Alexandra Troussova Vidéos
patineuse artistique russe
Anniversaires 2004 Anniversaires (Naissance: Alexandra Troussova)
- piano
- Russie
- patineur ou patineuse artistique
réseaux sociaux
chaînes vidéo
Dernière mise à jour
2024-05-20
Actualiser
Kirill Troussov Alexandra Troussova Stradivari 2019
Cesar Franck - Sonata for Violin and Piano in A Major Kirill Troussov, Violin ( (http•••) ) Alexandra Troussova, Piano Live-TV-Recording: Stradivari Festival 2019 / Online-Lessons: (http•••) Follow on Instagram: (http•••) Follow on Facebook: (http•••) International Masterclasses with Kirill Troussov: (http•••)
Kirill Troussov Johannes Brahms Alexandra Troussova 1833 1897 2020
Johannes Brahms +••.••(...)) Sonata for Violin and Piano, No.3 in D-minor, Op.108 Kirill Troussov, Violin ( (http•••) ) Alexandra Troussova, Piano Live Recording: Paris Recital 2020 at the Auditorium du Musée du Louvre ((http•••)) This concert was broadcasted live during the Covid-19 pandemic in 2020. There is no audience in the Concert Hall. This concert was a Livestream. / Online-Lessons: (http•••) Follow on Instagram: (http•••) Follow on Facebook: (http•••) International Masterclasses with Kirill Troussov: (http•••)
Tchaikovsky Benedict Kloeckner Alexandra Troussova
Tchaikovsky Nocturne in d Minor Benedict Kloeckner, Cello Alexandra Troussova, Piano Live in Schloss Namedy Pilvax Film/IMUKO
György Kurtág David Grimal Groot Webern Castiglioni Troussova Mahler Glinka Schnittke Ensemble Intercontemporain 1926 1970 1981 1982 1985
Kurtág György (*1926) - Scenes from a Novel. 15 Songs to poems by R. Dalos for soprano, violin, double bass, and cimbalom, Op.19 (1982) Scenes from a Novel. 15 Songs to poems by R. Dalos for soprano, violin, double bass and cimbalom, Op.19 by György Kurtág 1985 by Editio Musica Budapest Zenemukiadó 0:00 György Kurtàg (*1926) - Scenes from a Novel. 15 Songs to poems by R. Dalos for soprano, violin, double bass, and cimbalom, Op.19 (1982), Performance Notes 0:08 1. Come 1:15 2. From meeting to parting 2:00 3. Supplication 3:25 4. Allow me 4:30 5. Counting-out rhyme 5:35 6. Dream 6:54 7. Rondo 9:56 8. Nakedness 10:14 9. Hurdy-gurdy waltz 11:20 10. Tale 12:58 11. Again 13:52 12. Sundays (Perpetuum mobile) 14:48 13. Visit 15:52 14. True story 17:33 15. Epilogue (a dispirited wail) Disclaimer: This video is just for promotion, and not for profit. I hold no right to the picture on the video nor the music itself. All rights reserved for the composer and the publisher. Please write me a direct message if you have complaints about this upload concerning copyright issues. In that case, I will delete the video immediately. email: •••@••• Viktoriia Vitrenko, Soprano David Grimal, Violin Luigi Gaggero, Cimbalom Niek de Groot, Double Bass from the album György Kurtág: Scenes (http•••) Kurtág is another composer who studied Webern closely, and at about the same time as Castiglioni. Although he has composed a wide range of instrumental music, the aphoristic song cycle is perhaps his signature medium. In the 1970s he became fascinated with Russian literature, learning Russian to be able to read Dostoyevsky in the original language. The work of Rimma Dalos, a Russian-born poet who has lived in Hungary since 1970, proved of particular interest. Kurtág first set her poetry in Messages of the Late R.V. Troussova, Op. 16, commissioned by the Ensemble InterContemporain and premiered in Paris in 1981, sparking a flood of international interest in Kurtág's music that has flowed unabated ever since. Scenes from a Novel, completed in 1982, pared the Op. 16 ensemble down to just violin, bass, and cimbalom, from which Kurtág conjures a huge range of sound and emotion. Characteristically, several of the numbers allude to other musicians, such as No. 5, an homage to Mahler (with a middle section marked "tempo di Kamarinskaya," referring to a dance by Glinka). No. 9, the "Hurdy-Gurdy Waltz," is an homage to Schnittke, the voice dancing drunkenly over instruments stuck mechanically on an E-flat chord. There is humor here, and at least the ironic imitation of lighter, more naïve spirits. But the prevailing mood of this cycle of fragile, confessional poems is bleak and sorrowing. The "Epilogue," subtitled "a dispirited wail" and marked "desolato," slowly sinks chromatically into enervated depths. (John Henken, LA Phil)
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- chronologie: Interprètes (Europe).
- Index (par ordre alphabétique): T...