Luigi Taglietti Vidéos
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2024-05-15
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Rosaria Pasolini Maria Callas Taglietti Pasquini Marco Angius Cantiere Internazionale Arte 2015
Teatro Poliziano Montepulciano 2015 Musica Stefano Taglietti Libretto e Regia Carlo Pasquini Direttore Marco Angius
Biggs Johann Gottfried Walther Michalski Tomaso Albinoni Gentili Antonio Vivaldi Taglietti Giuseppe Torelli 1974
E. Power Biggs, Johann Gottfried Walther, Six concertos after Italian played on the pedal harpsichord Released 1974 by CBS Columbia Records M 32878 The instrument heard on this recording was built by John Challis. Produced by Andrew Kazdin Engineering: Fred Plaut, Ed Michalski Library of Congress catalog card number 74-750085 applied 10 M 32878. Cover design : Karenlee Grant I Cover photo: Don Hunstein Side 1 Concerto in F major, after Tomaso Albinoni (7'00) 00:00 Allegro 02:51 Adagio 03:57 Allegro Concerto in A major, after Gentili (5'58) 07:04 Allegro 10:15 Adagio 11:07 Allegro Concerto in b minor, after Antonio Vivaldi (9'52) 13:05 Allegro 16:21 Adagio 19:40 Allegro Side 2 Concerto in B-flat major, after Giulio Taglietti (9'54) 23:09 Adagio 26:05 Allegro 28:45 Adagio à 2 Clav. 30:24 Allegro Concerto in a minor, after Giuseppe Torelli (9'10) 33:07 Vivace 35:56 Adagio 38:27 Allegro Concerto in d minor, after Giuseppe Torelli (2'59) 42:24 Allegro The selections are in the public domain. NOTES BY E. POWER BIGGS Relationships and contrasts of music, composers and instruments have made the recording of this program a particular interest for me. There is, first, the fact that in this performance the concertos are twice removed from their original conception. They were composed for various string groups, the Italians being masters of all stringed instruments. Next, transmuted by the Germanic skill with keyboards, they became music for pipes, played from the manuals and _pedals of the organ. Finally, in this recording, they are heard in the sound of strings- hut on the plucked strings of a pedal harpsichord. It is the highest tribute to the It~lian masters that their music survives such change. For, not only does it survive, it also takes on an interestingly different personality in each mutation. Tidy and traditional as it may seem to us, the great outpouring of melodic inspiration by Italian composers in the early 18th _ century was in its day overwhelming in its effect. It was the "new music." By its lucidity, form and melody such music made a deep impression on North German musicians, and nowhere more so than in the highly musical town of Weimar. #PedalHarpsichord #JohnChallis #EPowerBiggs
Antonio Brioschi Moretto Bianchi Moro Gatti Alberto Guerrero Guerrero Taglietti Nava Cremonesi Paganelli Aula Magna 1725 1750 2018
Antonio Brioschi +••.••(...)) Sinfonia in Si bemolle maggiore 03:42 Andante 08:44 Largo staccato 10:28 Presto LABORATORIO PER GIOVANI MUSICISTI VANNI MORETTO direttore VIOLINI Marco Bianchi°°, Sofia Capobianco*, Paola Diamanti, Elisa Imbalzano, Francesca Micconi, Filippo Moro*, Abramo Raule, Renata Spotti°, Lucrezia Elena Valbonesi* Francesca Zuccotti* VIOLE Krishna Nagaraja°, Flaminia Virdis* VIOLONCELLI Francesco Barosi*, Anna Bellinzona*, Agata Borille*, Ludovica Fra*, Cecilia Gatti*, Jorge Alberto Guerrero°, Giovanni Maccarini*, Tommaso Malinverni*, Eleonora Moro*, Marcello Rosa, Pietro Taglietti* CONTRABBASSO Davide Nava OBOI Francesco Ciarmatori, Francesco Tocci CORNI Davide Cremonesi, Veronica Romano CLAVICEMBALO Giovanni Paganelli 6 MAGGIO 2018 | ore 21:00 AULA MAGNA DEL COLLEGIO GHISLIERI Un progetto Ghislierimusica, in collaborazione con CrescendoinMusicaPavia, con il contributo di Fondazione Cariplo
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