Stefano Rossetti Vidéos
compositeur actif vers 1560-1580
- compositeur ou compositrice
Dernière mise à jour
2024-05-06
Actualiser
Rubio Blunt Beltrán Hernandez Rodriguez Aguirre Domínguez Navarro Cisneros Molina Rossetti Medina Zamora Cristo Dominguez Hernández Quiroz
C. Tangana con Carín León y Adriel Favela – Cambia! EL MADRILEÑO (http•••) MERCHANDISING (http•••) IG (http•••) TW (http•••) FB (http•••) Créditos Cambia! Director SANTOS BACANA DoP PEPE GAY DE LIÉBANA Producido por CRIS TRENAS & MARÍA RUBIO Director México FELIX BOLLAIN Dop México LLUÍS MARTÍ Productor Landia EZEQUIEL AVARO Director Creativo SANTOS BACANA ROBERTO LOPEZ LOPEZ GRETA FERNANDEZ EVA BLUNT BELTRÁN CORROCHANO DOMINIC RAZIEL HERNANDEZ Jefes de Producción YAGO LÓPEZ ABRIL & CARLA LAPIEDRA 1er AD ENEIDA DE SOSA Coordinadora de Producción PALOMA ESPINÓS Ayudantes de Producción JOSÉ MARÍA SIERRA LUCÍA SANTOLAYA CARLOS URREA 1er AC ISMAEL FERNANDEZ 2º AC CARMINA HERRANZ Video Asistencia MONICA BLAZQUEZ Directora de Arte LEILA RODRIGUEZ Ayudantes de Arte IRENE MARTÍNEZ BEATRIZ FIGUEROLA Vestuario ALEX TURRIÓN & CARLA PAUCAR Maquillaje y Peluquería MIKY VALLÉS Directora de Casting MAIA DE ZAN Fotógrafa ROCÍO AGUIRRE Gaffer SERGIO FUIDIA Eléctricos CARLOS DOMÍNGUEZ NAVARRO ALEJANDRO LÓPEZ CISNEROS JAVIER ALFAYA Grip EDUARDO DE LA CUESTA Conductor de cámara RUBEN MOLINA Editor SANTOS BACANA Post producción JORGE DEVORA Color JULIA ROSSETTI Equipo ELDEMAZ Chave U. Alfaro & Patri Alfaro Sony Video Commissioner LUIS ANGELES Proveedores MADCREW CINELAB LONDON SERCIVI ROLLING TECNITRAN RODANDO EN VAN AUTOS CADENAS GRIPHOUSE NURSE ON SET Equipo MÉXICO 1er AD FITO STONE Gerente de Producción VIRIDIANA GUADARRAMA Coordinador de Producción JUAN PABLO MEDINA Asistente de Producción FERNANDA PRECIADO Coordinador de Transportes DANIEL CARRANZA 1er AC RICARDO ZAMORA Gaffer CRISTO DOMINGUEZ Eléctricos ÁNGEL LÓPEZ SOLIS JOSÉ MANUEL HERNÁNDEZ SERGIO QUIROZ ALAN RODRIGO LOPEZ Video Asistencia EDGAR MATEOS MEDRANO Encargado de Cámara ARMANDO HERNANDEZ Conductor FELIPE ROMÁN Fotógrafo FELIPE BARTOLOMÉ Director de Arte CARLOS MANCILLA Vestuario JOSELYN CORONA Maquillaje y Peluquería JUAN MENDEZ Asistente de Maquillaje MARGOT CORTAZAR
Benjamin Britten Mercier Rossetto
Score: (http•••) Audio: (http•••) Gilles Mercier, Jean-Pierre Odasso, Javier Rossetto, trumpets
Nicola Zerola Verdi Rossetti Ruggero Leoncavallo Oscar Hammerstein I Hammerstein Mariette Mazarin Marguerite Alvarez Emma Trentini Giacomo Meyerbeer Maschera Henry Février Teatro Comunale Florence Teatro Comunale Bologna Philadelphia Opera House Scala Manhattan Opera Company Philadelphia Opera Philadelphia Opera Company Chicago Grand Opera Company Baltimore Opera Company Metropolitan Opera Philadelphia Grand Opera Company 1876 1898 1903 1907 1908 1909 1910 1911 1912 1920 1921 1928 1936
Nicola Zerola - Pagliaccio - Non Pagliaccio non son - Victor 74247 eenregistré le 10 mars 1911 Nicola Zerola (1876 – 21 July 1936) was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century. In 1908 he relocated to the United States where he was active with important opera companies in New York, Chicago, and Philadelphia up into the late 1920s. In 1910 he recorded several selections from Verdi's Otello for the Victor Talking Machine Company. He also made 11 solo recordings and one duet for the Gramophone and Typewriter Company in 1910-1911 Born in Naples, Zerola began his career as a baritone and made his professional opera debut in 1898 at the Teatro Rossetti in Trieste as Tonio in Ruggero Leoncavallo's Pagliacci. This was soon followed by performances at the Teatro Comunale Florence and at other opera houses in the Italian provinces. He made his debut as a tenor in 1903 in the role of Canio in Pagliacci.[2] He soon after undertook performances in Belgium, Egypt, France, Spain, Holland, and South America.[2] In November 1908 he had a great success at the Teatro Comunale di Bologna as Radamès to the Aida of Lucia Crestani In 1907 Zerola traveled with a small touring company to the United States where he was lauded by critics and audiences. This led to his appointment to New York City's Manhattan Opera Company by Oscar Hammerstein I in 1908. He made his debut with the company in January 1909 at the Manhattan Opera House under conductor Giuseppe Sturani as Radames to the Aida of Mariette Mazarin and Amneris of Marguerite d'Alvarez. He remained there until the company went bankrupt in 1910; singing such roles as Manrico in Verdi's Il trovatore and the title role in Verdi's Otello. He also sang with Hammerstein's Philadelphia Opera Company in 1909-1910. He made his debut with that company as Canio in Pagliacci with Emma Trentini as Nedda at the Philadelphia Opera House on November 25, 1909. On 21 November 1910 Zerola sang Radames again for his debut with the Chicago Grand Opera Company with Jeanne Korolowicz as Aida. He actively performed with the company through May 1911 in performances in both Chicago and Philadelphia. His other roles with that company included Raoul de Nangis in Giacomo Meyerbeer's Les Huguenots, Manrico, and Otello. In January 1911 he opened the Baltimore Opera Company's new season as Radames. In 1911-1912 he was committed to the Royal Opera House in London where he performed the roles of Riccardo in Verdi's Un ballo in maschera, Canio, Manrico, Otello, Radames, and Raoul de Nangis. In 1920-1921 Zerola was heard at the Metropolitan Opera in New York City as Canio. and at the Philadelphia Grand Opera Company as Otello. He was also active with the Philadelphia La Scala Opera Company in the 1920s. In 1928 he sang the role of Prinzivalle in the New York premiere of Henry Février's Monna Vanna.[9] He died in New York City in 1936. Source: Wikipedia
Hubert Bath Rossetti 1883 1929 1933 1936 1938 1943 1944 1945 1948
A lovely little waltz that you probably can also learn and play:) Score on imslp. Every piece has a little poem at the start by D. G. Rossetti. This one: "Ah! dear one, we were young so long, It seemed that youth would never go." I have also played Gaelic Suite by Bath (http•••) Hubert Bath +••.••(...)) was a British film composer, music director, and conductor. His credits include Tudor Rose (1936), A Yank at Oxford (1938) and Millions Like Us (1943). He went on to compose many film scores (including part of the soundtrack of Alfred Hitchcock's Blackmail in 1929), marches for brass bands, orchestral suites, theatre music and choral works. His composition Out of the Blue has been used as the theme music of Sports Report since the programme started in 1948. Also well-known is his Cornish Rhapsody, written for, and essential to the plot of, the 1944 film Love Story.
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