Epigram" No 13 (Johan Ludvig Runeberg/Knut Håkansson) @Romulo corrêa
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- chronologie: Compositeurs (Europe). Chefs d’orchestre (Europe).
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