Johann Schobert Vidéos
compositeur, Maitre de musique et claveciniste du prince de Conti
- clavecin
- opéra
- Allemagne
- compositeur ou compositrice, claveciniste, pianiste
Dernière mise à jour
2024-05-05
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Wolfgang Amadeus Mozart Korte Schobert Bach 1529 1756 1766 1777 1791 1934
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: (http•••) 6 Violin Sonatas, The Hague 1766 Dedication: Princess Caroline von Nassau-Weilburg 1. Violin Sonata No. 11 in E-flat major, K. 26 (Febr. 1766) Allegro molto (0:00) Adagio poco andante (3:00) Rondo. Allegro (6:07) 2. Violin Sonata No. 12 in G major, K. 27 Andante poco Adagio (8:28) Allegro (11:46) 3. Violin Sonata No. 13 in C major, K. 28 Allegro maestoso (15:29) Allegro grazioso (19:34) 4. Violin Sonata No. 14 in D major, K. 29 Allegro molto (22:16) Menuetto & Trio (25:34) 5. Violin Sonata No. 15 in F major, K. 30 Adagio (28:54) Rondeaux - Tempo di Menuetto (33:40) 6. Violin Sonata No. 16 in B-flat major, K. 31 Allegro (36:16) Tempo di Menuetto - Menuetto with 6 Variations (40:05) Rémy Baudet, violin and Pieter-Jan Belder, harpsichord The Mozart family stayed in the beginning of their stay in The Hague at the Hotel La Ville de Paris. It was situated at the corner of de Korte Houtstraat and de Fluwelen Burgwal. It was all demolished. Now it is the Kalvermarkt. Wolfgang Amadeus Mozart's set of six sonatas for keyboard and violin, K. 26–31 were composed in early 1766 in The Hague during the Mozart family's grand tour of Europe. They were dedicated to Princess Caroline of Nassau-Weilburg on the occasion of the eighteenth birthday of her brother, William V, Prince of Orange. They were published as Mozart's "Opus 4". These works show an improvement in compositional technique over the sets for Paris (K. 6–9) and London (K. 10–15), although like the previous sets, the keyboard part dominates and the violin may be considered optional. Mozart composed all three early sets of accompanied sonatas while touring northwest Europe. These types of sonatas were not favored at home in Salzburg. Mozart would not revisit this genre until 1777–78 on a trip to Mannheim and Paris. These sonatas share common features of style and technique with popular contemporaries such as Eckard, Schobert, Honauer and J.C. Bach: melody and accompaniment are clearly separated, the violin plays in thirds, sixths or octaves with the melody. The genre's formal outline, content and technical demands were conditioned for most of the century by the lucrative amateur amateur domestic market at which it was directly aimed. The content was typical of the Rococo period which nurtured it: simple, melodic, major-mode and unrelenting diatonic and homophonic - conversation in the truly 'galant' sense of having little to talk about, but doing it above all politely and charmingly. The keyboard part had to be self sufficient, lest no 'accompaniment' was available, and the music was intended less for the detached listener than for the players themselves. Roger Hellyer
Johann Schobert Hermann Friedrich Raupach 1767 1969
게자 안다 (피아노, 지휘) 잘츠부르크 모차르테움 카메라타 아카데미카 1969 00:00 Piano Concerto No.2 in B flat major KV39: I. Allegro spiritoso 05:09 Piano Concerto No.2 in B flat major KV39: II. Andante 09:46 Piano Concerto No.2 in B flat major KV39: III. Molto allegro 모차르트는 그의 누나와 함께 아버지를 따라 파리에서 약 반년 동안 파리에 머물면서 많은 음악가들을 만났는데, 그 중 한 사람인 프랑스의 하프시코드 연주가 "Johann Schobert" 에게 큰 감화를 받고이에 이 사람의 소나타 악장을 편곡하여 피아노 협주곡 2번으로 완성하였다. 작품번호 KV39의 피아노 협주곡 2번은 그의 피아노 협주곡 1번과 같은 해인 1767년 6월에 완성되었다. 1악장과 3악장은 역시 앞선 협주곡과 마찬가지로 "Hermann Friedrich Raupach" 에게 소재를 빌려왔고, 2악장은 파리의 하프시코드 작곡가였던 "Johann Schobert" 의 곡을 인용한 것이다.
Stolz Kurt Weill Zanella Mazzoni Daniela Fally Equiluz Thomas Rettensteiner Dostal Schobert 2005
Follow us on Facebook: (http•••) Die sieben Todsünden Kurt Weill / Ballet chanté Text von Bertolt Brecht Musikalische Leitung Walter Kobéra, Inszenierung Leo Krischke, Choreographie Renato Zanella, Ausstattung Sofia Mazzoni, Lichtdesign Norbert Chmel, Dramaturgie Alexandra Noël Anna I: Daniela Fally; Anna II: Nina Kripas, Gabriele Wappel; Die Familie Marco Di Sapia: Manfred Equiluz, Dieter Kschwendt-Michel, Thomas Rettensteiner; 7 Tänzer: Baris Dilaver, Christoph Dostal, Christian Joannidis, Udo Kawasser, Julio Cesar Lepe Hernandes, Pavel Strasil, Marcos Valenzuela Abril amadeus ensemble-wien Kamera; Felix Schobert, Katherina Fiegl,Baris Dilaver Regia und Schnitt:Baris Dilaver Premiere 20. Jänner 2005, Jugendstiltheater Wien
Murray Perahia Johann Schobert English Chamber Orchestra
The second movement of W. A. Mozart's Piano Concerto no. 2 in B-flat major (K. 39) , performed by performed by Murray Perahia and the English Chamber Orchestra, accompanied by an animated graphical score. FAQ Q: Where can I hear the whole concerto? A: Here: (http•••) Q: Did Mozart really write this all by himself when he was eleven years old? A: Well, no. It's not clear how much his father helped him, but this concerto was based on pieces by other composers, as mentioned here ... (http•••) ... with this movement being based on a movement of a sonata by Johann Schobert ... (http•••) ... and if you're curious, here is the sheet music ... (http•••) (http•••) Q: Are there some pizzicato notes missing? A: Yes, I'm afraid I accidentally left some out in the first version ... (http•••) ... but I think I've completely fixed it in the second version ... (http•••) Q: I appreciate the animated graphical scores you make; how can I support your work? A: Thank you! The easiest way to support my work is by contributing via Patreon: (http•••) If you'd like to help in more specific way, consider this: (http•••) Q: Could you do a MAM video of / ? A: Please read this: (http•••)
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