Patrick Fournillier Vidéos
chef d'orchestre
Anniversaires 1954 Anniversaires (Naissance: Patrick Fournillier)
- France
- chef ou cheffe d'orchestre, musicien ou musicienne
Dernière mise à jour
2024-05-03
Actualiser
Massenet Michèle Command Larcher Jean Luc Viala Didier Henry Franz Liszt Patrick Fournillier 1994
Michèle Command (Grisélidis) Claire Larcher (Fiamina) Brigitte Desnoues (Betrade) Jean-Philippe Courits (Le Diable) Jean-Luc Viala (Alain) Didier Henry (Le Marquis) Christian Treguier (Le Prieur) Maurice Sieyès (Gondebaud) Choeurs de Lyon Orchestre Symphonique Franz Liszt de Budapest dir. Patrick Fournillier reg.1994
Jules Massenet Merlin Didier Henry Hubert Humeau Hervé Hennequin Mercier Patrick Fournillier Opéra Monte Carlo 1842 1912 1922 1988
AMADIS Opéra légendaire en 4 actes dont 1 prologue Composer : Jules Massenet (1842–1912) Libretto : Jules Claretie, after ‘Amadis de Gaule’, Spanish chivalrous romance by Garcia Ardonez de Montalvo (15th century) First performance : Opéra de Monte-Carlo, 1 April 1922 The King of Brittany has forced his daughter Elisène to flee into the forest with her sons Amadis and Galaor. Before dying of exhaustion, she ties one of Merlin’s stones around their necks and commends them to the fairies, who predict that the children will have lives of love and woe. Years later, King Raimbert, too old to defend his kingdom, holds a tournament; the victor will be his stepson and successor. Galaor, Knight of the Rose, is certain he will marry Floriane, but she loves Amadis, whom she has never seen but whose exploits she reads. He arrives and also wants to win her hand. Defeated by Galaor, he must abandon the despairing girl to his triumphant rival and become a hermit. Neither this lonely life nor seductive fairies can make him forget Floriane, however; he has a vision that he must rejoin her, even though the fairies try to spare him his tragic destiny. Raimbert’s kingdom joyously celebrates Christmas, but Floriane is miserable; her companions try in vain to cheer her up. Before the wedding, according to custom, Galaor asks if anyone is worthier than he to marry Floriane. Amadis appears, answers the challenge and wounds Galaor; noticing around his neck a stone similar to his own, Amadis recognises his brother. Before dying, Galaor pardons him and blesses the lovers. Amadis has defeated Galaor in combat. By the magic stone Galaor wears around his neck, Amadis recognises him as his brother—and that he has slain his brother. The dying Galaor forgives Amadis, and gives Floriane to his brother, the knight who will save the country. All pray that God will receive the soul of the proud knight of the rose, while the knight of the lily will live for Floriane and fight for the king. Amadis, le chevalier du Lis / Knight of the Lily (contralto): Hélène Perraguin Floriane, fille du roi Raimbert / King Raimbert’s daughter (soprano): Danièle Streiff Galaor, le Chevalier de la Rose / Knight of the Rose (tenor) : Didier Henry Le roi Raimbert / The King (bass) : Antoine Garcin Curneval de Thurnige, preux / knight (tenor) : Hubert Humeau Wenzel de Norvège, preux / knight (tenor) : Guy Flechter Zorzi de Sicile, preux / knight (tenor) : Jean-Philippe Corre Perdigon d’Irlande, preux / knight (baritone or bass) : Jean-Jacques David Armand d’Aquitaine, preux / knight (baritone or bass) : Hervé Hennequin Golias d’Espagne, preux / knight (baritone or bass) : Maurice Xiberras Orlande, compagne de Floriane / Floriane’s companion (soprano) : Florence Launay Béatrice, compagne de Floriane / Floriane’s companion (soprano) : Brigitte Desnoues Simone, compagne de Floriane / Floriane’s companion (soprano) : Bernadette Mercier Guillemette, compagne de Floriane / Floriane’s companion (soprano) : Jeanne-Marie Levy Marguerite, compagne de Floriane / Floriane’s companion (soprano) : Viviane Durand Hélene, compagne de Floriane / Floriane’s companion (soprano) : Angélique Alessandroni Conductor : Patrick Fournillier Orchestra & Chœurs du Théâtre National de l’Opéra de Paris Paris, 1988
Damiano Salerno Gaston Rivero Verdi Puccini Donizetti Marco Armiliato Armiliato Bruno Bartoletti Patrick Fournillier Nicola Luisotti Evelino Pidò Marcello Viotti Viotti Pizzi Zeffirelli Cabrera Dupont Teatro Real Madrid Fenice Wigmore Hall Teatro Campoamor Teatro Opera Roma Teatro Donizetti Teatro Carlo Felice Teatro Regio Torino Teatro Regio Parma Teatro Comunale Bologna Sferisterio Macerata Grange Park Opera 2016
One of the most promising baritone of his generation, Damiano Salerno has already sang the leading roles in operas by Verdi and Puccini in some among the the world’s major theaters, including Teatro Real de Madrid, Teatro La Fenice di Venezia, Bayerishe Rundfunk of Munich, Wigmore-Hall in London, Saarbruken Festival, Theater St. Gallen, Teatro Campoamor de Oviedo, Opera de Tenerife, Opéra de St. Etienne, Teatro dell’Opera di Roma,Teatro Donizetti di Bergamo, Teatro Carlo Felice di Genova, Teatro Regio di Torino, Teatro Regio di Parma, Teatro Comunale di Bologna, Sferisterio di Macerata. He worked with such conductors as Marco Armiliato, Bruno Bartoletti, Arthur Fagen, Patrick Fournillier, Nicola Luisotti, Danil Oren, Evelino Pidò and Marcello Viotti, and with directors as Robert Carsen, Gilbert Deflo, Pier Luigi Pizzi, Emilio Sagi and Franco Zeffirelli. During the 2016/17 season he performed La bohème (Marcello) at Opera de Oviedo, Nabucco (title role) in Pamplona and at Theater St. Gallen, I Puritani (Sir Riccardo) at Teatro Real de Madrid, Madama Butterfly (Sharpless) at HNK Zagreb. Among his future plans: Nabucco (title role) at Theater St. Gallen He took part in important productions including I Puritani at Teatro Real de Madrid and at Grange Park Opera Festival, La traviata (Germont) at Teatro La Fenice di Venezia, at Teatro Carlo Felice di Genova, Bayerishe Rundfunk of Munich, at Saarbruken Festival and at Teatro Donizetti di Bergamo, Rigoletto (title role) at Teatro Comunale di Bologna, at Teatro Regio di Torino, in Las Palmas, St. Gallen, and at Grange Park Opera Festival, Il trovatore (Conte di Luna) and Nabucco (title role) at Teatro Campoamor de Oviedo, I Masnadieri (Francesco) and La Forza del destino (Melitone) at Teatro Regio di Parma, Luisa Miller (Miller) at Teatro La Fenice di Venezia, Roberto Devereux (Duca di Nottingham) and Aida at Opera de Tenerife, La bohème (Marcello) at Teatro La Fenice di Venezia, at Opera de Oviedo and at Sferisterio di Macerata; Madama Butterfly (Sharpless) at Teatro Carlo Felice di Genova and at Opera de Tenerife; Turandot (Ping) at Teatro dell’Opera di Roma; I Pagliacci (Silvio) and Werther (Albert) with the Bayerische Rundfunk Symphonieorchester in Munich. He recorded a rarely performed opera La Cabrera (Cheppa) by Dupont for Bongiovanni and Luisa Miller (Miller) live at Teatro La Fenice for Dinamic.
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