Charles Wels Vidéos
compositeur américain
Commémorations 2025 (Naissance: Charles Wels)
- orgue, piano
- États-Unis
- compositeur ou compositrice, pianiste, professeur ou professeure de musique, organiste
Dernière mise à jour
2024-05-11
Actualiser
Wolfgang Amadeus Mozart Mielke Friedrich Cerha Gerhard Wimberger Resch Franz Schubert Wels Salzburg Festival 2005 2006 2008 2010 2011 2012
Austria's Trio 3:0 Ensemble takes Violin workshop for Indian students at Neemrana Foundation in Delhi. The Trio 3:0 was never actually founded; it more or less just happened, quite unintentionally. In the course of the many events held in Salzburg in 2006 to celebrate Wolfgang Amadeus Mozart's 250th birthday, Eva Steinschaden, Detlef Mielke and Alexander Vavtar found themselves performing together. The occasion was the world première of a chamber opera, Der Zauberspiegel [The Magic Mirror] by the Austrian composer Ludwig Nussbichler. Although they had never before played as a trio, the three musicians – all of whom had wide experience in all kinds of chamber music – knew each other (Salzburg is a village!), and embraced the project with enthusiasm. It worked like magic. The press reported: "A truly splendid conclusion to the 2006 Mozart anniversary. Certainly one of the most unpretentious and lasting contributions to the Mozart celebrations." After this success, the three went their separate ways, with no thoughts of founding a trio, and – musically speaking – lost sight of one another. In 2008, it was once again contemporary music that brought them together on the platform. This was the first Salzburg performance of Friedrich Cerha's Piano Trio (2005), on the invitation of Aspekte Salzburg, a festival of New Music. The collaboration was once more exciting and rewarding, if quite strenuous, since Cerha demands from musicians just about all they can give. Once more, it was a triumph. The composer, who was present at the performance, pronounced himself delighted with the successful performance of his work, and the press reported "a top-quality performance which could not but be received with enthusiasm". Once again, the three lost sight of one another after the concert – why found a trio? In 2010, history repeated itself, under similar conditions – once again, for a recital of contemporary music organised by Aspekte Salzburg. This time the programme included the world première of a new work by Gerhard Wimberger and a performance of a piano trio by Gerald Resch. The result was yet another fantastic performance, greeted with exuberant applause by composers and audience alike. But – put a name to the ensemble? No – whatever for? In 2011 there followed a concert in Vienna, once again with a contemporary focus, but also including music by Franz Schubert, and in 2012 a concert in Wels, with exclusively contemporary works, earning the three musicians unanimous praise in the press. It was not until the journey home from Wels that the decision was at last taken to form a piano trio and put a name to it. This is how 3:0 came to be, through fate and fortune – not on the drawing-board, but out of sheer pleasure in making all kinds of music together and bringing first-rate interpretations to interested audiences. Source : www.dreizunull.at This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The collection comprises of 100, 000+ hours of high quality broadcast imagery, mostly shot on HDCAM / SR 1080i High Definition, Alexa, SR, XDCAM and 4K. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Please subscribe to our channel wildfilmsindia on Youtube for a steady stream of videos from across India. Also, visit and enjoy your journey across India at www.clipahoy.com , India's first video-based social networking experience! Reach us at rupindang [at] gmail [dot] com and •••@••• To SUBSCRIBE click the below link: www.youtube.com/subscription_center?add_user=WildFilmsIndia Like & Follow Us on: Facebook: www.facebook.com/WildernessFilmsIndiaLimited Website: www.wildfilmsindia.com
Johann Nepomuk David Helmut Lachenmann Ruth Zechlin Joseph Marx Guido Adler Josef Matthias Hauer Arnold Schoenberg Bach Wels Bruckner 1895 1906 1909 1912 1915 1920 1921 1922 1924 1925 1926 1930 1934 1941 1942 1943 1944 1945 1947 1948 1949 1950 1952 1953 1963 1968 1977 2006
Johann Nepomuk David +••.••(...)), austrian composer. . Sonata for Violin Solo No. 2, op. 58 (1963) / (Sonate für Violine Nr. 2, op. 58) SASCHKO GAWRILOFF - VIOLIN (Solo Violine) ...recorded from rare Stereo LP made in germany, 1968... . J.N.David has created numerous choral, organ and orchestral works, he was the teacher of many famous composers and performers, including Hans Stadlmair, Helmut Lachenmann, Ruth Zechlin and Hans Georg Bertram. He began his musical career in the monastery of Sankt Florian, and was a composition student of Joseph Marx. David wrote a number of orchestral works including eight symphonies (of which the fifth has been recorded, as have some other works including a disc of organ music,) several concertos including an organ concerto and three violin concertos, instrumental works including many for or with organ, and many choral works. His general style changed from the modal tendencies seen in his first two symphonies to the more acerbic though still tonal sound of the later ones. His son, Thomas Christian David +••.••(...)), was also a composer. / Johann Nepomuk David from 1906 to 1909 was a choirboy at the Augustinian Abbey of St. Florian and from 1909 to 1912 students at the Gymnasium of the Benedictine monastery Kremsmünster. From 1912 to 1915 he studied at the (Catholic) Bishop's teacher training institute in Linz. From 1915 to 1920, he was an elementary school teacher in St. Churches (Innkreis), from 1920 to 1924 primary school teachers in Waizenkirchen. After that he studied from 1921 to 1922 at the Music Academy and the University in Vienna with Joseph Marx and Guido Adler and had personal contact with Josef Matthias Hauer and Arnold Schoenberg. From 1922 to 1924 he was the musical director of the Linz "art center" hold. From January 1925 to autumn 1934, he was a teacher at the Catholic elementary school from 1926 to 1934 he headed there he founded the Bach Choir and from 1930 to 1934 he was organist at Christ Lutheran Church Wels. From November 1934 to January 1945 he was a teacher of theory and composition and director of choirs at the State Conservatory (Academy of Music since 1941) in Leipzig. In 1942 he was appointed as Acting Director of this institute. The really apolitical David, who was also no Nazi organization, composed in the era of National Socialism almost only absolute music (chamber music, symphonies, orchestral works), or sacred music (organ music, motets). Less clear is the seventh most November 1942, first performed in Leipzig, but unpublished "Heroes ceremony / motet for a leader Adolf Hitler's word / 4stimmigen for mixed chorus and three trombones [...] / The dead students and teachers / Staatl. Music Academy in Leipzig to commemorate "the following text:" Who keeps faith with his people so that should never even be forgotten in faithfulness ". After the heavy bombing raid on Leipzig on 3 / 4 December 1943, David led from April 1944 to the evacuation of the Academy of Music to Crimmitschau in Saxony, where could be maintained up to the final exams in August 1944 under difficult circumstances, the trial operation. In August 1944 he was inducted into the so-called God-gifted list of the most important composers, which saved him from a war effort, even on the home front. From 1945 to 1947, David was a professor of composition, the choir director and acting director of the Salzburg Mozarteum. From 1948 to 1963 he was professor of theory and counterpoint (composition) at the State Academy of Music and Performing Arts in Stuttgart. From 1949 to 1952 he was conductor of the Stuttgart Bruckner Choir and conductor of the 1950-1953 High School Chamber Orchestra, with which he among others to a highly publicized guest concert in Paris. With these two ensembles also brought David performed contemporary compositions, which are documented by recordings and productions of the South German Radio in Stuttgart.
Anton Bruckner Böhm Wels 1848 1931
Anton Bruckner - In Jener Letzten Der Nächte, WAB 17 Soprano - Ludmila Kuznetzova Organ - Ludmilla Golub In jener letzten der Nächte (In this last of nights), WAB 17, is a motet composed by Anton Bruckner. Bruckner composed the motet in c. 1848 at St. Florian Monastery for the celebration of Maundy Thursday. However, it is not known whether it was performed at that time. It was edited first by Anton Böhm & Sohn, Augsburg & Vienna, 1931. There are two settings: one for soloist and organ, and another for mixed choir a cappella. The manuscript of the setting for soloist and organ is stored in the archive of the city museum of Wels. A transcription of the other setting is found in the Österreichische Nationalbibliothek. The two settings of the motet are put in Band XXI/15 of the Gesamtausgabe. Join the Score Video Creator Discord Server: (http•••) Support me on Patreon: (http•••)
Schubert Freund Pfeil Scheidemann Wels Kurt Schumacher Reich Zwanziger
Der Marsch der Eisernen Front gesungen durch Mitglieder des Schubert-Chors. 1 Drei Pfeile zerspalten wie Blitze die Nacht, Wo bist du, du Lump, der den Freund umgebracht? National? National? National? So schreist du, der nur sich selbst anerkennt. Uns alle beschimpft und Verräter nennt! National? Dich Lüge trifft der erste Strahl: Refrain: Flieg Pfeil, triff‘, Hammer. Rote Fahnen, wehet ins Land! Eiserne Front! Eiserne Front! Eiserne Front! Flieg Pfeil, triff, Hammer uns‘rer Hand! 2 Drei Pfeile zerspalten wie Blitze die Nacht, Wo bist du, du Schuft, der den Diebstahl gemacht? Sozialist? Sozialist? Sozialist? So nennst du dich, der mit den Reichen paktiert! Dem Hohenzollernsohn hast du dich alliiert! Sozialist? Dich Lüge trifft der zweite Strahl: Refrain 3 Drei Pfeile zerspalten wie Blitze die Nacht, wo bist du, du Pest, die sich ausgedacht Pg? Pg? Pg? Du dienst nur als Vorspann dem Schlotbaron, Er zahlt dir dicke Gelder, Million um Million! Pg? Dich, Lüge, trifft der dritte Strahl: Refrain / Das Reichsbanner Schwarz-Rot-Gold wurde am 22. Februar 1924 in Magdeburg als überparteiliches Bündnis von der SPD, der liberalen Deutschen Demokratischen Partei und der katholischen Zentrumspartei gegründet. Mit diesem demonstrativen Schulterschluss reagierten die Demokraten auf die zahlreichen Morde sowie die links- und rechtsextremistischen Putschversuche in den Anfangsjahren der Weimarer Republik. Schnell entwickelte sich das Reichsbanner zu einer Massenorganisation mit mehr als drei Millionen Mitgliedern. Ab 1931 kämpften Reichsbanner, SPD, Gewerkschaften u.a. in der Eisernen Front gemeinsam gegen die Nationalsozialisten. Nach deren Machtergreifung 1933 wurde das Reichsbanner verboten. Seine Mitglieder wurden verfolgt, mussten ins Exil gehen oder wurden Teil des deutschen Widerstandes gegen den Nationalsozialismus. Neben fünf Reichskanzlern waren bekannte Mitglieder des Reichsbanners u.a. Philip Scheidemann, Otto Wels, Julius Leber, Kurt Schumacher, Paul Löbe und Theodor Heuss. English: The Reichsbanner Schwarz-Rot-Gold was founded on 22 February 1924 in Magdeburg as a non-party alliance by the SPD, the liberal German Democratic Party and the Catholic Centre Party. The Democrats reacted with this demonstrative solidarity to the numerous murders as well as the left- and right-wing extremist coup attempts in the early years of the Weimar Republic. The Reichsbanner quickly developed into a mass organization with more than three million members. From 1931 Reichsbanner, SPD, trade unions and others fought together in the Iron Front against the National Socialists. After their seizure of power in 1933, the Reichsbanner was banned. Its members were persecuted, had to go into exile or became part of the German resistance against National Socialism. In addition to five Reich Chancellors, well-known members of the Reichsbanner included Philip Scheidemann, Otto Wels, Julius Leber, Kurt Schumacher, Paul Löbe and Theodor Heuss. / Der Titel entstammt unserer Reichsbanner-CD. Sie ist eine Neuauflage einer CD, die als Beilage zu dem Buch „Freiheit! – Sozialdemokratischer Selbstschutz im München der zwanziger und frühen dreißiger Jahre“ erschienen ist (Günther Gerstenberg, Edition Elenspiegel, Andechs 1997). Sie enthält 25 historische Tonaufnahmen von Reichsbanner-Liedern und -Märschen mit einer Gesamtlaufzeit von über 70 Minuten. Die Aufnahmen stammen von Original-Schellackplatten aus dem „Arbeitermusik-Archiv Klaus Jürgen Hohn“ in Nürnberg. Die Auflagen der GEMA wurden beachtet, die CD darf nicht gewerblich vertrieben werden. Das Beiheft der CD enthält heute zum Teil nur noch schwer erhältliche Liedtexte, Grundlage hierfür war das „Reichsbanner-Liederheft“ von Ewald Reincke aus dem Jahr 1924. Die Liedtexte sind auf YouTube wiedergegeben. Mehr Informationen unter www.reichsbanner.de
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