Serena Sáenz Vidéos
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2024-05-11
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Philippe Graffin Joseph Haydn Phillippe Vyvyan Huber Sáenz Santa María Crist Cristo 2017
Phillippe Graffin and friends in rehearsal at the Hotel Mirande, Easter 2017, Avignon, France. Philippe Graffin - Violin Maria Włoszczowska - Violin William Vyvyan Murray - Viola Matthew Huber- Violoncello (http•••) A couple of years back Phillippe invited us down to the bridge in Avignon to dance and play some quartets with him at the Hotel La Mirande. It was the time of year that needed some music to contemplate the Seven Last words of Christ. So we played Haydn. Being without any new videos I thought to share this excerpt from the rehearsal that is already available on Facebook but not here on the competition... This bit is from the second word - And one of the malefactors which were hanged railed on him, saying, If you be Christ, save yourself and us. But the other answering rebuked him, saying "Do not you fear God, seeing you are in the same condemnation? And we indeed justly; for we receive the due reward of our deeds: but this man has done nothing amiss." And he said to Jesus, "Lord, remember me when you come into your kingdom." And Jesus said to him, Truly I say to you, To day shall you be with me in paradise. Luke 23:39 - 43 The pieces were commissioned by Don José Sáenz de Santa María, the Canon of Cadiz for the Good Friday service at the Oratorio de la Santa Cueva in Cadiz Haydn himself wrote of the work - "Some fifteen years ago I was requested by a canon of Cádiz to compose instrumental music on the Seven Last Words of Our Savior On the Cross. It was customary at the Cathedral of Cádiz to produce an oratorio every year during Lent, the effect of the performance being not a little enhanced by the following circumstances. The walls, windows, and pillars of the church were hung with black cloth, and only one large lamp hanging from the center of the roof broke the solemn darkness. At midday, the doors were closed and the ceremony began. After a short service the bishop ascended the pulpit, pronounced the first of the seven words (or sentences) and delivered a discourse thereon. This ended, he left the pulpit and fell to his knees before the altar. The interval was filled by music. The bishop then in like manner pronounced the second word, then the third, and so on, the orchestra following on the conclusion of each discourse. My composition was subject to these conditions, and it was no easy task to compose seven adagios lasting ten minutes each, and to succeed one another without fatiguing the listeners; indeed, I found it quite impossible to confine myself to the appointed limits." Die sieben letzten Worte unseres Erlösers am Kreuze, The Seven Last Words of Christ; Les set últimes paraules de Crist a la creu; 十字架上のキリストの最後の7つの言葉; Las siete últimas palabras de Cristo en la cruz We do hope you enjoy this small excerpt of this amazing work... For the scores of the work - (http•••) For more info on Haydn see (http•••) (http•••) or (http•••) While William Vyvyan Murray is my birth certificate name many people also know me as Billy Murray or Bill Murray... And you can find more bits and bobs here www.williamvmurray.com ... Just so you know ;)
Donizetti Auxiliadora Toledano Olvera Enric Martínez Castignani Ruiz Sáenz Ramos 1832 2016
Final del Acto I de la célebre ópera L'elisir d'amore de G. Donizetti, estrenada en 1832, en la interpretación que hicieron en abril de 2016 en el Gran Teatro de Córdoba Auxiliadora Toledano (Adina), Pablo García-López (Nemorino), Germán Olvera (Belcore), Enric Martínez-Castignani (Dulcamara) y Lucía Ruiz Tavira (Giannetta), con el Coro Ziryab (Javier Sáenz-López, director) y la Orquesta de Córdoba, todos bajo la dirección musical de Lorenzo Ramos y escénica de Francisco López.
Anna Harvey Serena Sáenz Pino Cury Delibes Ilyich Tchaikovsky Charles Gounod Giuseppe Verdi Cara Wolfgang Amadeus Mozart Ambroise Thomas Gioachino Rossini Gaetano Donizetti Nikolai Rimsky Korsakov Gustave Charpentier Charpentier Engelbert Humperdinck Barber Richard Strauss Palais Garnier 2022
Our 2022 Finalists: Anna Harvey, mezzo-soprano, UK, Aytaj Shikhalizada, mezzo-soprano, Azerbaijan, Serena Sáenz Molinero, soprano, Spain, Maria Brea, soprano, Venezuela, William Desbiens, baritone, Canada, George Vîrban, tenor, Romania, Maria Carla Pino Cury, soprano, Chile, Luke Scott, baritone, UK Deniz Uzun, mezzo-soprano, Germany Orchestre Prométhée conducted by Pierre-Michel Durand Director: Florence Alayrac PROGRAM Leo Delibes Lakmé | 'Où va la jeune Hindoue' | Serena Sáenz Molinero Piotr Ilyich Tchaikovsky The Maid of Orleans | ‘Da tchas nastal’ | Deniz uzun Charles Gounod Faust | ‘Avant de quitter ces lieux’ | Luke scott Giuseppe Verdi La Traviata | ‘Parigi o cara’ | George Vîrban and María Brea Wolfgang Amadeus Mozart La Clemenza di Tito | "Parto, parto ma tu ben mio" | Anna harvey Ambroise Thomas Hamlet | ‘Doute de la lumière’ | William Desbiens and María Carla Pino Cury Gioachino Rossini L'Italiana in Algeri | ‘Cruda sorte’ | Aytaj Shikhalizada Il barbiere di Siviglia | "Ah qual colpo inaspettato" | Deniz Uzun, George Vîrban and Luke Scott Gaetano Donizetti Linda di Chamounix | "O luce di quest'anima" | María Carla Pino Cury Nikolai Rimsky-Korsakov The Tsar's Bride | ‘Zachem ty’ | Aytaj Shikhalizada and William Desbiens Gustave Charpentier Louise | ‘Depuis le jour’ | María Brea Engelbert Humperdinck Hansel and Gretel | 'Wie duftet’s von dorten' | Anna Harvey and María Carla Pino Cury Wolfgang Amadeus Mozart Così fan tutte | 'Il core vi dono' | Deniz Uzun and Luke Scott Piotr Ilyich Tchaikovsky Eugène Onegin | "Kuda, kuda" | George Vîrban Wolfgang Amadeus Mozart Lucio Silla | 'D’elisio in sen m’attendi' | Aytaj Shakhalizada and Serena Sáenz Molinero Gioachino Rossini The Barber of Seville | ‘Largo al factotum della città’ | William desbiens Richard strauss Der Rosenkavalier | 'Marie Theres'! Hab 'mir’s gelobt'| María Brea, Anna Harvey and Serena Sáenz Molinero Gioachino Rossini L'Italiana in Algeri | 'Va sossopra il mio cervello' | Tutti Recording: January 22 2022 - Palais Garnier | Paris
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