Johann Joachim Quantz Vidéos
compositeur ou compositrice, musicologue, théoricien ou théoricienne de la musique, fabricant d'instruments de musique, flûtiste, hautboïste, trompettiste, professeur ou professeure de musique
1
- flûte traversière, hautbois
- musique baroque
- Allemagne, royaume de Prusse
Dernière mise à jour
2024-05-08
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Antonio Lucio Vivaldi Giuseppe Torelli Johann Sebastian Bach Pisendel Heinichen Zelenka Boismortier Corrette Fesch Quantz Arnold Schering Gentili Alfredo Casella Gian Francesco Malipiero Francesco Malipiero 1678 1741
Antonio Lucio Vivaldi (Venezia, 4 marzo 1678 – Vienna, 28 luglio 1741) è statoun compositore e violinista italiano, considerato tra i massimi esponenti del barocco musicale. Sacerdote, pur non potendo celebrare la messa per motivi di salute, era detto "il Prete rosso" per il colore dei capelli. Fu uno dei violinisti più virtuosi del suo tempo e uno dei più grandi compositori di musica barocca. Considerato il più importante, influente e originale musicista italiano della sua epoca, Vivaldi contribuì significativamente allo sviluppo del concerto, soprattutto solistico (un genere iniziato da Giuseppe Torelli), e della tecnica del violino e dell'orchestrazione. Non trascurò inoltre l'opera in musica e la sua opera compositiva vastissima comprende inoltre numerosi concerti, sonate e brani di musica sacra. Le sue opere influenzarono numerosi compositori del suo tempo tra cui il genio massimo del barocco Johann Sebastian Bach, ma anche Pisendel, Heinichen, Zelenka, Boismortier, Corrette, De Fesch, ho Quantz. Le sue composizioni più note sono i quattro concerti per violino conosciuti come Le quattro stagioni, celebre esempio di musica a soggetto. Come per molti compositori barocchi, dopo la sua morte il suo nome e la sua musica caddero nell'oblio. Solo grazie alla ricerca di alcuni musicologi del XX secolo, come Arnold Schering, Marc Pincherle, Alberto Gentili e Alfredo Casella, Gian Francesco Malipiero, il suo nome e le sue opere tornarono celebri, diventando uno dei compositori più noti ed eseguiti. (http•••)
Friedrich Weidemann Weideman Handel Quantz 1697 1704 1725 1727 1738 1746 1764 1778 1782
Autor: Carl Friedrich Weidemann (c.1704-1782) Obra: Flute Concerto No.6, Op.2 (c.1746) Intèrprets: Nаncy Haddеn (flute); Erin Hеаdley (viola da gamba); Susаn BicknеII (viola); Risа Browdеr (violin); Cаthеrine Mаckintosh (violin); Lucy Cаrolаn (harpsichord) Pintura: William Hogarth +••.••(...)) - Marriage A-la-Mode 4, The Toilette Més info: (http•••) / Carl Friedrich [Charles Frederick] Weideman [Weidemann, Weidmann, Wiedeman] (Germany, c.1704 - London, 24 May 1782) German flautist and composer. He spent the greater part of his career in England; the date of his arrival is not known, but he was in London by spring 1725 when he took part in a performance of Handel’s opera Tamerlano at the New Theatre in the Haymarket. This information derives from a handwritten note on Weideman’s own copy of a set of trio sonatas ascribed to Handel: ‘Tamerlan 1725. which was the first Opera I play’d in … C:W:’ (see Deutsch, p.174). By the time Quantz visited England in 1727 Weideman was firmly established as one of London’s leading flautists. He is also remembered as a co-founder, with Festing and Thomas Vincent, of a charitable ‘Fund for the Support of Decayed Musicians and their Families’. This institution, later known as the Royal Society of Musicians of Great Britain, was founded in April 1738 and attracted widespread support from eminent members of the profession, Handel included. Weideman’s activities in London musical circles were many and varied: he engaged in fund-raising concerts for the newly formed society, was in frequent demand as an instrumentalist, produced a succession of compositions, and composed minuets for the court balls. In 1778 he was a member of the King’s Band of Musicians with an annual income of £100. Weideman’s chamber and orchestral works, though a little unenterprising, are neatly constructed and show a sympathetic understanding of woodwind techniques; stylistically, they reflect his known admiration for Handel’s works. The occasional music is in a lighter vein. His songs are charmingly simple, and one at least proved extremely popular with audiences at Vauxhall Gardens. According to G.C. Lichtenberg, Weideman was the flautist depicted by Hogarth in the fourth picture of Marriage à la mode.
Louis Moyse Moyse Louis Köhler Fürstenau Quantz Bach 2020
Louis Moyse / Little Pieces for Flute and Guitar - 6~10 06. Ländler, W. A. Mozart 0:00 07. Allegro Moderato, Louis Köhler 2:24 08. Andante, K. Fürstenau 5:20 09. Rigaudon, J. J. Quantz 7:40 10. Andante, C. Ph. E. Bach 11:25 flute : Kirio Matsuda フルート:松田霧生 Rec.12.11.2020. Sankyo CS model Handmade German Silver 伴奏音源はこちらからお借りしました (http•••)
Ito Johann Joachim Quantz Mollenhauer Kazuo Hanaoka Wieland Kuijken Kuijken Gustav Leonhardt Henriette Puig Roget Roget Haag Concertgebouw 1990 2022
Johann Joachim Quantz Capriccio in a minor played in c minor on alto recorder (Denner model at A'=415 made by Mollenhauer) artist: LYUTA ITO (縦笛侍) recorded on 01 May 2022 in Tokyo ☆チャンネル登録よろしくお願いします♪ リコーダー出張レッスンいたします(都内および近隣) くわしくはコチラ↓↓↓ (http•••) 【縦笛侍 Lyuta Ito プロフィール】 麻布高校卒。 リコーダーを花岡和生に師事。Studied recorder playing with Kazuo Hanaoka. Studied viola da gamba playing with ヴィオラ・ダ・ガンバを中野哲也、Anneke Pols、Wieland Kuijken に師事。 Studied harpsichord playing with チェンバロを小林道夫、Anneke Uittenbosch、Gustav Leonhardt に師事。 Studied piano playing with ピアノを永富和子、藤井一興、Henriette Puig-Roget に師事。 Studied at Conservatorium van Amsterdam and Koninklijk Conservatorium Den Haag. 1990年に (in 1990) performed viola da gamba recital at Amsterdam Concertgebouw にてヴィオラ・ダ・ガンバ リサイタルを行う. また佐藤豊彦率いる (joined to) Alba Musica Kyo (directed by Toyohiko Satoh) に数度、ヴィウヱラおよびリコーダー奏者として参加。 近年はフォトグラファー/ビデオグラファーとしてリコーダー界を中心にステージ撮影で活躍。東京、柴又在住。 2022年下半期本格的にステージ復帰予定! instagram Lyuta Ito Blokfluit (http•••)
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- chronologie: Compositeurs (Europe). Interprètes (Europe).
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